Author: Scott Landis Publisher: Taunton Press ISBN: 9781561582716 Category : Woodshops Languages : en Pages : 234
Book Description
"This may be the first and only (book) to take a hard look at the layout of the woodworker's workshop".--"Booklist". 301color photos. 70 drawings.
Author: Samantha Bennett Publisher: Heinemann Educational Books ISBN: 9780325011929 Category : Education Languages : en Pages : 0
Book Description
Shows a new generation of teachers how the systems, structures, routines, and rituals that support successful workshops combine with thinking, planning, and conferring to drive students' growth, inform assessment and instruction, and increase teachers' professional satisfaction. And it shows those already using the workshop how to increase its instructional power by seeing its big ideas and its component parts in fresh, dynamic ways.
Author: Pamela Hamilton Publisher: Pearson UK ISBN: 129211973X Category : Business & Economics Languages : en Pages : 216
Book Description
Based on methods developed - and proven – in business, this highly visual and practical book will show readers how to design, lead and run effective workshops. The tools you need to design and lead successful workshops yourself Ways to enhance the collective intelligence of any team, keeping them focussed and engaged Tricks and tips for structuring time to generate maximum productivity in a limited session Advice on how to find inspiration and creativity to generate great ideas for any industry or brief Workshop fundamentals, so you can add your own flair The full text downloaded to your computer With eBooks you can: search for key concepts, words and phrases make highlights and notes as you study share your notes with friends eBooks are downloaded to your computer and accessible either offline through the Bookshelf (available as a free download), available online and also via the iPad and Android apps. Upon purchase, you'll gain instant access to this eBook. Time limit The eBooks products do not have an expiry date. You will continue to access your digital ebook products whilst you have your Bookshelf installed.
Author: Carl Aubock Publisher: powerHouse Books ISBN: 9781576876152 Category : Design Languages : en Pages : 0
Book Description
The work Austria's premier design and fabrication shop-specializing in modern and sophisticated objects for the home in bronze, horn, wood, wicker, leather, and glass for over a century-is collected in Carl Auböck: The Workshop. The Werkstätte (Workshop) Carl Auböck was founded in the 19th century-one of many workshops in Vienna specializing in bronze-casting. However, Carl Auböck II (1900-1957) was one of the very few Viennese students who attended the Bauhaus in post-World War I Weimar, and when he returned to the Workshop he brought inspiration from this new design movement. Expert craftsmanship and superior quality materials such as hand-sewn leather, polished bronze, and various woods became the signature of the Bauhaus-inspired Auböck Workshop and many of their whimsical, modernist designs stand out as prescient objets d'art. Carrying on generations of the Workshop tradition, son Carl Auböck III (1924-1993) and grandson Carl Auböck IV (born 1954) were instrumental in forging ahead with new ideas and designs while preserving the quality craftsmanship and integrity of the Workshop which today remains among the last of its kind. Despite designing over 6,000 original objects and pieces of furniture in the early to mid-20th century, Auböck somehow has eluded the spotlight and the Workshop's products remain cult objects of desire, cherished quietly by design greats and savvy collectors. More incredibly, only one quarter of the Workshop's designs have been documented, leaving an astounding 4,000 objects yet to be "discovered." Carl Auböck: The Workshop documents hundreds of signature Workshop objects culled from exclusive private collections, and brings us into the Workshop itself with contemporary photographs, interviews with Carl Auböck IV, and historical documents and photographs depicting the Workshop's historic legacy. "...The strange and luminous world of the Viennese designer Carl Auböck (1900-57). A master of elemental materials like brass, leather, wood and horn, Auböck had a flair for exquisitely turned curios-paperweights, corkscrews, pipe holders-that still exert a magnetic pull... His larger works-Nakashima-like free-edge wooden tables with spindly brass legs, leather-sling magazine racks, gooseneck lamps that evoke alien plant life from 1950s sci-fi flicks-have their fans. But...the smaller household and office objects from the 1940s and '50s have made Auböck a full-blown cult hero. Beloved by contemporaries like Charles and Ray Eames and Walter Gropius, these pieces are now hunted down by collectors the likes of Michael Maharam and Diane von Furstenberg." - The New York Times, T Magazine, "Brass in Pocket, Carl Auböck's Exquisite Curios," May 20, 2010
Author: Julia Woning Publisher: ISBN: 9780578841465 Category : Languages : en Pages :
Book Description
English version of Julia Woning's new book "PanPastel Workshop" is now available. This book covers many of the basic techniques for using PanPastel Colors. If you are new to PanPastel Colors, or are interested in discovering new ways to use the medium, this is a great way to learn many of the techniques that are possible.
Author: Rob Fitzpatrick Publisher: ISBN: 9781071344378 Category : Business communication Languages : en Pages : 219
Book Description
Need to run a workshop? Your attendees are trusting you with their time and attention. What are you giving them in return? Most workshops don't work. They fail to deliver real results and they fail to keep the audience energetic and engaged. They're stressful to run and painful to attend. Designing and running a brilliant workshop is easier than you think. It's not about flashy showmanship or natural charisma. Instead, it's about following a set of clear, simple rules for structuring and arranging the day. Discover and use key design principles such as: Naturally refresh and maintain the audience's attention and energy by alternating the "teaching format" (e.g. lecture, small group discussion, hands-on practice) every 20 minutes and making strategic use of good breaks Dramatically improve your educational impact by choosing an exercise which is properly matched to the type of knowledge/skill/wisdom currently being taught Save dozens of hours by beginning your design process with a simple "skeleton" of Learning Outcomes and timings rather than jumping straight into slides and materials Finish on time, every time, by intentionally designing flexible "schedule springs" into your session, allowing you to seamlessly adjust to delays and bad luck, and to ensure that everyone learns what they came for without running late The first half of the book covers everything you'll need to know about designing and refining the session itself. With a good design in hand, teaching a brilliant workshop goes from arduous to nearly automatic. The second half of the book shifts from ahead-of-time design to day-of facilitation. Learn the essential facilitation needed to solve unexpected problems and run a smooth, stress-free workshop: Reliable tools and tactics for crowd control, recovering attention, and shifting between tasks (without feeling like you're fighting against your audience) Clear guidance for picking the best room setup, and also improving a "bad" room to make the most of it Spotting and problem-solving the six major types of "difficult" attentees who are being either accidentally or intentionally disruptive (including the most common issue of bringing a hostile expert onto your side) Checklists and reminders of what to bring, what to do, and when to do it, in order to ensure that nothing gets forgotten, overlooked, or lost At no point in the book will we ask you to "put on a big smile" or "project confidence". That's fluffy BS which doesn't work. Instead, we'll give you clear, concrete tools for managing a crowd and seamlessly guiding everyone to an effective outcome. Why we're the right authors to help you succeed Over the last 15 years, we've designed and run a huge number of successful workshops (and a few major flops) covering every type of audience: executives, undergrads, MBAs, disadvantaged youths, busy professionals, and more. We've designed everything from 20-minute teasers to 3-month intensives, in locations ranging from Costa Rica and Qatar to London and Berlin. We've taught for companies like HP and Deloitte and for universities like Oxford and NYU. We've built workshops for every price point, from free upskilling (paid for by the state or employer) through to $4000-per-seat premium events. We've taught casual sessions, with beer in hand and flip-flop on foot, through to formal, posh affairs with glitzy venues and high-end catering. In every case, no matter where it was located or who it was for, the process outlined in these pages worked. Perhaps most importantly, we can teach you how to do this. We've trained up teachers from scratch who are now billing upwards of $5000 per day and getting invited back to teach again and again. This stuff isn't complicated. You can learn it!
Author: Barbara Rucci Publisher: Quarry Books ISBN: 1631593250 Category : Juvenile Nonfiction Languages : en Pages : 176
Book Description
Art Workshop for Children is not just another book of straightforward art projects. The book's unique child-led approach provides a framework for cultivating creative thinking and encourages the wonder that comes when children are allowed to freely explore the creative process and their materials. As children work through these open-ended workshops, adults are guided on how to be facilitators who provide questions, encourage deep thinking, and help spark an excitement for discovery. Children explore basic materials and workshops that use minimal supplies, and then gradually add new materials to fill the art cabinets as well as new skills and more complex workshops. Most workshops are suitable to preschool-aged children, and each contains ideas for explorations and new twists to engage older or more experienced artists. Interspersed throughout are sidebar essays that introduce perspectives on mess-making, imperfection, the role of adult, collaborative art, and thoughts on the Reggio Emilia method, a self-guided teaching philosophy. These pieces underscore the value of art-making with children, and support the parent/teacher/care-giver on how to successfully lead, question, and navigate their children through the workshops to result in the fullest experiences.
Author: Péter Hanák Publisher: Princeton University Press ISBN: 1400864836 Category : History Languages : en Pages : 274
Book Description
A century ago, Vienna and Budapest were the capital cities of the western and eastern halves of the increasingly unstable Austro-Hungarian empire and scenes of intense cultural activity. Vienna was home to such figures as Sigmund Freud, Gustav Klimt, and Hugo von Hofmannsthal; Budapest produced such luminaries as Béla Bartók, Georg Lukács, and Michael and Karl Polanyi. However, as Péter Hanák shows in these vignettes of Fin-de-Siécle life, the intellectual and artistic vibrancy common to the two cities emerged from deeply different civic cultures. Hanák surveys the urban development of the two cities and reviews the effects of modernization on various aspects of their cultures. He examines the process of physical change, as rapid population growth, industrialization, and the rising middle class ushered in a new age of tenements, suburbs, and town planning. He investigates how death and its rituals--once the domain of church, family, and local community--were transformed by the commercialization of burials and the growing bureaucratic control of graveyards. He explores the mentality of common soldiers and their families--mostly of peasant origin--during World War I, detecting in letters to and from the front a shift toward a revolutionary mood among Hungarians in particular. He presents snapshots of such subjects as the mentality of the nobility, operettas and musical life, and attitudes toward Germans and Jews, and also reveals the striking relationship between social marginality and cultural creativity. In comparing the two cities, Hanák notes that Vienna, famed for its spacious parks and gardens, was often characterized as a "garden" of esoteric culture. Budapest, however, was a dense city surrounded by factories, whose cultural leaders referred to the offices and cafés where they met as "workshops." These differences were reflected, he argues, in the contrast between Vienna's aesthetic and individualistic culture and Budapest's more moralistic and socially engaged approach. Like Carl Schorske's famous Fin-de-Siécle Vienna, Hanák's book paints a remarkable portrait of turn-of-the-century life in Central Europe. Its particular focus on mass culture and everyday life offers important new insights into cultural currents that shaped the course of the twentieth century. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.