Author: Rev. Henry BATE (afterwards DUDLEY (Sir Henry Bate) Rev., Bart.)Publisher:
ISBN:
Category :
Languages : en
Pages : 116
Book Description
The Woodman, a Comic Opera, in Three Acts, Etc
Author: Rev. Henry BATE (afterwards DUDLEY (Sir Henry Bate) Rev., Bart.)Publisher:
ISBN:
Category :
Languages : en
Pages : 116
Book Description
The Siege of Belgrade, a Comic Opera, in Three Acts, Etc. By J. Cobb
Author: James CobbCatalogue of Opera Librettos Printed Before 1800
Author: Library of Congress. Music DivisionPublisher:
ISBN:
Category : Government publications
Languages : en
Pages : 1196
Book Description
The British Library General Catalogue of Printed Books to 1975
Author: British LibraryPublisher:
ISBN:
Category : Reference
Languages : en
Pages : 536
Book Description
Catalog of Copyright Entries. Part 1. [B] Group 2. Pamphlets, Etc. New Series
![Catalog of Copyright Entries. Part 1. [B] Group 2. Pamphlets, Etc. New Series PDF](https://books.google.com/books/content/images/frontcover/M1wcAQAAIAAJ?fife=w80-h100)
Author: Library of Congress. Copyright OfficePublisher:
ISBN:
Category :
Languages : en
Pages : 716
Book Description
General Catalogue of Printed Books
Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : English imprints
Languages : en
Pages : 616
Book Description
The British Museum Catalogue of Printed Books, 1881-1900
Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : English literature
Languages : en
Pages : 1116
Book Description
Catalogue of the Printed Books in the Library of the British Museum
Author: British LibrarySongs and Duets in the Blacksmith of Antwerp, Altered from O'Keeffe, Etc
Author: John O'KeeffeMusic Entries at Stationers' Hall, 1710–1818
Author: Michael KasslerPublisher: Routledge
ISBN: 1317092058
Category : Music
Languages : en
Pages : 764
Book Description
The British Copyright Act of 1709 protected proprietors of books and music printed after 10 April 1710 who gave copies to the Company of Stationers in London. Upon receipt of a copy, usually within days of its first publication, the Stationers' Hall warehouse keeper entered details into a register. They included the date of registration, the name of the work's proprietor (its author or, if copyright had been transferred, its publisher), and the work's full title, which normally named the composer and the writer of any text and often named the work's performers and dedicatee. Although some publishers put the words 'Entered at Stationers' Hall' on title-pages without actually depositing copies, the information in the registers about the many works that were registered has significant bibliographic value. Because the music entries have not previously been printed and access to them has been difficult, they generally have been ignored by cataloguers and scholars, with the consequence that numerous musical works of this period have been misdated in libraries and reference books. This book makes available, for the first time, the full text of the music entries at Stationers' Hall from 1710 to 1810 and abbreviated details of works entered from 1811 to 1818. Its value is enhanced by the inclusion of locations of copies of most works, together with indexes of composers, authors, performers and dedicatees, and an explanatory introduction by the compiler.