General Catalogue of Printed Books PDF Download

Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1138

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Author: Amanda Bidnall
Publisher: Liverpool University Press
ISBN: 1786948036
Category : History
Languages : en
Pages : 296

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Book Description
The West Indian Generation: Remaking British Culture in London, 1945–1965 shows the progressive potential—and stultifying limits—of cultural collaboration between West Indian artists and entertainers who settled in London and the city’s engines of mainstream culture.

Author: David Olusoga
Publisher: Pan Macmillan
ISBN: 1529052963
Category : Juvenile Nonfiction
Languages : en
Pages : 80

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Book Description
This beautiful hardback gift book is a stunning visual journey through Black British history for younger readers by award-winning historian and broadcaster David Olusoga and illustrated by Jake Alexander and Melleny Taylor. The essential starting place for anyone who wants to learn about Black British History. David Olusoga’s thought provoking text charts the forgotten histories of Black people in Britain from Roman times right through to the present day. From Roman Africans guarding Hadrian’s Wall, to an African trumpeter in the court of Henry the Eighth, Black Georgians fighting for the abolition of slavery, Black soldiers fighting for Britain in the First World War, Windrush and right up today. These are the stories that brought us all together in this country. When did Africans first come to Britain? Who are the well-dressed black children in Georgian paintings? Why did the American Civil War disrupt the Industrial Revolution? These and many other questions are answered in this essential introduction to 1800 years of the Black British history. This children's edition of the bestseller Black and British: A Forgotten History is beautifully illustrated in full-colour with maps, portrait galleries, timelines, photos and portraits.

Author: Eric D. Duke
Publisher: University Press of Florida
ISBN: 0813063728
Category : History
Languages : en
Pages : 385

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Book Description
Caribbean Studies Association Gordon K. and Sybil Lewis Award - Honorable Mention The initial push for a federation among British Caribbean colonies might have originated among colonial officials and white elites, but the banner for federation was quickly picked up by Afro-Caribbean activists who saw in the possibility of a united West Indian nation a means of securing political power and more. In Building a Nation, Eric Duke moves beyond the narrow view of federation as only relevant to Caribbean and British imperial histories. By examining support for federation among many Afro-Caribbean and other black activists in and out of the West Indies, Duke convincingly expands and connects the movement's history squarely into the wider history of political and social activism in the early to mid-twentieth century black diaspora. Exploring the relationships between the pursuit of Caribbean federation and black diaspora politics, Duke convincingly posits that federation was more than a regional endeavor; it was a diasporic, black nation-building undertaking--with broad support in diaspora centers such as Harlem and London--deeply immersed in ideas of racial unity, racial uplift, and black self-determination. A volume in this series New World Diasporas, edited by Kevin A. Yelvington

Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 576

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Book Description

Author: Gordon Collier
Publisher: Rodopi
ISBN: 9401210063
Category : History
Languages : en
Pages : 607

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Book Description
During the same period in which Derek Walcott was pouring immense physical, emotional, and logistical resources into the foundation of a viable first-rate West Indian theatre company and continuing to write his inimitable poetry, he was also busy writing newspaper reviews, chiefly for the Trinidad Guardian. His prodigious reviewing activity extended far beyond those areas with which one might most readily associate his interests and convic¬tions. As Gordon Rohlehr once prescient¬ly observed, “If one wants to see a quoti¬dian workaday Walcott, one should go back to [his] well over five hundred arti¬cles, essays and reviews on painting, cinema, calypso, carnival, drama and lite¬rature,” articles which “reveal a rich, vari¬ous, witty and scrupulous intelligence in which generous humour counterpoints acerbity.” These articles capture the vital¬ity of Caribbean culture and shed addi-tional light on the aesthetic preoccupa¬tions expressed in Walcott’s essays pub¬lished in journals. The editors have exam¬ined the corpus of Walcott’s journalistic activity from its beginnings in 1950 to its peak in the early 1970s, and have made a generous selection of material from the Guardian, along with occasional pieces from such sources as Public Opinion (Kingston) and The Voice of St. Lucia (Castries). The articles in Volume 1 are organized as follows: Caribbean society, culture, and the arts generally; literature and society; periodicals; anglophone poe¬try, prose fiction, and non-fiction; African and other literatures; and the visual arts (Caribbean and beyond). The volume closes with a selection of Walcott’s mis¬cellaneous satirical essays. The volume editor Gordon Collier has written a search¬ing introductory essay on a central theme – here, a critical, comparative analysis of Walcott’s development as journalist against the historical background of press activity in the Caribbean, coupled with an illustrative discussion (drawing on Wal¬cott’s newspaper articles) of his attitudes towards prose fiction and poetry.

Author: James Procter
Publisher: Oxford University Press
ISBN: 0198894252
Category : Literary Criticism
Languages : en
Pages : 305

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Book Description
Scripting Empire recovers the literary and cultural history of West Indian and West African writing at the BBC in order to rethink the critical mid-century decades of shrinking British sovereignty, late modernism, and mass migration to the metropole. Between the 1930s and the 1960s, a remarkable group of black Atlantic artists and intellectuals became producers, editors, and freelancers at the corporation, including Una Marson, Langston Hughes, Louise Bennett, Wole Soyinka, Derek Walcott, Amos Tutuola, V.S. Naipaul, Sam Selvon, Cyprian Ekwensi, Stuart Hall, and C.L.R. James. Operating at the interface of a range of literary and broadcast genres, this loose network of African Caribbean writers and thinkers prompt a reassessment of the aesthetic, formal, and political fallout of decolonization between the outbreak of World War II and the first airings of post-colonial independence. Scripting Empire works comparatively across dozens of different programmes spanning the General Overseas Service, Home Service, Light Programme, and Third Programme. Drawing upon a transnational archive of materials including scripts, correspondence, periodicals, visual records, and sound recordings, it seeks to re-position the cultural contribution of West Indians and West Africans within a more pervasive and porous account of radio transmission, the legacy of which extends well beyond broadcasting.

Author: Sophie Scott-Brown
Publisher: Taylor & Francis
ISBN: 100062286X
Category : Biography & Autobiography
Languages : en
Pages : 261

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Book Description
Colin Ward and the Art of Everyday Anarchy is the first full account of Ward’s life and work. Drawing on unseen archival sources, as well as oral interviews, it excavates the worlds and words of his anarchist thought, illuminating his methods and charting the legacies of his enduring influence. Colin Ward (1924–2010) was the most prominent British writer on anarchism in the 20th century. As a radical journalist, later author, he applied his distinctive anarchist principles to all aspects of community life including the built environment, education, and public policy. His thought was subtle, universal in aspiration, international in implication, but, at the same time, deeply rooted in the local and the everyday. Underlying the breadth of his interests was one simple principle: freedom was always a social activity. This book will be of interest to students, scholars, and general readers with an interest in anarchism, social movements, and the history of radical ideas in contemporary Britain.

Author: John Mordecai
Publisher: Taylor & Francis
ISBN: 1040185274
Category : History
Languages : en
Pages : 492

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Book Description
First Published in 1968, The West Indies is the history of Federation in the British West Indies since 1920’s, in itself a fascinating story full of strong and colorful personalities; at the same time, it offers an incisive analysis of the reasons why Federations have proved so unstable in the post war world. It is unusual to have the story from a man who was both without any narrow allegiance and at the centre of events from 1952 up to the very end. Sir John Mordecai was in daily contact throughout with the leading figures and the crisis surrounding them. He served as Secretary General of the West Indies Regional Economic Committee which prepared the organic structure for political union and as Federal Secretary and chief official when parliamentary government and the Council of Ministers took control in 1958. His work brings into focus the local agitation after two world wars, the great island leaders who strode the scene as apostles of Federation, the years of strenuous negotiations and compromise leading to the creation of the Federation in 1958, the events culminating in its collapse after four fractious years, and finally, the bleak predicament in which the islands and their leaders found themselves when the dream of generations lay shattered. This exciting book is a must read for anyone interested in the history of the West Indies.

Author: Gerhard Stilz
Publisher: Rodopi
ISBN: 9789042014299
Category : Literary Criticism
Languages : en
Pages : 454

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Book Description
At the beginning of the twenty-first century it is necessary to combine into a productive programme the striving for individual emancipation and the social practice of humanism, in order to help the world survive both the ancient pitfalls of particularist terrorism and the levelling tendencies of cultural indifference engendered by the renewed imperialist arrogance of hegemonial global capital. In this book, thirty-five scholars address and negotiate, in a spirit of learning and understanding, an exemplary variety of intercultural splits and fissures that have opened up in the English-speaking world. Their methodology can be seen to constitute a seminal field of intellectual signposts. They point out ways and means of responsibly assessing colonial predicaments and postcolonial developments in six regions shaped in the past by the British Empire and still associated today through their allegiance to the idea of a Commonwealth of Nations. They show how a new ethic of literary self-assertion, interpretative mediation and critical responsiveness can remove the deeply ingrained prejudices, silences and taboos established by discrimination against race, class and gender.