Author: Katherine Margaret BuckPublisher:
ISBN:
Category : Heldensage
Languages : en
Pages : 428
Book Description
The Wayland-Dietrich Saga
Author: Katherine Margaret BuckPublisher:
ISBN:
Category : Heldensage
Languages : en
Pages : 428
Book Description
The Wayland-Dietrich Saga
Author: Katherine Margaret BuckPublisher:
ISBN:
Category : Heldensage
Languages : en
Pages : 252
Book Description
The Wayland-Dietrich Saga. The Saga of Dietrich of Bern and His Companions, Preceded by that of Wayland Smith ...
Author: Katherine Margaret BuckPublisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
The Wayland-Dietrich Saga
Author: Katherine Margaret BuckPublisher:
ISBN:
Category : Heldensage
Languages : en
Pages : 470
Book Description
The Wayland-Dietrich Saga
Author: Katherine Margaret BuckPublisher:
ISBN:
Category : Heldensage
Languages : en
Pages :
Book Description
The Wayland-Dietrich Saga
Author: The Wayland-Dietrich Saga
Author: Katherine Margaret BuckPublisher:
ISBN:
Category : Heldensage
Languages : en
Pages : 400
Book Description
The Wayland-Dietrich Saga
Author: The Wayland-Dietrich Saga
Author: A Bibliography of Modern Arthuriana (1500-2000)
Author: Ann F. HoweyPublisher: Boydell & Brewer
ISBN: 1843840685
Category : History
Languages : en
Pages : 806
Book Description
Annotated bibliography of the Arthurian legend in modern English-language fiction, not only in literary texts, but in television, music, and art. The legend of Arthur has been a source of fascination for writers and artists in English since the fifteenth century, when Thomas Malory drew together for the first time in English a variety of Arthurian stories from a number of sources to form the Morte Darthur. It increased in popularity during the Victorian era, when after Tennyson's treatment of the legend, not only authors and dramatists, but painters, musicians, and film-makers found a sourceof inspiration in the Arthurian material. This interdisciplinary, annotated bibliography lists the Arthurian legend in modern English-language fiction, from 1500 to 2000, including literary texts, film, television, music, visual art, and games. It will prove an invaluable source of reference for students of literary and visual arts, general readers, collectors, librarians, and cultural historians--indeed, by anyone interested in the history of the waysin which Camelot has figured in post-medieval English-speaking cultures. ANN F. HOWEY is Assistant Professor at Brock University, Canada; STEPHEN R. REIMER is Associate Professor at the University of Alberta, Canada