The Women Characters of Corneille and Racine PDF Download

Author: Virginia Merrills
Publisher:
ISBN:
Category : Women in literature
Languages : en
Pages : 26

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Author: Dana Lungu
Publisher: BRILL
ISBN: 9004548556
Category : Literary Criticism
Languages : en
Pages : 237

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Book Description
This study breaks with traditional readings in terms of tragic model and tragic hero in the works of Racine and Corneille. It departs from the critical tradition of examining the tragic hero as an isolated figure, defined by autonomy; it approaches the behaviour of Médée, Clytemnestre, and Phèdre from a relational perspective. It argues that these female characters belong to the tragic hero category, hold valid and valuable ethical positions and deserve to be treated as equal to their male counterparts. It also redefines the way we look at the tragic dynamic. The characters are no longer antagonists but inadvertent collaborators working towards the tragic outcome in order to satisfy desires and beliefs about themselves and the world that are deeply rooted in their psyche. This book shows that alternative interpretations of the behaviour of Médée, Clytemnestre and Phèdre can be obtained and must be obtained by applying modern methodologies in order to challenge the biased readings from the past and to see these characters in a new light.

Author: Alice Virginia Videtto
Publisher:
ISBN:
Category :
Languages : en
Pages : 204

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Author: Laura Christine Stump
Publisher:
ISBN:
Category :
Languages : en
Pages : 44

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Author: Lacy Lockert
Publisher: Vanderbilt University Press
ISBN: 9780826511102
Category : English drama
Languages : en
Pages : 716

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The book contains, then, eleven plays from the great age of French drama in the seventeenth century, one play from the prolific pen of Alexandra Hardy, who proceeded the great age, and on from the eighteenth century, the aftermath of that age.

Author: Virginia Scott
Publisher: Cambridge University Press
ISBN: 1139491644
Category : Drama
Languages : en
Pages :

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Focusing on actresses in France during the early modern period, Virginia Scott examines how the stereotype of the actress has been constructed. The study then moves beyond that stereotype to detail the reality of the personal and artistic lives of women on the French stage, from the almost unknown Marie Ferré - who signed a contract for 12 livres a year in 1545 to perform the 'antiquailles de Rome or other histories, moralities, farces, and acrobatics' in the provinces - to the queens of the eighteenth-century Paris stage, whose 'adventures' have overshadowed their artistic triumphs. The book also investigates the ways in which actresses made invaluable contributions to the development of the French theatre in the seventeenth and eighteenth centuries, and looks at the 'afterlives' of such women as Armande Béjart, Marquise Du Parc, Charlotte Desmares, Adrienne Lecouvreur, and Hippolyte Clairon in biographies, plays, and films.

Author: Maturia Murray Ballou
Publisher:
ISBN:
Category :
Languages : en
Pages : 426

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Author:
Publisher: BRILL
ISBN: 9004504818
Category : Literary Criticism
Languages : en
Pages : 409

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In two of his most celebrated plays, Britannicus and Bérénice, Racine depicts the tragedies of characters trapped by the ideals, desires, and cruelties of ancient Rome. This international collection of essays deploys cutting-edge research to illuminate the plays and their contexts.

Author: Andrew Maunder
Publisher: Taylor & Francis
ISBN: 1040243045
Category : Literary Criticism
Languages : en
Pages : 367

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Book Description
Five 'sensation' novels are here presented complete and fully reset, along with scholarly annotation, a bibliography of 'sensation' fiction and articles contributing to contemporary debate.

Author: John Watkins
Publisher: Cornell University Press
ISBN: 1501708511
Category : Literary Criticism
Languages : en
Pages : 412

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Book Description
The Renaissance jurist Alberico Gentili once quipped that, just like comedies, all wars end in a marriage. In medieval and early modern Europe, marriage treaties were a perennial feature of the diplomatic landscape. When one ruler decided to make peace with his enemy, the two parties often sealed their settlement with marriages between their respective families. In After Lavinia, John Watkins traces the history of the practice, focusing on the unusually close relationship between diplomacy and literary production in Western Europe from antiquity through the seventeenth century, when marriage began to lose its effectiveness and prestige as a tool of diplomacy.Watkins begins with Virgil's foundational myth of the marriage between the Trojan hero Aeneas and the Latin princess, an account that formed the basis for numerous medieval and Renaissance celebrations of dynastic marriages by courtly poets and propagandists. In the book's second half, he follows the slow decline of diplomatic marriage as both a tool of statecraft and a literary subject, exploring the skepticism and suspicion with which it was viewed in the works of Spenser and Shakespeare. Watkins argues that the plays of Corneille and Racine signal the passing of an international order that had once accorded women a place of unique dignity and respect.