Author: John RuskinPublisher:
ISBN:
Category :
Languages : en
Pages : 472
Book Description
The Works of John Ruskin
Author: John RuskinThe Works of John Ruskin: Bibliography. Catalogue of Ruskin's drawings. Addenda et corrigenda
Author: John RuskinPublisher:
ISBN:
Category :
Languages : en
Pages : 472
Book Description
Volume 1-35, works. Volume 36-37, letters. Volume 38 provides an extensive bibliography of Ruskin's writings and a catalogue of his drawings, with corrections to earlier volumes in George Allen's Library Edition of the Works of John Ruskin. Volume 39, general index.
Complete Works of John Ruskin
Author: John RuskinPublisher: Delphi Classics
ISBN: 1910630152
Category : English essays
Languages : en
Pages : 11475
Book Description
The leading art critic of the Victorian era, John Ruskin created a large body of work, writing influential essays and treatises on subjects as varied as geology, architecture, ornithology, literature, education, botany and political economy, to name but a few. This comprehensive eBook presents the complete published works of John Ruskin, with numerous illustrations, rare texts appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 1)Beautifully illustrated with images relating to Ruskin's life and worksConcise introductions to the famous art books and other textsALL the art criticism and published prose works, with individual contents tablesImages of how the books were first printed, giving your eReader a taste of the original textsExcellent formatting of the textsFamous works such as MODERN PAINTERS and THE STONES OF VENICE are fully illustrated with their original artworkThe complete poetry is presented in the scholarly Cook and Wedderburn editionSpecial alphabetical contents tables for the poetry - easily locate the poems you want to readThe complete letters of the FORS CLAVIGERA with footnotes (Cook and Wedderburn), including the famous Whistler pamphlet - first time in digital printAll the travel booksIncludes Ruskin's rare autobiography PRAETERITA (Cook and Wedderburn), accompanied with the scarce DILECTASpecial criticism section, with essays evaluating Ruskin's contribution to literature and art criticismFeatures a bonus biography - discover Ruskin's literary lifeEven offers a special illustrated section on Ruskin's paintingsScholarly ordering of texts into chronological order and literary genres Please visit delphiclassics.com to browse through our range of exciting titles
The works of John Ruskin
Author: John RuskinThe Works of John Ruskin
Author: John RuskinThe Works of John Ruskin: The stones of Venice, the foundations
Author: John RuskinPublisher:
ISBN:
Category : Art critics
Languages : en
Pages : 480
Book Description
Volume 1-35, works. Volume 36-37, letters. Volume 38 provides an extensive bibliography of Ruskin's writings and a catalogue of his drawings, with corrections to earlier volumes in George Allen's Library Edition of the Works of John Ruskin. Volume 39, general index.
The Works of John Ruskin: The stones of Venice, the sea-stories
Author: John RuskinPublisher:
ISBN:
Category : Art critics
Languages : en
Pages : 682
Book Description
Volume 1-35, works. Volume 36-37, letters. Volume 38 provides an extensive bibliography of Ruskin's writings and a catalogue of his drawings, with corrections to earlier volumes in George Allen's Library Edition of the Works of John Ruskin. Volume 39, general index.
The Works of John Ruskin: The guild and museum of St. George
Author: John RuskinThe Enchantments of Mammon
Author: Eugene McCarraherPublisher: Belknap Press
ISBN: 0674984617
Category : History
Languages : en
Pages : 817
Book Description
“An extraordinary work of intellectual history as well as a scholarly tour de force, a bracing polemic, and a work of Christian prophecy...McCarraher challenges more than 200 years of post-Enlightenment assumptions about the way we live and work.” —The Observer At least since Max Weber, capitalism has been understood as part of the “disenchantment” of the world, stripping material objects and social relations of their mystery and magic. In this magisterial work, Eugene McCarraher challenges this conventional view. Capitalism, he argues, is full of sacrament, whether one is prepared to acknowledge it or not. First flowering in the fields and factories of England and brought to America by Puritans and evangelicals, whose doctrine made ample room for industry and profit, capitalism has become so thoroughly enmeshed in the fabric of our society that our faith in “the market” has become sacrosanct. Informed by cultural history and theology as well as management theory, The Enchantments of Mammon looks to nineteenth-century Romantics, whose vision of labor combined reason, creativity, and mutual aid, for salvation. In this impassioned challenge to some of our most firmly held assumptions, McCarraher argues that capitalism has hijacked our intrinsic longing for divinity—and urges us to break its hold on our souls. “A majestic achievement...It is a work of great moral and spiritual intelligence, and one that invites contemplation about things we can’t afford not to care about deeply.” —Commonweal “More brilliant, more capacious, and more entertaining, page by page, than his most ardent fans dared hope. The magnitude of his accomplishment—an account of American capitalism as a religion...will stun even skeptical readers.” —Christian Century
The Business of Watercolour
Author: Simon FenwickPublisher: Routledge
ISBN: 0429760620
Category : Art
Languages : en
Pages : 379
Book Description
First published in 1997, this volume will revolutionise the study of watercolour painting in Britain. The Royal Watercolour Society archive constitutes a major academic resource covering two hundred years of the history of watercolour painting in Britain. The rediscovery in 1980 of ‘the Jenkins Papers’, the early records of the Society, was a major find for the history of British art. The archives are substantial and remarkably comprehensive. Minutes of annual general meetings, Council and committees, are all intact; extraordinarily, the Society’s catalogues for its own exhibitions have also survived, with details of who bought the pictures and for how much. It contains biographical information on several hundred artists who practised throughout the United Kingdom from the end of the eighteenth century to the present day. Prepared by the archivist to the RWS, Simon Fenwick, this is not just a work of reference, but an absorbing book to dip into again and again. The Society of Painters in Water Colours, as it was then titled, was founded in 1804 to promote the interests of painters using watercolour and to provide a platform for members to sell their work. As such, its archives provide an excellent insight into the evolving debate on the status of the artists and their medium, and an authoritative account of the way in which watercolour paintings were sold, distributed and acquired. The substantial introduction by Greg Smith surveys some of the purposes and practices of watercolour from 1750 to the present day and highlights key issues, many yet to be examined, relating to the study of watercolour. His survey is arranged around a number of topics including the notion of watercolour as a British art, collecting and display, book illustration, architectural drawing, map-making and topography, antiquarian studies, decorative arts, printmaking, portrait miniatures and drawings, amateur practices and the changing status of the sketch.