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Author: Sirpa Aalto Publisher: Cambridge Scholars Publishing ISBN: 1527564037 Category : Art Languages : en Pages : 197
Book Description
Considering that figurines, such as the Venus from Willendorf, or the Lion Man of Hohlenstein-Stadel were already created approximately 30,000 years ago, it must be assumed that humans have had a desire to see a visual expression of their sacred beings for an exceedingly prolonged period of time. It is dialectical that visual interpretations of deities always result in a physical/body structure, resembling the shape of humans. This book is a fusion of multiple independent investigations regarding visual interpretations of deities and religions over a period of 30,000 years. A survey about the psychological necessity for humans to create images of gods and goddesses provides the background for the book’s presentation of images of deities, placed in a historical context. An accompanying text supports the illustrations to position them accordingly.
Author: Sirpa Aalto Publisher: Cambridge Scholars Publishing ISBN: 1527564037 Category : Art Languages : en Pages : 197
Book Description
Considering that figurines, such as the Venus from Willendorf, or the Lion Man of Hohlenstein-Stadel were already created approximately 30,000 years ago, it must be assumed that humans have had a desire to see a visual expression of their sacred beings for an exceedingly prolonged period of time. It is dialectical that visual interpretations of deities always result in a physical/body structure, resembling the shape of humans. This book is a fusion of multiple independent investigations regarding visual interpretations of deities and religions over a period of 30,000 years. A survey about the psychological necessity for humans to create images of gods and goddesses provides the background for the book’s presentation of images of deities, placed in a historical context. An accompanying text supports the illustrations to position them accordingly.
Author: SIRPA. HERZOG AALTO (UTA. HUPFAUF, PETER.) Publisher: Cambridge Scholars Publishing ISBN: 9781527563018 Category : Languages : en Pages :
Book Description
Considering that figurines, such as the Venus from Willendorf, or the Lion Man of Hohlenstein-Stadel were already created approximately 30,000 years ago, it must be assumed that humans have had a desire to see a visual expression of their sacred beings for an exceedingly prolonged period of time. It is dialectical that visual interpretations of deities always result in a physical/body structure, resembling the shape of humans. This book is a fusion of multiple independent investigations regarding visual interpretations of deities and religions over a period of 30,000 years. A survey about the psychological necessity for humans to create images of gods and goddesses provides the background for the bookâ (TM)s presentation of images of deities, placed in a historical context. An accompanying text supports the illustrations to position them accordingly.
Author: Dragoş Gheorghiu Publisher: Archaeopress Publishing Ltd ISBN: 1789695007 Category : Social Science Languages : en Pages : 218
Book Description
Anthropomorphism could be described as a production of analogies generated by human cognition. It is present in the imaginary, mythologies, religions, and material culture of all ages. This book approaches anthropomorphism from the moment of anthropogenesis, tracing its presence in nature and material culture in prehistory and Antiquity.
Author: Ildar H. Garipzanov Publisher: Oxford University Press ISBN: 0198815018 Category : Design Languages : en Pages : 404
Book Description
Graphic Signs Of Authority in Late Antiquity and the Early Middle Ages offers a cultural history of the graphic monogrammatic tools from antiquity to the Middle Ages. It examines the sign of the cross, christograms, monograms, and other similar devices, and how they were used during a time of great socio-political and religious change.
Author: David Lewis-Williams Publisher: Thames & Hudson ISBN: 050077045X Category : Social Science Languages : en Pages : 320
Book Description
An exploration of how brain structure and cultural content interacted in the Neolithic period 10,000 years ago to produce unique life patterns and belief systems. What do the headless figures found in the famous paintings at Catalhoyuk in Turkey have in common with the monumental tombs at Newgrange and Knowth in Ireland? How can the concepts of "birth," "death," and "wild" cast light on the archaeological enigma of the domestication of cattle? What generated the revolutionary social change that ended the Upper Palaeolithic? David Lewis-Williams's previous book, The Mind in the Cave, dealt with the remarkable Upper Palaeolithic paintings, carvings, and engravings of western Europe. Here Dr. Lewis-Williams and David Pearce examine the intricate web of belief, myth, and society in the succeeding Neolithic period, arguably the most significant turning point in all human history, when agriculture became a way of life and the fractious society that we know today was born. The authors focus on two contrasting times and places: the beginnings in the Near East, with its mud-brick and stone houses each piled on top of the ruins of another, and western Europe, with its massive stone monuments more ancient than the Egyptian pyramids. They argue that neurological patterns hardwired into the brain help explain the art and society that Neolithic people produced. Drawing on the latest research, the authors skillfully link material on human consciousness, imagery, and religious concepts to propose provocative new theories about the causes of an ancient revolution in cosmology and the origins of social complexity. In doing so they create a fascinating neurological bridge to the mysterious thought-lives of the past and reveal the essence of a momentous period in human history. 100 illustrations, 20 in color.
Author: Alberto Gil Publisher: ISBN: Category : Art, Spanish Languages : en Pages : 208
Book Description
Catálogo de la exposición "La apariencia de lo real: cincuenta años de arte realista en España (1960-2010)", comisariada por Lourdes Moreno y presentada del 6 de abril al 10 de septiembre de 2017 en el Museo Carmen Thyssen Málaga. A través de bodegones, figuras, interiores y vistas urbanas, se traza un recorrido de ida y vuelta desde el naturalismo barroco hasta el arte contemporáneo, en el que el protagonismo es compartido, entre el artista, su obra y su espectador.
Author: Anne Baring Publisher: Penguin UK ISBN: 0141941405 Category : Social Science Languages : en Pages : 798
Book Description
A comprehensive, scholarly accessible study, in which the authors draw upon poetry and mythology, art and literature, archaeology and psychology to show how the myth of the goddess has been lost from our formal Judeo-Christian images of the divine. They explain what happened to the goddess, when, and how she was excluded from western culture, and the implications of this loss.
Author: Bruce Rimell Publisher: Xibalba Books ISBN: Category : Social Science Languages : en Pages : 296
Book Description
The art and iconography of the Minoan civilisation of Bronze Age Crete is rightly described as having a refreshing vitality with a fortunate combination of stylisation and spontaneity in which the artist is able to transform conventional imagery into a personal expression. The dynamism, torsion and naturalism evident in Minoan art stands in stark contrast to the hieratic rigidity of other ancient civilisations, and nowhere is this more apparent than in the iconography of the Minoan Epiphany, a set of mainly glyptic (rings, seals, and seal impression) images which appear to depict religious celebrants experiencing direct and seemingly ecstatic encounters with deities. This collection of essays explores this central aspect of Minoan religion, taking a strongly archaeological focus to allow the artefacts to speak for themselves, and moving from traditional ‘representational’ interpretations into ‘embodied’ perspectives in which the ecstatic capabilities of the human body throw new light on Aegean Bronze Age ritual practices. Such ideas challenge rather passive assumptions modern Western observers hold about the nature of religious feelings and experiences, in particular the depictions of altered states of consciousness in ancient art, and the visionary potential of dance gestures. Speculative asides on the potential for a Minoan origin for Classical Greek humanism, and hints in the imagery on ancient Cretan conceptions of the cosmos, are set against sound archaeological theories to explain this lively and dynamic corpus of images. Beautifully illustrated with images and sketches of the relevant artefacts, this wide-ranging volume will stimulate audiences with archaeological, prehistorical and spiritual interests, as well as historians of religion and art. ‘The Minoan Epiphany’ also represents an influential antecendent to the Visionary Humanist philosophy which forms the majority of Bruce’s current independent research interests.
Author: Sirpa Aalto
Author: Sirpa Aalto
Author: SIRPA. HERZOG AALTO (UTA. HUPFAUF, PETER.)
Author: Dragoş Gheorghiu
Author: Ildar H. Garipzanov
Author: David Lewis-Williams
Author: 
Author: Alberto Gil
Author: 
Author: Anne Baring
Author: Bruce Rimell