The Vocal Concertos of Johann Dilliger PDF Download

Author: Margarette Fink Eby
Publisher:
ISBN:
Category :
Languages : en
Pages : 568

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Author: University of Michigan. Board of Regents
Publisher:
ISBN:
Category :
Languages : en
Pages : 1910

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Author: Julia Dokter
Publisher: Boydell & Brewer
ISBN: 1648250181
Category : Music
Languages : en
Pages : 546

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Book Description
Guides modern performers and scholars through the intricacies of German Baroque metric theory, via analyses of treatises and organ music by J.S. Bach and other leading composers, such as Buxtehude, Bruhns, and Weckman.

Author: Tom Henderson
Publisher: Macmillan + ORM
ISBN: 1250098211
Category : True Crime
Languages : en
Pages : 498

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A husband’s anguish, a son’s suspicion, a killer’s secret. The true crime account of Jeffrey Gorton, the Michigan murderer who lived under the radar. In 1991, flight attendant Nancy Ludwig checked in to an airport hotel near Detroit. The next morning she was found gagged, raped, and tortured—her throat slit with such rage that she was nearly decapitated. Her husband Arthur never gave up hope that the future would bring enough evidence to close the case. But it was the past that held the clue. In 1985, fifty-five-year old Margarette Eby, a music professor, met the same grisly death at her cottage in Flint, Michigan. The case went cold—until six years later when the victim’s son Mark came upon the story of Nancy Ludwig’s slaying. With nothing to go on but intuition, he called authorities, certain that the same fiend committed both crimes. A cunning sting operation yielded irrefutable DNA evidence, and authorities were led to the home of respected navy veteran Jeffrey Gorton living quietly with his wife and two children. But his cold-blooded secrets were only beginning to come to light, leaving fears that there were more victims yet to be found in a killing spree that had finally come to an end. Blood Justice shows veteran reporter and author Tom Henderson at the top of his game. ***Please note: This ebook edition does not contain the photos found in the print edition.***

Author: Waldo Selden Pratt
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1024

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Author: University of Michigan. Board of Regents
Publisher:
ISBN:
Category :
Languages : en
Pages : 1804

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Author: Stanley Sadie
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 968

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"This reference classic has approximately doubled in size since its last publication 20 years ago, and the expansion involves more than the thorough revision and addition of articles about music of the past. More articles about 20th-century composers and composer-performers have been added, as well as topical articles about the gender-related, multicultural, and interdisciplinary ways that music is now being studied. Add to these changes that New Grove is also available online, making it a source that would have made its many-faceted creator Sir George Grove proud"--Outstanding reference sources, American Libraries, May 2002.

Author: Daniel Gregory Mason
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 348

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Author: Jeffrey Kurtzman
Publisher: Taylor & Francis
ISBN: 104023349X
Category : History
Languages : en
Pages : 356

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Although he is often identified as a Monteverdi scholar (Approaches to Monteverdi: Aesthetic, Psychological, Analytical and Historical Studies, published in the Variorum series in 2013), the majority of Jeffrey Kurtzman’s work has focused on other sixteenth- and seventeenth-century Italian sacred music. Organized into three sections, part one begins with a chapter on the Monteverdi Mass and Vespers of 1610 which spotlights the other major work in Monteverdi’s first prominent sacred print, the Missa in illo tempore, followed by examples of Kurtzman’s work on the sacred music of other composers such as Giovanni Francesco Capello and Palestrina. The section concludes with a piece on polyphonic psalm structures in seventeenth-century Italian Office music. Part two includes pieces which explore the relationship between the standard clef set, the high clef set, specific Magnificat tones and sounding pitch in the Magnificats of Roman composers; the issue of polyphonic psalm antiphons and the question of vocal and instrumental substitutes for plainchant antiphons in the Vespers service; and the use of instruments in the performance of sacred music, demonstrating that the concertato style of the seventeenth century had its origins in the practice of substituting instruments for voices and doubling voices with instruments, thereby introducing multifaceted possibilities for varying sonorities through the course of a composition. Part 3 contains two articles: the first surveying various styles in the Office repertoire of the seventeenth-century based on the approximately 1500 prints of Italian Office music in Kurtzman’s and Anne Schnoebelen’s catalogue of Mass, Office and Holy Week Music Printed in Italy, 1516-1770. The second article, published for the first time in this volume, assesses the impact on Italian liturgical music of the Catholic reform of the second half of the sixteenth-century.

Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 616

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Includes entries for maps and atlases.