Author: William L. Fox
Publisher: University of Nevada Press
ISBN: 0874174775
Category : Travel
Languages : en
Pages : 293
Book Description
This is a story that few know, but those who do are its disciples. The story, of the highest and driest of all American deserts, the Great Basin, has no finer voice than that of William Fox. Fox’s book is divided into the three sections of the title. In “The Void,” he leads us through the Great Basin landscape, investigating our visual response to it—a pattern of mountains and valleys on a scale of such magnitude and emptiness and undifferentiated by shape, form, and color that the visual and cognitive expectations of the human mind are confounded and impaired. “The Grid” leads us on a journey through the evolution of cartography in the nineteenth century and the explorations of John Charles Frémont to the net of maps, section markers, railroads, telegraph lines, and highways that humans have thrown across the void throughout history. “The Sign” wends us through the metaphors and language we continue to place around and over the void, revealing the Great Basin as a palimpsest where, for example, the neon boulevards of Las Vegas interplay with ancient petroglyphs. In this one-of-a-kind travel book that allows us to travel within our own neurophysiological processes as well as out into the arresting void of the Great Basin, Fox has created a dazzling new standard at the frontier of writing about the American West. His stunning and broad insight draws from the fields of natural history, cognitive psychology, art history, western history, archaeology, and anthropology, and will be of value to scholars and readers in all these subjects.
The Void, The Grid & The Sign
Author: William L. Fox
Publisher: University of Nevada Press
ISBN: 0874174775
Category : Travel
Languages : en
Pages : 293
Book Description
This is a story that few know, but those who do are its disciples. The story, of the highest and driest of all American deserts, the Great Basin, has no finer voice than that of William Fox. Fox’s book is divided into the three sections of the title. In “The Void,” he leads us through the Great Basin landscape, investigating our visual response to it—a pattern of mountains and valleys on a scale of such magnitude and emptiness and undifferentiated by shape, form, and color that the visual and cognitive expectations of the human mind are confounded and impaired. “The Grid” leads us on a journey through the evolution of cartography in the nineteenth century and the explorations of John Charles Frémont to the net of maps, section markers, railroads, telegraph lines, and highways that humans have thrown across the void throughout history. “The Sign” wends us through the metaphors and language we continue to place around and over the void, revealing the Great Basin as a palimpsest where, for example, the neon boulevards of Las Vegas interplay with ancient petroglyphs. In this one-of-a-kind travel book that allows us to travel within our own neurophysiological processes as well as out into the arresting void of the Great Basin, Fox has created a dazzling new standard at the frontier of writing about the American West. His stunning and broad insight draws from the fields of natural history, cognitive psychology, art history, western history, archaeology, and anthropology, and will be of value to scholars and readers in all these subjects.
Publisher: University of Nevada Press
ISBN: 0874174775
Category : Travel
Languages : en
Pages : 293
Book Description
This is a story that few know, but those who do are its disciples. The story, of the highest and driest of all American deserts, the Great Basin, has no finer voice than that of William Fox. Fox’s book is divided into the three sections of the title. In “The Void,” he leads us through the Great Basin landscape, investigating our visual response to it—a pattern of mountains and valleys on a scale of such magnitude and emptiness and undifferentiated by shape, form, and color that the visual and cognitive expectations of the human mind are confounded and impaired. “The Grid” leads us on a journey through the evolution of cartography in the nineteenth century and the explorations of John Charles Frémont to the net of maps, section markers, railroads, telegraph lines, and highways that humans have thrown across the void throughout history. “The Sign” wends us through the metaphors and language we continue to place around and over the void, revealing the Great Basin as a palimpsest where, for example, the neon boulevards of Las Vegas interplay with ancient petroglyphs. In this one-of-a-kind travel book that allows us to travel within our own neurophysiological processes as well as out into the arresting void of the Great Basin, Fox has created a dazzling new standard at the frontier of writing about the American West. His stunning and broad insight draws from the fields of natural history, cognitive psychology, art history, western history, archaeology, and anthropology, and will be of value to scholars and readers in all these subjects.
Great North Road
Author: Peter F. Hamilton
Publisher: Del Rey
ISBN: 0345526686
Category : Fiction
Languages : en
Pages : 977
Book Description
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY PUBLISHERS WEEKLY New York Times bestselling author Peter F. Hamilton’s riveting new thriller combines the nail-biting suspense of a serial-killer investigation with clear-eyed scientific and social extrapolation to create a future that seems not merely plausible but inevitable. A century from now, thanks to a technology allowing instantaneous travel across light-years, humanity has solved its energy shortages, cleaned up the environment, and created far-flung colony worlds. The keys to this empire belong to the powerful North family—composed of successive generations of clones. Yet these clones are not identical. For one thing, genetic errors have crept in with each generation. For another, the original three clone “brothers” have gone their separate ways, and the branches of the family are now friendly rivals more than allies. Or maybe not so friendly. At least that’s what the murder of a North clone in the English city of Newcastle suggests to Detective Sidney Hurst. Sid is a solid investigator who’d like nothing better than to hand off this hot potato of a case. The way he figures it, whether he solves the crime or not, he’ll make enough enemies to ruin his career. Yet Sid’s case is about to take an unexpected turn: because the circumstances of the murder bear an uncanny resemblance to a killing that took place years ago on the planet St. Libra, where a North clone and his entire household were slaughtered in cold blood. The convicted slayer, Angela Tramelo, has always claimed her innocence. And now it seems she may have been right. Because only the St. Libra killer could have committed the Newcastle crime. Problem is, Angela also claims that the murderer was an alien monster. Now Sid must navigate through a Byzantine minefield of competing interests within the police department and the world’s political and economic elite . . . all the while hunting down a brutal killer poised to strike again. And on St. Libra, Angela, newly released from prison, joins a mission to hunt down the elusive alien, only to learn that the line between hunter and hunted is a thin one. BONUS: This edition includes an excerpt from Peter F. Hamilton’s The Abyss Beyond Dreams. Praise for Great North Road “A mesmerizing page-turner.”—Publishers Weekly (starred review) “A gripping saga that blends wilderness survival, police procedural, political and social intrigue, and dynastic sf into a mammoth tale featuring believable characters and exceptionally skilled storytelling.”—Library Journal (starred review) “A perfect introduction to [Hamilton’s] gifts for character design, dialogue, and sheer, big-idea-driven storytelling.”—Booklist (starred review) “Compelling and original . . . an awesome novel [with] plenty of action.”—SFRevu “One very compelling and entertaining science fiction novel.”—SF Site “Simply brilliant . . . an astonishing achievement.”—Tor.com
Publisher: Del Rey
ISBN: 0345526686
Category : Fiction
Languages : en
Pages : 977
Book Description
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY PUBLISHERS WEEKLY New York Times bestselling author Peter F. Hamilton’s riveting new thriller combines the nail-biting suspense of a serial-killer investigation with clear-eyed scientific and social extrapolation to create a future that seems not merely plausible but inevitable. A century from now, thanks to a technology allowing instantaneous travel across light-years, humanity has solved its energy shortages, cleaned up the environment, and created far-flung colony worlds. The keys to this empire belong to the powerful North family—composed of successive generations of clones. Yet these clones are not identical. For one thing, genetic errors have crept in with each generation. For another, the original three clone “brothers” have gone their separate ways, and the branches of the family are now friendly rivals more than allies. Or maybe not so friendly. At least that’s what the murder of a North clone in the English city of Newcastle suggests to Detective Sidney Hurst. Sid is a solid investigator who’d like nothing better than to hand off this hot potato of a case. The way he figures it, whether he solves the crime or not, he’ll make enough enemies to ruin his career. Yet Sid’s case is about to take an unexpected turn: because the circumstances of the murder bear an uncanny resemblance to a killing that took place years ago on the planet St. Libra, where a North clone and his entire household were slaughtered in cold blood. The convicted slayer, Angela Tramelo, has always claimed her innocence. And now it seems she may have been right. Because only the St. Libra killer could have committed the Newcastle crime. Problem is, Angela also claims that the murderer was an alien monster. Now Sid must navigate through a Byzantine minefield of competing interests within the police department and the world’s political and economic elite . . . all the while hunting down a brutal killer poised to strike again. And on St. Libra, Angela, newly released from prison, joins a mission to hunt down the elusive alien, only to learn that the line between hunter and hunted is a thin one. BONUS: This edition includes an excerpt from Peter F. Hamilton’s The Abyss Beyond Dreams. Praise for Great North Road “A mesmerizing page-turner.”—Publishers Weekly (starred review) “A gripping saga that blends wilderness survival, police procedural, political and social intrigue, and dynastic sf into a mammoth tale featuring believable characters and exceptionally skilled storytelling.”—Library Journal (starred review) “A perfect introduction to [Hamilton’s] gifts for character design, dialogue, and sheer, big-idea-driven storytelling.”—Booklist (starred review) “Compelling and original . . . an awesome novel [with] plenty of action.”—SFRevu “One very compelling and entertaining science fiction novel.”—SF Site “Simply brilliant . . . an astonishing achievement.”—Tor.com
Computer Simulation of Dynamic Phenomena
Author: Mark L. Wilkins
Publisher: Springer Science & Business Media
ISBN: 3662038854
Category : Science
Languages : en
Pages : 260
Book Description
A description of computer programs for simulating phenomena in hydrodynamics, gas dynamics, and elastic plastic flow in one, two, and three dimensions. The text covers Maxwell's equations, and thermal and radiation diffusion, while the numerical procedures described permit the exact conservation of physical properties in the solutions of the fundamental laws of mechanics. The author also treats materials, including the use of simulation programs to predict material behavior.
Publisher: Springer Science & Business Media
ISBN: 3662038854
Category : Science
Languages : en
Pages : 260
Book Description
A description of computer programs for simulating phenomena in hydrodynamics, gas dynamics, and elastic plastic flow in one, two, and three dimensions. The text covers Maxwell's equations, and thermal and radiation diffusion, while the numerical procedures described permit the exact conservation of physical properties in the solutions of the fundamental laws of mechanics. The author also treats materials, including the use of simulation programs to predict material behavior.
The Monster Leviathan
Author: Aaron Betsky
Publisher: MIT Press
ISBN: 0262546337
Category : Architecture
Languages : en
Pages : 461
Book Description
Visionary proposals for a mythic and strange architecture—or anarchitecture—through which we can imagine other and better worlds. Lurking under the surface of our modern world lies an unseen architecture—or anarchitecture. It is a possible architecture, an analogous architecture, an architecture of anarchy, which haunts in the form of monsters that are humans and machines and cities all at once; or takes the form of explosions, veils, queer, playful spaces, or visions from artwork and video games. In The Monster Leviathan, Aaron Betsky traces anarchitecture through texts, design, and art of the twentieth and early twenty-first century, and suggests that these ephemeral evocations are concrete proposals in and of themselves. Neither working models nor suggestions for new forms, they are scenes just believable enough to convince us they exist, or just fantastical enough to open our eyes. The Monster Leviathan gives students and lovers of architecture, as well as those hoping to construct a better, more sustainable, and socially just future, a set of tools through which they can imagine that such other worlds are possible. As Betsky eloquently articulates, anarchitecture already exists and does not exist at all. It is the myth of building, and all we have to do is find it.
Publisher: MIT Press
ISBN: 0262546337
Category : Architecture
Languages : en
Pages : 461
Book Description
Visionary proposals for a mythic and strange architecture—or anarchitecture—through which we can imagine other and better worlds. Lurking under the surface of our modern world lies an unseen architecture—or anarchitecture. It is a possible architecture, an analogous architecture, an architecture of anarchy, which haunts in the form of monsters that are humans and machines and cities all at once; or takes the form of explosions, veils, queer, playful spaces, or visions from artwork and video games. In The Monster Leviathan, Aaron Betsky traces anarchitecture through texts, design, and art of the twentieth and early twenty-first century, and suggests that these ephemeral evocations are concrete proposals in and of themselves. Neither working models nor suggestions for new forms, they are scenes just believable enough to convince us they exist, or just fantastical enough to open our eyes. The Monster Leviathan gives students and lovers of architecture, as well as those hoping to construct a better, more sustainable, and socially just future, a set of tools through which they can imagine that such other worlds are possible. As Betsky eloquently articulates, anarchitecture already exists and does not exist at all. It is the myth of building, and all we have to do is find it.
The Rhizomatic West
Author: Neil Campbell
Publisher: U of Nebraska Press
ISBN: 9780803217836
Category : Literary Criticism
Languages : en
Pages : 400
Book Description
Is the American West in Sergio Leone?s ?spaghetti westerns? the same American West we find in Douglas Coupland?s Generation X? In Jim Jarmusch?s movies? In Calexico?s music? Or is the American West, as this book tells us, a constantly moving, mutating idea within a complex global culture? And what, precisely (or better yet, imprecisely) does it mean? ø Using Gilles Deleuze and Fälix Guattari?s concept of the rhizome, Neil Campbell shows how the West (or west-ness) continually breaks away from a mainstream notion of American ?rootedness? and renews and transforms itself in various cultural forms. A region long traversed by various transient peoples (from tribes and conquerors to immigrants, traders, and trappers), the West reflects a mythic quest for settlement, permanence, and synthesis?even notions of a national or global identity?at odds with its rootless history, culture, and nature. Crossing the concept of ?roots? with ?routes,? this book shows how notions of the West?in representations ranging from literature and film to photography, music, and architectural theory?give expression to ideas about identity, nationhood, and belonging in a world increasingly defined by movement across time and borders. The Rhizomatic West offers a new vision of the American West as a hybrid, performative space, a staging place for myriad intersecting and constantly changing identities.
Publisher: U of Nebraska Press
ISBN: 9780803217836
Category : Literary Criticism
Languages : en
Pages : 400
Book Description
Is the American West in Sergio Leone?s ?spaghetti westerns? the same American West we find in Douglas Coupland?s Generation X? In Jim Jarmusch?s movies? In Calexico?s music? Or is the American West, as this book tells us, a constantly moving, mutating idea within a complex global culture? And what, precisely (or better yet, imprecisely) does it mean? ø Using Gilles Deleuze and Fälix Guattari?s concept of the rhizome, Neil Campbell shows how the West (or west-ness) continually breaks away from a mainstream notion of American ?rootedness? and renews and transforms itself in various cultural forms. A region long traversed by various transient peoples (from tribes and conquerors to immigrants, traders, and trappers), the West reflects a mythic quest for settlement, permanence, and synthesis?even notions of a national or global identity?at odds with its rootless history, culture, and nature. Crossing the concept of ?roots? with ?routes,? this book shows how notions of the West?in representations ranging from literature and film to photography, music, and architectural theory?give expression to ideas about identity, nationhood, and belonging in a world increasingly defined by movement across time and borders. The Rhizomatic West offers a new vision of the American West as a hybrid, performative space, a staging place for myriad intersecting and constantly changing identities.
Postwestern Cultures
Author: Susan Kollin
Publisher: U of Nebraska Press
ISBN: 9780803260443
Category : Literary Criticism
Languages : en
Pages : 292
Book Description
Synthesizes topics of contemporary scholarship of the American West. This work examines subjects ranging from the use of frontier rhetoric in Japanese American internment camp narratives to the emergence of agricultural tourism in the New West to the application of geographer J B Jackson's theories to vernacular or abandoned western landscapes.
Publisher: U of Nebraska Press
ISBN: 9780803260443
Category : Literary Criticism
Languages : en
Pages : 292
Book Description
Synthesizes topics of contemporary scholarship of the American West. This work examines subjects ranging from the use of frontier rhetoric in Japanese American internment camp narratives to the emergence of agricultural tourism in the New West to the application of geographer J B Jackson's theories to vernacular or abandoned western landscapes.
The British National Bibliography
Author: Arthur James Wells
Publisher:
ISBN:
Category : Bibliography, National
Languages : en
Pages : 1884
Book Description
Publisher:
ISBN:
Category : Bibliography, National
Languages : en
Pages : 1884
Book Description
The Politics of Self-Expression
Author: Markus Daechsel
Publisher: Routledge
ISBN: 1134383711
Category : Foreign Language Study
Languages : en
Pages : 268
Book Description
The 1930s to 1950s witnessed the rise and dominance of a political culture across much of North India which combined unprecedented levels of mobilization and organization with an effective de-politicization of politics. On the one hand obsessed with world events, people also came to understand politics as a question of personal morality and achievement. In other words, politics was about expressing the self in new ways and about finding and securing an imaginary home in a fast-moving and often terrifying universe. The scope and arguments of this book make an innovative contribution to the historiography of modern South Asia, by focusing on the middle-class milieu which was the epicentre of this new political culture.
Publisher: Routledge
ISBN: 1134383711
Category : Foreign Language Study
Languages : en
Pages : 268
Book Description
The 1930s to 1950s witnessed the rise and dominance of a political culture across much of North India which combined unprecedented levels of mobilization and organization with an effective de-politicization of politics. On the one hand obsessed with world events, people also came to understand politics as a question of personal morality and achievement. In other words, politics was about expressing the self in new ways and about finding and securing an imaginary home in a fast-moving and often terrifying universe. The scope and arguments of this book make an innovative contribution to the historiography of modern South Asia, by focusing on the middle-class milieu which was the epicentre of this new political culture.
The Myth of Emptiness and the New American Literature of Place
Author: Wendy Harding
Publisher: University of Iowa Press
ISBN: 160938279X
Category : Literary Criticism
Languages : en
Pages : 266
Book Description
From the moment the first English-speaking explorers and settlers arrived on the North American continent, many have described its various locations and environments as empty. Indeed, much of American national history and culture is bound up with the idea that parts of the landscape are empty and thus open for colonization, settlement, economic improvement, claim staking, taming, civilizing, cultivating, and the exploitation of resources. In turn, most Euro-American nonfiction written about the landscape has treated it either as an object to be acted upon by the author or an empty space, unspoiled by human contamination, to which the solitary individual goes to be refreshed and rejuvenated. In The Myth of Emptiness and the New American Literature of Place, Wendy Harding identifies an important recent development in the literature of place that corrects the misperceptions resulting from these tropes. Works by Rick Bass, Charles Bowden, Ellen Meloy, Jonathan Raban, Rebecca Solnit, and Robert Sullivan move away from the tradition of nature writing, with its emphasis on the solitary individual communing with nature in uninhabited places, to recognize the interactions of human and other-than-human presences in the land. In different ways, all six writers reveal a more historically complex relationship between Americans and their environments. In this new literature of place, writers revisit abandoned, threatened, or damaged sites that were once represented as devoid of human presence and dig deeper to reveal that they are in fact full of the signs of human activity. These writers are interested in the role of social, political, and cultural relationships and the traces they leave on the landscape. Throughout her exploration, Harding adopts a transdisciplinary perspective that draws on the theories of geographers, historians, sociologists, and philosophers to understand the reasons for the enduring perception of emptiness in the American landscape and how this new literature of place works with and against these ideas. She reminds us that by understanding and integrating human impacts into accounts of the landscape, we are better equipped to fully reckon with the natural and cultural crisis that engulfs all landscapes today.
Publisher: University of Iowa Press
ISBN: 160938279X
Category : Literary Criticism
Languages : en
Pages : 266
Book Description
From the moment the first English-speaking explorers and settlers arrived on the North American continent, many have described its various locations and environments as empty. Indeed, much of American national history and culture is bound up with the idea that parts of the landscape are empty and thus open for colonization, settlement, economic improvement, claim staking, taming, civilizing, cultivating, and the exploitation of resources. In turn, most Euro-American nonfiction written about the landscape has treated it either as an object to be acted upon by the author or an empty space, unspoiled by human contamination, to which the solitary individual goes to be refreshed and rejuvenated. In The Myth of Emptiness and the New American Literature of Place, Wendy Harding identifies an important recent development in the literature of place that corrects the misperceptions resulting from these tropes. Works by Rick Bass, Charles Bowden, Ellen Meloy, Jonathan Raban, Rebecca Solnit, and Robert Sullivan move away from the tradition of nature writing, with its emphasis on the solitary individual communing with nature in uninhabited places, to recognize the interactions of human and other-than-human presences in the land. In different ways, all six writers reveal a more historically complex relationship between Americans and their environments. In this new literature of place, writers revisit abandoned, threatened, or damaged sites that were once represented as devoid of human presence and dig deeper to reveal that they are in fact full of the signs of human activity. These writers are interested in the role of social, political, and cultural relationships and the traces they leave on the landscape. Throughout her exploration, Harding adopts a transdisciplinary perspective that draws on the theories of geographers, historians, sociologists, and philosophers to understand the reasons for the enduring perception of emptiness in the American landscape and how this new literature of place works with and against these ideas. She reminds us that by understanding and integrating human impacts into accounts of the landscape, we are better equipped to fully reckon with the natural and cultural crisis that engulfs all landscapes today.
Reading Simulacra
Author: M. W. Smith
Publisher: State University of New York Press
ISBN: 0791490130
Category : Performing Arts
Languages : en
Pages : 156
Book Description
Reading Simulacra analyzes the ways in which our culture has become fatally immersed in simulation. Television, the Internet, virtual reality, and other advancements in technology and information processing have brought about an order in which simulations and digital images permeate our experiences of the world so deeply that their distinctions from reality appear seamless. Through a careful study of some of the most important postmodern theorists, particularly Jean Baudrillard and Deleuze and Guattari, this book puts forth two different communication strategies—"seduction" and "rupture"—for a world where the difference between what is real and what is simulated has disappeared. In an attempt to discern meaning from this contemporary situation, M. W. Smith examines a range of contemporary texts that have, in the past, resisted traditional analysis. These include the O. J. Simpson trial, Oliver Stone's Natural Born Killers, Reese Williams's A Pair of Eyes, Kathy Acker's Blood and Guts in High School and Don Quixote, Clarence Major's My Amputations, and Baudrillard's America—all of which represent the obscenity of hypersignified existence.
Publisher: State University of New York Press
ISBN: 0791490130
Category : Performing Arts
Languages : en
Pages : 156
Book Description
Reading Simulacra analyzes the ways in which our culture has become fatally immersed in simulation. Television, the Internet, virtual reality, and other advancements in technology and information processing have brought about an order in which simulations and digital images permeate our experiences of the world so deeply that their distinctions from reality appear seamless. Through a careful study of some of the most important postmodern theorists, particularly Jean Baudrillard and Deleuze and Guattari, this book puts forth two different communication strategies—"seduction" and "rupture"—for a world where the difference between what is real and what is simulated has disappeared. In an attempt to discern meaning from this contemporary situation, M. W. Smith examines a range of contemporary texts that have, in the past, resisted traditional analysis. These include the O. J. Simpson trial, Oliver Stone's Natural Born Killers, Reese Williams's A Pair of Eyes, Kathy Acker's Blood and Guts in High School and Don Quixote, Clarence Major's My Amputations, and Baudrillard's America—all of which represent the obscenity of hypersignified existence.