Author: John Philip Sousa
Publisher: Glissato Edizioni Musicali
ISBN: 8835889413
Category : Music
Languages : it
Pages : 11
Book Description
"The Washington Post" march by J.P.Sousa. Arrangement for Woodwind Quintet (intermediate level). Score and Parts (7): Flute, Oboe, Bb Clarinet, French Horn in F and Bassoon. Optional parts included: Eb Horn and Bass Clarinet (instead bassoon). Audio demo available on www.glissato.it - ________________________ "The Washington Post" arrangiamento per Quintetto di Fiati comprensivo di partitura e parti (7).
The Washington Post - Woodwind Quintet score & parts
Author: John Philip Sousa
Publisher: Glissato Edizioni Musicali
ISBN: 8835889413
Category : Music
Languages : it
Pages : 11
Book Description
"The Washington Post" march by J.P.Sousa. Arrangement for Woodwind Quintet (intermediate level). Score and Parts (7): Flute, Oboe, Bb Clarinet, French Horn in F and Bassoon. Optional parts included: Eb Horn and Bass Clarinet (instead bassoon). Audio demo available on www.glissato.it - ________________________ "The Washington Post" arrangiamento per Quintetto di Fiati comprensivo di partitura e parti (7).
Publisher: Glissato Edizioni Musicali
ISBN: 8835889413
Category : Music
Languages : it
Pages : 11
Book Description
"The Washington Post" march by J.P.Sousa. Arrangement for Woodwind Quintet (intermediate level). Score and Parts (7): Flute, Oboe, Bb Clarinet, French Horn in F and Bassoon. Optional parts included: Eb Horn and Bass Clarinet (instead bassoon). Audio demo available on www.glissato.it - ________________________ "The Washington Post" arrangiamento per Quintetto di Fiati comprensivo di partitura e parti (7).
The Boston Composers Project
Author: Boston Area Music Libraries
Publisher: MIT Press
ISBN: 9780262021982
Category : Music
Languages : en
Pages : 818
Book Description
The bibliography lists nearly 5,000 compositions by 200 composers of jazz and "art" music, indicating where scores or realizations can be purchased, rented, or borrowed, and which Boston area libraries have them in their collections.
Publisher: MIT Press
ISBN: 9780262021982
Category : Music
Languages : en
Pages : 818
Book Description
The bibliography lists nearly 5,000 compositions by 200 composers of jazz and "art" music, indicating where scores or realizations can be purchased, rented, or borrowed, and which Boston area libraries have them in their collections.
Hearings
Author: United States. Congress. House. Committee on Appropriations
Publisher:
ISBN:
Category :
Languages : en
Pages : 1826
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1826
Book Description
The British Catalogue of Music
Catalog of Copyright Entries
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1412
Book Description
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1412
Book Description
Hearings
Author: United States. Congress. House
Publisher:
ISBN:
Category :
Languages : en
Pages : 3236
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 3236
Book Description
Brass Music of Black Composers
Author: Aaron Horne
Publisher: Bloomsbury Publishing USA
ISBN: 0313064865
Category : Music
Languages : en
Pages : 558
Book Description
Aaron Horne provides the most comprehensive guide to brass music written by black composers. He covers composers from around the world in the 19th and 20th centuries. Included in the book is biographical information; commission, duration, instrumentation, date of publication, premiere, publisher, discography for each piece; bibliographical sources; and an index which groups the music by numbers, medium, and ensemble. This is the fourth volume in Aaron Horne's monumental effort to provide the most comprehensive guide to music composed by black composers. In this volume he covers composers from around the world in the 19th and 20th centuries, including William Grant Still, Ulysses Kay, Anthony Davis, John Coltrane, and other major figures from the world of classical, jazz, and popular music. The main body of the book is divided into sections devoted to African, African American, Afro-European, and Afro-Latino composers. Within each section composers are arranged alphabetically; each entry provides biographical information as well as commission, duration, instrumentation, date of publication, premiere, publisher, discography for each composition. Backmatter includes a Brass Music Index which groups the music by numbers, medium, and ensembles; a title index; discography; and bibliography. As with the earlier volumes, this is an essential reference tool for anyone with an interest in researching and/or performing the music of black composers.
Publisher: Bloomsbury Publishing USA
ISBN: 0313064865
Category : Music
Languages : en
Pages : 558
Book Description
Aaron Horne provides the most comprehensive guide to brass music written by black composers. He covers composers from around the world in the 19th and 20th centuries. Included in the book is biographical information; commission, duration, instrumentation, date of publication, premiere, publisher, discography for each piece; bibliographical sources; and an index which groups the music by numbers, medium, and ensemble. This is the fourth volume in Aaron Horne's monumental effort to provide the most comprehensive guide to music composed by black composers. In this volume he covers composers from around the world in the 19th and 20th centuries, including William Grant Still, Ulysses Kay, Anthony Davis, John Coltrane, and other major figures from the world of classical, jazz, and popular music. The main body of the book is divided into sections devoted to African, African American, Afro-European, and Afro-Latino composers. Within each section composers are arranged alphabetically; each entry provides biographical information as well as commission, duration, instrumentation, date of publication, premiere, publisher, discography for each composition. Backmatter includes a Brass Music Index which groups the music by numbers, medium, and ensembles; a title index; discography; and bibliography. As with the earlier volumes, this is an essential reference tool for anyone with an interest in researching and/or performing the music of black composers.
The Instrumentalist
Departments of State and Justice, the Judiciary, and Related Agencies Appropriations for 1957: Department of State; Refugee Relief Program
Author: United States. Congress. House. Committee on Appropriations
Publisher:
ISBN:
Category : Voice of America (Radio program)
Languages : en
Pages : 1842
Book Description
Publisher:
ISBN:
Category : Voice of America (Radio program)
Languages : en
Pages : 1842
Book Description
From Spirituals to Symphonies
Author: Helen Walker-Hill
Publisher: University of Illinois Press
ISBN: 0252074548
Category : African American women composers
Languages : en
Pages : 429
Book Description
Exploding the assumption that black women's only important musical contributions have been in folk, jazz, and pop Helen Walker-Hill's unique study provides a carefully researched examination of the history and scope of musical composition by African American women composers from the nineteenth and twentieth centuries. Focusing on the effect of race, gender, and class, From Spirituals to Symphonies notes the important role played by individual personalities and circumstances in shaping this underappreciated category of American art. The study also provides in-depth exploration of the backgrounds, experiences, and musical compositions of eight African American women including Margaret Bonds, Undine Smith Moore, and Julia Perry, who combined the techniques of Western art music with their own cultural traditions and individual gifts. Despite having gained national and international recognition during their lifetimes, the contributions of many of these women are today forgotten.
Publisher: University of Illinois Press
ISBN: 0252074548
Category : African American women composers
Languages : en
Pages : 429
Book Description
Exploding the assumption that black women's only important musical contributions have been in folk, jazz, and pop Helen Walker-Hill's unique study provides a carefully researched examination of the history and scope of musical composition by African American women composers from the nineteenth and twentieth centuries. Focusing on the effect of race, gender, and class, From Spirituals to Symphonies notes the important role played by individual personalities and circumstances in shaping this underappreciated category of American art. The study also provides in-depth exploration of the backgrounds, experiences, and musical compositions of eight African American women including Margaret Bonds, Undine Smith Moore, and Julia Perry, who combined the techniques of Western art music with their own cultural traditions and individual gifts. Despite having gained national and international recognition during their lifetimes, the contributions of many of these women are today forgotten.