The War Against the Kitchen Sink

The War Against the Kitchen Sink PDF Author: John Guare
Publisher:
ISBN:
Category :
Languages : en
Pages :

Book Description


The War Against the Kitchen Sink

The War Against the Kitchen Sink PDF Author: John Guare
Publisher: Smith & Kraus
ISBN:
Category : Drama
Languages : en
Pages : 210

Book Description


John Guare: The war against the kitchen sink

John Guare: The war against the kitchen sink PDF Author: John Guare
Publisher: Smith & Kraus Pub Incorporated
ISBN: 9781575250328
Category : Drama
Languages : en
Pages : 192

Book Description


Jack Ruby's Kitchen Sink

Jack Ruby's Kitchen Sink PDF Author: Tom Miller
Publisher: National Geographic Society
ISBN:
Category : Travel
Languages : en
Pages : 280

Book Description
A wonderfully original and vivid portrait captures the soul of the Southwest and demonstrates why Tom Miller is among America's wittiest and most graceful writers. This extraordinary book leads readers deep inside the uniqueness of the region and reflects on the mounting tension between its eroding physical splendor and the diverse inhabitants who crisscross its bleached deserts, cracked pavement--and 18-hole golf courses.

Kitchen Sink Realisms

Kitchen Sink Realisms PDF Author: Dorothy Chansky
Publisher: University of Iowa Press
ISBN: 1609383753
Category : Literary Criticism
Languages : en
Pages : 307

Book Description
From 1918’s Tickless Time through Waiting for Lefty, Death of a Salesman, A Streetcar Named Desire, A Raisin in the Sun, and The Prisoner of Second Avenue to 2005’s The Clean House, domestic labor has figured largely on American stages. No dramatic genre has done more than the one often dismissively dubbed “kitchen sink realism” to both support and contest the idea that the home is naturally women’s sphere. But there is more to the genre than even its supporters suggest. In analyzing kitchen sink realisms, Dorothy Chansky reveals the ways that food preparation, domestic labor, dining, serving, entertaining, and cleanup saturate the lives of dramatic characters and situations even when they do not take center stage. Offering resistant readings that rely on close attention to the particular cultural and semiotic environments in which plays and their audiences operated, she sheds compelling light on the changing debates about women’s roles and the importance of their household labor across lines of class and race in the twentieth century. The story begins just after World War I, as more households were electrified and fewer middle-class housewives could afford to hire maids. In the 1920s, popular mainstream plays staged the plight of women seeking escape from the daily grind; African American playwrights, meanwhile, argued that housework was the least of women’s worries. Plays of the 1930s recognized housework as work to a greater degree than ever before, while during the war years domestic labor was predictably recruited to the war effort—sometimes with gender-bending results. In the famously quiescent and anxious 1950s, critiques of domestic normalcy became common, and African American maids gained a complexity previously reserved for white leading ladies. These critiques proliferated with the re-emergence of feminism as a political movement from the 1960s on. After the turn of the century, the problems and comforts of domestic labor in black and white took center stage. In highlighting these shifts, Chansky brings the real home.

The War Against the Beavers

The War Against the Beavers PDF Author: Verena Andermatt Conley
Publisher: U of Minnesota Press
ISBN: 9780816642182
Category : Nature
Languages : en
Pages : 196

Book Description
A beguiling picture of the ups and downs of backwoods living - now in paperback!

Understanding John Guare

Understanding John Guare PDF Author: William Demastes
Publisher: Univ of South Carolina Press
ISBN: 1611177391
Category : Literary Criticism
Languages : en
Pages : 149

Book Description
A comprehensive study of an award-winning playwright known for unconventional blending of genres John Guare, one of the most innovative and influential contemporary American playwrights of the last sixty years, is best known for such works as House of Blue Leaves, winner of an Obie Award, the New York Drama Critics Circle Award for Best American Play, and four Tony Awards, and Six Degrees of Separation, recipient of the New York Drama Critics Circle Award for Best American Play and the Olivier Best Play Award and a finalist for the Pulitzer Prize in Drama. In Understanding John Guare, William W. Demastes provides a concise biography and analyzes the playwright's career from his earliest works produced off-off Broadway in the 1960s to his most recent Broadway play, A Free Man of Color, a finalist for the 2011 Pulitzer Prize in Drama. Often compared to his contemporaries Sam Shepard and David Mamet, who have distinctive voices tied to their mastery of realistic, idiomatic American English, Guare has a style that is perhaps more varied, Demastes speculates, the result of his formal training in theater. After earning a bachelor's degree from Georgetown University, Guare earned an M.F.A. from the Yale School of Drama. He then polished his theater craft in New York City during the exciting and turbulent 1960s, breaking from realist conventions and creating an unlikely blend of comedy, burlesque, stand-up comedy, and absurdly incongruous plotlines. The result has been a theater of surprise that is rich in stage action and experimentally invigorating. Demastes examines Guare's tools and techniques such as mixing serious with comic, creating characters who break into song and dance, inserting stand-up comedy routines, and drawing from the most absurd incongruities of everyday life. In doing so, Guare has created plays about the best and worst of humanity, about lost souls, and about delusional ideals.

The Black Comedy of John Guare

The Black Comedy of John Guare PDF Author: Gene A. Plunka
Publisher: University of Delaware Press
ISBN: 9780874137637
Category : Drama
Languages : en
Pages : 308

Book Description
This book, the first full-length study of Guare's theater, will make his plays more accessible through an examination of the often unnerving type of black comedy that makes his plays work.".

I Am Canada: Sink and Destroy

I Am Canada: Sink and Destroy PDF Author: Edward Kay
Publisher: Scholastic Canada
ISBN: 1443107816
Category : Juvenile Fiction
Languages : en
Pages : 210

Book Description
If the Allies cannot send the German U-boats to the bottom of the Atlantic, all hope of winning WWII will be lost. Sixteen-year-old Bill O'Connell is a new recruit in the Royal Canadian Navy, assigned to a ship that hunts for Germany's feared U-boats. With the European mainland under Nazi occupation, safe ocean passage is critical -- but the Germans are building U-boats faster than the Allies can sink them, and Britain is starved of supplies. Every gallon of aviation fuel, every explosive shell, and every can of peas sent to the British Isles from North America has to be shipped by sea, so Bill and the rest of the Allied forces have the fate of the free world resting on their shoulders. If the Allies cannot keep their merchant ships from the attacks of Germany's U-boats, the odds of winning WWII will tip in favour of Hitler.

Tennessee Williams and the Theatre of Excess

Tennessee Williams and the Theatre of Excess PDF Author: Annette J. Saddik
Publisher: Cambridge University Press
ISBN: 1316240681
Category : Drama
Languages : en
Pages : 193

Book Description
The plays of Tennessee Williams' post-1961 period have often been misunderstood and dismissed. In light of Williams' centennial in 2011, which was marked internationally by productions and world premieres of his late plays, Annette J. Saddik's new reading of these works illuminates them in the context of what she terms a 'theatre of excess', which seeks liberation through exaggeration, chaos, ambiguity, and laughter. Saddik explains why they are now gaining increasing acclaim, and analyzes recent productions that successfully captured elements central to Williams' late aesthetic, particularly a delicate balance of laughter and horror with a self-consciously ironic acting style. Grounding the plays through the work of Bakhtin, Artaud, and Kristeva, as well as through the carnivalesque, the grotesque, and psychoanalytic, feminist, and queer theory, Saddik demonstrates how Williams engaged the freedom of exaggeration and excess in celebration of what he called 'the strange, the crazed, the queer'.