Author: Theophile Gautier Publisher: New York Review of Books ISBN: 159017271X Category : Fiction Languages : en Pages : 227
Book Description
Romantic provocateur, flamboyant bohemian, precocious novelist, perfect poet—not to mention an inexhaustible journalist, critic, and man-about-town—Théophile Gautier is one of the major figures, and great characters, of French literature. In My Fantoms Richard Holmes, the celebrated biographer of Shelley and Coleridge, has found a brilliantly effective new way to bring this great bu too-little-known writer into English. My Fantoms assembles seven stories spanning the whole of Gautier’s career into a unified work that captures the essence of his adventurous life and subtle art. From the erotic awakening of “The Adolescent” through “The Poet,” a piercing recollection of the mad genius Gérard de Nerval, the great friend of Gautier’s youth, My Fantoms celebrates the senses and illuminates the strange disguises of the spirit, while taking readers on a tour of modernity at its most mysterious. ”What ever would the Devil find to do in Paris?” Gautier wonders. “He would meet people just as diabolical as he, and find himself taken for some naïve provincial…” Tapestries, statues, and corpses come to life; young men dream their way into ruin; and Gautier keeps his faith in the power of imagination: “No one is truly dead, until they are no longer loved.”
Author: Clayton Koelb Publisher: Camden House ISBN: 9781571133885 Category : History Languages : en Pages : 224
Book Description
Reading as key to the mysterious relation between lifeless material bodies and living, animate beings in Romantic fiction and thought.What is not Life that really is? asked Coleridge, struggling, like many poets, philosophers, and scientists of Europe''s Romantic age, to formulate a theory of life that explained the mysterious relation between dead material bodies and living, animate beings. Romantic intellectuals found a key to this mystery surprisingly close at hand: the process by which dead matter could come to life must be something like the process of reading. The Revivifying Word examines the reanimating acts of reading that became a central focus of attention for Romantic writers. German theorists, building on the Apostle Paul''s assertion that the dead letter can be revivified by the livingspirit, proposed a permeable, legible boundary between the living and the dead. This inaugurated a revolution in European aesthetics, implanting the germ of an extraordinarily productive narrative idea that enriched Romantic literature for decades. Poets and novelists created a large cast of characters who crossed the boundary between death and life with the help of some form of reading: figures like Keats''s Glaucus, Kleist''s Elizabeth Kohlhaas, Shelley''sFrankenstein (and the monster he creates), Maturin''s Melmoth, Poe''s Madeline Usher, and Gautier''s Spirite. Clayton Koelb demonstrates that such fictions offer a nuanced consideration of the most urgent question facing any theoryof life: how do material bodies come to acquire, to lose, and then perhaps to regain the immaterial intellectual/spiritual quality that defines animate beings? Clayton Koelb is Guy B. Johnson Professor of German, English, and Comparative Literature and Chair of the Department of Germanic Languages and Literatures at the University of North Carolina, Chapel Hill.Romantic literature for decades. Poets and novelists created a large cast of characters who crossed the boundary between death and life with the help of some form of reading: figures like Keats''s Glaucus, Kleist''s Elizabeth Kohlhaas, Shelley''sFrankenstein (and the monster he creates), Maturin''s Melmoth, Poe''s Madeline Usher, and Gautier''s Spirite. Clayton Koelb demonstrates that such fictions offer a nuanced consideration of the most urgent question facing any theoryof life: how do material bodies come to acquire, to lose, and then perhaps to regain the immaterial intellectual/spiritual quality that defines animate beings? Clayton Koelb is Guy B. Johnson Professor of German, English, and Comparative Literature and Chair of the Department of Germanic Languages and Literatures at the University of North Carolina, Chapel Hill.Romantic literature for decades. Poets and novelists created a large cast of characters who crossed the boundary between death and life with the help of some form of reading: figures like Keats''s Glaucus, Kleist''s Elizabeth Kohlhaas, Shelley''sFrankenstein (and the monster he creates), Maturin''s Melmoth, Poe''s Madeline Usher, and Gautier''s Spirite. Clayton Koelb demonstrates that such fictions offer a nuanced consideration of the most urgent question facing any theoryof life: how do material bodies come to acquire, to lose, and then perhaps to regain the immaterial intellectual/spiritual quality that defines animate beings? Clayton Koelb is Guy B. Johnson Professor of German, English, and Comparative Literature and Chair of the Department of Germanic Languages and Literatures at the University of North Carolina, Chapel Hill.Romantic literature for decades. Poets and novelists created a large cast of characters who crossed the boundary between death and life with the help of some form of reading: figures like Keats''s Glaucus, Kleist''s Elizabeth Kohlhaas, Shelley''sFrankenstein (and the monster he creates), Maturin''s Melmoth, Poe''s Madeline Usher, and Gautier''s Spirite. Clayton Koelb demonstrates that such fictions offer a nuanced consideration of the most urgent question facing any theoryof life: how do material bodies come to acquire, to lose, and then perhaps to regain the immaterial intellectual/spiritual quality that defines animate beings? Clayton Koelb is Guy B. Johnson Professor of German, English, and Comparative Literature and Chair of the Department of Germanic Languages and Literatures at the University of North Carolina, Chapel Hill.Keats''s Glaucus, Kleist''s Elizabeth Kohlhaas, Shelley''sFrankenstein (and the monster he creates), Maturin''s Melmoth, Poe''s Madeline Usher, and Gautier''s Spirite. Clayton Koelb demonstrates that such fictions offer a nuanced consideration of the most urgent question facing any theoryof life: how do material bodies come to acquire, to lose, and then perhaps to regain the immaterial intellectual/spiritual quality that defines animate beings? Clayton Koelb is Guy B. Johnson Professor of German, English, and Comparative Literature and Chair of the Department of Germanic Languages and Literatures at the University of North Carolina, Chapel Hill.
Author: Charles Baudelaire Publisher: Alma Books ISBN: 0714548367 Category : Biography & Autobiography Languages : en Pages : 87
Book Description
Among the earliest artistic accounts of the hallucinogenic experience in European literature, the four pieces in this volume document Gautier and Baudelaire's own involvement in the Club of Assassins, who met under the auspices of Dr Moreau to investigate the psychological and mind-enhancing effects of hashish, wine and opium. As well as providing an absorbing of nineteenth-century drug use, Hashish, Wine, Opium captures the spirit of French Romanticism, in its struggle to free the mind from the shackles of the humdrum and the conventional, and serves as a fascinating prologue to the psychedelic literature of the following centuries.
Author: Theophile Gautier Publisher: The Floating Press ISBN: 1776587219 Category : Poetry Languages : en Pages : 126
Book Description
A creative innovator who boldly traversed traditional boundaries separating different genres and schools, French poet Theophile Gautier was extremely influential, playing a role in shaping the styles of poets from T. S. Elliot to Ezra Pound. In this, his most acclaimed collection of verse, Gautier offers his philosophical ponderings and lyrical musings.
Author: Christophe Wall-Romana Publisher: Manchester University Press ISBN: 1526111365 Category : Performing Arts Languages : en Pages : 308
Book Description
If cinema can be approached as poetry and philosophy, it is because of Jean Epstein. Cocteau, Buñuel (who was his assistant), Hitchcock, Pasolini and Godard, and theoreticians Kracauer, Deleuze and Rancière are directly influenced by Epstein’s pioneering film work, writings, and concepts. This book is the first in English to examine his oeuvre comprehensively. An avant-garde artist and an anti-elitist intellectual, Epstein wanted to craft moments of pure transformative cinema. Using familiar genres – melodramas and documentaries – he hoped to heal viewers of all classes and hasten social utopia. A lover of cinema as cognitive and sensorial technology, and a poet of the screen, he pushed cinematography – as photogénie – towards the experimental sublime, through daring close-ups, rhythmic montage, slow motion, even reverse motion. Polish-born, half-Jewish, and the author of a treatise on homosexuality, Epstein has been unfairly relegated to the shadows of film history. This book restores him to the limelight of interwar world cinema, on a par with Renoir, Lang, Capra and Eisenstein.
Author: Theophile Gautier
Author: Théophile Gautier
Author: Théophile Gautier
Author: Clayton Koelb
Author: Charles Baudelaire
Author: Théophile Gautier
Author: Theophile Gautier
Author: Théophile Gautier
Author: Théophile Gautier
Author: Christophe Wall-Romana