Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Typographic Milestones PDF full book. Access full book title Typographic Milestones by Allan Haley. Download full books in PDF and EPUB format.
Author: Allan Haley Publisher: John Wiley & Sons ISBN: 9780471288947 Category : Design Languages : en Pages : 158
Book Description
Profiles of 18 typographers who made significant contributions to the field, including oldies such as Gutenberg, Caxton, Caslon, Baskerville, Bodoni, and several moderns whose work—Times New Roman, Perpetua, Electra, etc.—is better known than their names.
Author: Allan Haley Publisher: John Wiley & Sons ISBN: 9780471288947 Category : Design Languages : en Pages : 158
Book Description
Profiles of 18 typographers who made significant contributions to the field, including oldies such as Gutenberg, Caxton, Caslon, Baskerville, Bodoni, and several moderns whose work—Times New Roman, Perpetua, Electra, etc.—is better known than their names.
Author: Walter Tracy Publisher: David R. Godine Publisher ISBN: 9781567922400 Category : Architecture Languages : en Pages : 230
Book Description
The revolution in typesetting - a revolution that over the past two decades has eliminated a five-hundred-year-old system of hot metal production and replaced it with one of photo-generated and computer-driven composition - shows no sign of winding down. This book, more than any other we know, traces the steps that went into that revolution and simultaneously makes the argument that the letter forms themselves are in process of evolution. Tracy argues that, whether they are of the sixteenth or the twentieth century, the forms that comprise our alphabet are subject to the same rules of good taste, proportion, and clarity that have always obtained. But what we face today is vastly different from fifty years ago. For the first time, new technology has made the proliferation (and, as some would maintain, debasement) of letter forms fast and easy (or quick and dirty.) With fifty years of professional experience on both sides of the Atlantic (including thirty years as head of type design for the British Linotype Company), Tracy is in a unique position to make this argument and arrive at his sad conclusion: the design of distinguished, contemporary typefaces is far outnumbered by the mediocre and downright bad. Part of the reason for this deplorable deterioration is a lack of critical analysis of the particular esthetics involved. This step-by-step examination of type-design esthetics is precisely what Tracy provides here, while avoiding both the promoter's hype and the manufacturer's claims. Here are the gut issues of what makes type good or bad, legible or unreadable. Extensively illustrated with both typefaces and line drawings, this book belongs on the shelf of anyone interested in thehistory of letters or in the artistry and peculiar problems that lie behind their production.
Author: Sidney E. Berger Publisher: Rowman & Littlefield ISBN: 1538151332 Category : Language Arts & Disciplines Languages : en Pages : 575
Book Description
Named a Library Journal Best Reference of 2023 - From Library Journal's Starred Review: "This ambitious and entertaining update solidifies Berger’s volume as a must-have title for librarians, booksellers, collectors, and students of the book arts and book history." This new edition of The Dictionary of the Book adds more than 700 new entries and many new illustrations and brings the vocabulary and theory of bookselling and collecting into the modern commercial and academic world, which has been forced to adjust to a new reality. The definitive glossary of the book covers all the terms needed for a thorough understanding of how books are made, the materials they are made of, and how they are described in the bookselling, book collecting, and library worlds. Every key term—more than 2,000—that could be used in booksellers’ catalogs, library records, and collectors’ descriptions of their holdings is represented in this dictionary. This authoritative source covers all areas of book knowledge, including: The book as physical object Typeface terminology Paper terminology Printing Book collecting Cataloging Book design Bibliography as a discipline, bibliographies, and bibliographical description Physical Condition and how to describe it Calligraphy Language of manuscripts Writing implements Librarianship Legal issues Parts of a book Book condition terminology Pricing of books Buying and selling Auctions Items one will see an antiquarian book fairs Preservation and conservation issues, and the notion of restoration Key figures, presses / publishers, and libraries in the history of books Book collecting clubs and societies How to read and decipher new and old dealers’ catalogs And much more The Dictionary also contains an extensive bibliography—more than 1,000 key readings in the book world and it gives current (and past) definitions of terms whose meaning has shifted over the centuries. More than 200 images accompany the entries, making the work even more valuable for understanding the terms described.
Author: H. Liebaers Publisher: Springer Science & Business Media ISBN: 9400988028 Category : Language Arts & Disciplines Languages : en Pages : 250
Book Description
IT ALL STARTED with the American Library Association (ALA) which wanted to celebrate its centenary in 1976 at its headquarters in Chicago. With five American librarians and non-librarians I was invited to give a centennial paper. I declined the flattering offer because I had left the profession and had no time to do any research. I added innocently, however, that I would be delighted to speak out of personal experience, for instance on the impor tance of American librarianship in my professional life. This pro posal was accepted; I delivered the lecture and my text was printed in Libraries and the Life cif the Mind. Before I had read my paper in Chicago I received a request from the International Federation of Library Associations (IFLA) to contribute with Recollections of a President to the fiftieth anniver sary volume of IFLA (1927-1977). For reasons with which I agreed IFLA did not publish my paper in full, such as it is given here as chapter 10. I am confident that no one will compare the two versions in order to try to find out \\That has been left out in the earlier printing. Two other papers have appeared in German Festschrifts, one for Kurt Koster from Frankfurt-aiM (chapter 7) and one for Gerhard Liebers from Munster (chapter 5) the former being focussed to accord with the interest of the recipient on medieval Dutch manuscripts, the latter, for similar reasons, on library buildings.
Author: Martin Hutner Publisher: David R. Godine Publisher ISBN: 9781567922202 Category : Antiques & Collectibles Languages : en Pages : 188
Book Description
These lists are usually generated in neat doses of one hundred titles. Here then (at least in the opinions of Messrs. Hutner and Kelly) are the hundred greatest printed books of the twentieth century. Given another pair of editors, you d probably be offered a different list, but this one serves and serves well, for it concentrates not only on the recognized chestnuts, but also lesser-known, and often exceedingly récherché volumes that have left their mark. It is noteworthy that only two books in the survey were printed by offset; the rest are all letterpress. And although America is strongly represented, there are also selections from Italy, France, Germany, the Netherlands, England, Wales and Switzerland. Every book is illustrated in fine line duotone, many in color, and best of all, the captions that accompanied the original Grolier exhibit have been transcribed intact. In their two prefatory essays, Hutner has provided a convincing defense of his choices (1900 1948), and Kelly, a spirited apologia for his (1949 1999). Joe Blumenthal ended his survey of fine printing in America with the observation that the art of the book, one of the slender graces of civilization, works its charm on each new generation. This survey, while admittedly neither comprehensive nor definitive, provides an excellent overview of fine printing over the past hundred years. Despite Morison s contention that typography is the most conservative of all the arts, the form of the book continues to mutate, evolve, and advance. If we are to overcome the complexities of a digital age, we would do well to appreciate, if not embrace, that heritage. -- Amazon.com.
Author: Allan Haley
Author: Allan Haley
Author: Jan Middendorp
Author: Jan van Krimpen
Author: Walter Tracy
Author: Stanley Morison
Author: Sidney E. Berger
Author: 
Author: H. Liebaers
Author: Martin Hutner
Author: