The ... Volume of the Walpole Society PDF Download

Author: Walpole Society (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 222

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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 370

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Author: Walpole Society (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 338

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Author: Matthew C. Hunter
Publisher: University of Chicago Press
ISBN: 022639025X
Category : Photography
Languages : en
Pages : 298

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Painting with Fire shows how experiments with chemicals known to change visibly over the course of time transformed British pictorial arts of the long eighteenth century—and how they can alter our conceptions of photography today. As early as the 1670s, experimental philosophers at the Royal Society of London had studied the visual effects of dynamic combustibles. By the 1770s, chemical volatility became central to the ambitious paintings of Sir Joshua Reynolds, premier portraitist and first president of Britain’s Royal Academy of Arts. Valued by some critics for changing in time (and thus, for prompting intellectual reflection on the nature of time), Reynolds’s unstable chemistry also prompted new techniques of chemical replication among Matthew Boulton, James Watt, and other leading industrialists. In turn, those replicas of chemically decaying academic paintings were rediscovered in the mid-nineteenth century and claimed as origin points in the history of photography. Tracing the long arc of chemically produced and reproduced art from the 1670s through the 1860s, the book reconsiders early photography by situating it in relationship to Reynolds’s replicated paintings and the literal engines of British industry. By following the chemicals, Painting with Fire remaps familiar stories about academic painting and pictorial experiment amid the industrialization of chemical knowledge.

Author:
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 716

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Author: Aled Jones
Publisher: Cambridge University Press
ISBN: 9780521849951
Category : Architecture
Languages : en
Pages : 376

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The Transactions of the Royal Historical Society publish an annual collection of major articles representing some of the best historical research by some of the world's most distinguished historians.

Author: Christopher Highley
Publisher: Oxford University Press
ISBN: 0192846973
Category : History
Languages : en
Pages : 299

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Blackfriars: Theater, Church, and Neighborhood in Early Modern London is a cultural history of an urban enclave best known in the later sixteenth and seventeenth centuries for the incongruous juxtaposition of playing and godly preaching. As the former site of one of London's great religious houses, the post-Reformation Blackfriars was a Liberty free from mayoral control. The legal exemptions and privileges enjoyed by its residents helped attract an unusual mix of groups and activities. Zealous preachers and puritan parishioners mingled with playhouse workers and playgoers, as well as with the immigrant 'strangers' who settled here. The book focuses on local playhouse-church relations and asks how a theatrical culture was able to flourish in a parish dominated by committed puritans. Physically, the church of St Anne's and the playhouse were virtually next-door, but ideologically they seemed poles apart. Yet despite the occasional efforts of some residents to close the playhouse, godly religion and commercial playing managed to coexist. In explanation, the book examines the conflicting economic and ideological priorities of residents and the overriding desire to promote order and neighborliness. More provocatively, I argue that the Blackfriars pulpit and stage could be mutually reinforcing sites of performance. Preachers as well as playwrights exploited the Liberty's vexed relations with authority to air satirical and dissident views of the established church and state. By examining Blackfriars sermons and plays side-by-side, the book reveals a synergy between two institutions usually considered implacable enemies.

Author:
Publisher:
ISBN:
Category : Anonyms and pseudonyms
Languages : en
Pages : 816

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Author: Hilary L. Rubinstein
Publisher: Seaforth Publishing
ISBN: 1526765004
Category : History
Languages : en
Pages : 335

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This fascinating historical inquiry sheds new light on the mysterious sinking of an 18th century warship and its lingering effect on British naval culture. On August 29th, 1782, the mighty flagship HMS Royal George suddenly capsized while anchored in the calm, familiar waters of Spithead on the English Channel. In one of the most sensational and perplexing incidents in naval history, Rear Admiral Richard Kempenfelt, an outstanding veteran officer, drowned along with more than 800 crew and many civilian visitors. Catastrophe at Spithead is the first comprehensive account of the sinking, drawn from a variety of archival sources, including reports by survivors and eyewitnesses. Hilary L. Rubinstein examines the mysterious cause and tragic cost of the disaster, as well as its lingering aftereffects, including its treatment in literature. As well as describing the sinking, Rubenstein uncovers new information on the life and career of Rear Admiral Kempenfelt, ranging from his familial relation to the great Admiral Rodney to accounts of his whereabouts when the ship sank. These call into question the scenario in William Cowper's famous poem, “On the Sinking of the Royal George,” which depicts Kempenfelt writing in his cabin when she foundered.

Author: Marcus Meer
Publisher: Oxford University Press
ISBN: 0198910282
Category : History
Languages : en
Pages : 339

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Heraldry is often seen as a traditional prerogative of the nobility. But it was not just knights, princes, kings, and emperors who bore coats of arms to show off their status in the Middle Ages. The merchants and craftsmen who lived in cities, too, adopted coats of arms and used heraldic customs, including display and destruction, to underline their social importance and to communicate political messages. Medieval burgesses were part of a fascination with heraldry that spread throughout pre-modern society and looked at coats of arms as honoured signs of genealogy and history. Heraldry in Urban Society analyses the perceptions and functions of heraldry in medieval urban societies by drawing on both English- and German-language sources from the late fourteenth to the early sixteenth centuries. Despite variations that point to socio-political differences between cities (and their citizens) in the relatively centralized monarchy of medieval England and the more independent-minded urban governments found in the less closely connected Holy Roman Empire, urban heraldry emerges as a versatile and ubiquitous means of multimedia visual communication that spanned medieval Europe. Urban heraldic practices defy assumptions about clearly demarcated social practices that belonged to 'high'/'noble' as opposed to 'low'/'urban' culture. Townspeople's perceptions of coats of arms paralleled those of the nobility, as they readily interpreted and carefully curated them as visual expressions of identity. These perceptions allowed townspeople of all ranks, as well as noble outsiders, to use heraldry and its display - along with its defacement and destruction - in manuscripts, spaces (such as town houses, public monuments, halls, and churches), and performances (like processions and joyous entries) to address perennial problems of urban society in the Middle Ages. The coats of arms of burgesses, guilds, and cities were communicative means of individual and collective representation, social and political legitimization, conducting and resolving conflicts, and the pursuit of elevated status in the urban hierarchy. Likewise, heraldic communication negotiated the all-important relationship between the city and wider, extramural society - from the commercial interests of citizens to their collective ties to the ruler.