Author: William ShenstonePublisher:
ISBN:
Category :
Languages : en
Pages : 376
Book Description
The Works, in Verse and Prose, of William Shenstone, Esq; Vol. III.
Author: William ShenstoneThe Works in Verse and Prose, of William Shenstone, Esq
Author: William ShenstoneThe Works, in Verse and Prose, of William Shenstone, Esq: Elegies on several occasions ; Odes, songs, ballads, etc. ; Levities; or, Pieces of humor ; Moral pieces
Author: William ShenstonePublisher:
ISBN:
Category : English poetry
Languages : en
Pages : 370
Book Description
The Works in Verse and Prose, of William Shenstone, Esq;: I. Elegies on several occasions. II. Odes, songs, ballads, &c. III. Levities, or pieces of humour. IV. Moral pieces
Author: William ShenstoneThe Works in Verse and Prose, of William Shenstone, Esq;: Essays on men, manners, and things. A description of The Leasowes, the seat of the late William Shenstone, Esq. Verses to Mr. Shenstone
Author: William ShenstoneThe Works, in Verse and Prose, of William Shenstone: Essays on men and manners. A description of the Leasowes, the seat of the late William Shenstone, esq.: by R. Dodsley. Verses to Mr. Shenstone
Author: William ShenstoneThe Works in Verse and Prose of William Shenstone
Author: William ShenstonePublisher:
ISBN: 9783337432638
Category :
Languages : en
Pages : 420
Book Description
The Works in Verse and Prose of William Shenstone, Esq.
Author: William ShenstonePublisher: Palala Press
ISBN: 9781347181607
Category :
Languages : en
Pages : 424
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Literary Coteries and the Making of Modern Print Culture
Author: Betty A. SchellenbergPublisher: Cambridge University Press
ISBN: 1316589307
Category : Literary Criticism
Languages : en
Pages :
Book Description
Literary Coteries and the Making of Modern Print Culture offers the first study of manuscript-producing coteries as an integral element of eighteenth-century Britain's literary culture. As a corrective to literary histories assuming that the dominance of print meant the demise of a vital scribal culture, the book profiles four interrelated and influential coteries, focusing on each group's deployment of traditional scribal practices, on key individuals who served as bridges between networks, and on the aesthetic and cultural work performed by the group. The book also explores points of intersection between coteries and the print trade, whether in the form of individuals who straddled the two cultures; publishing events in which the two media regimes collaborated or came into conflict; literary conventions adapted from manuscript practice to serve the ends of print; or simply poetry hand-copied from magazines. Together, these instances demonstrate how scribal modes shaped modern literary production. This title is also available as Open Access.
Inquiry Into the Picturesque
Author: Sidney K. RobinsonPublisher: University of Chicago Press
ISBN: 9780226722511
Category : Architecture
Languages : en
Pages : 212
Book Description
The aesthetic mode of the picturesque has undergone so many transformations since its initial discussion in eighteenth-century England that it is hard to say just what it is. In these probing essays, Sidney K. Robinson re-examines the picturesque in its late eighteenth-century phase.