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Author: Enrique Mallén Publisher: Peter Lang Incorporated, International Academic Publishers ISBN: Category : Art Languages : en Pages : 372
Book Description
Pablo Picasso's continued search for the essential features of perceived objects and his natural abidance to the general principles regulating artistic creation determined his intuitive analysis of the various stages of vision. His exploration of pictorial language is reflected in the well-established periods in the development of Cubism. Progressively, objects were analyzed first by their image (or retinal) and surface (or external) features as viewed from particular observer-oriented viewpoints during the Pre-Cubist and Cézannian Cubist stages; then by viewer-independent, structural features during Analytic Cubism; and finally by categorial features during Synthetic Cubism. This final re-evaluation allowed the artist to treat pictorial language as truly arbitrary, leading to metaphorical correlations between objects that went beyond what was actually depicted on the surface of the canvas.
Author: Enrique Mallén Publisher: Peter Lang Incorporated, International Academic Publishers ISBN: Category : Art Languages : en Pages : 372
Book Description
Pablo Picasso's continued search for the essential features of perceived objects and his natural abidance to the general principles regulating artistic creation determined his intuitive analysis of the various stages of vision. His exploration of pictorial language is reflected in the well-established periods in the development of Cubism. Progressively, objects were analyzed first by their image (or retinal) and surface (or external) features as viewed from particular observer-oriented viewpoints during the Pre-Cubist and Cézannian Cubist stages; then by viewer-independent, structural features during Analytic Cubism; and finally by categorial features during Synthetic Cubism. This final re-evaluation allowed the artist to treat pictorial language as truly arbitrary, leading to metaphorical correlations between objects that went beyond what was actually depicted on the surface of the canvas.
Author: Dr Debra D Andrist Publisher: Liverpool University Press ISBN: 178284645X Category : Family & Relationships Languages : en Pages : 273
Book Description
Crossroads! Intersections physical and/or metaphorical demand processes of consideration, determination, decision and commitment. Stasis is no longer an option where convergence is poised before the unknown. Where categories such as gender, culture, ethnicity, socio-economic status, philosophy and religion clash, the multivariate process can reach such complexity that literary, sociological and psychological tools can have differing interpretations. Real-life intersections range from the mundane (choosing among food items on a menu according to taste preferences) to survival-determinants (evaluating the efficacy of various medical procedures). But such intersections are at the two ends of a very long continuum that takes in issues of form/function, and traditional vs.modern. For example, Home may be defined both as a physical place and/or a mental construct. In more esoteric contexts, artists chiefly known for visual production, representing their ideas with color and form, not infrequently cross media to paint with words. Philosophy, religion, art and literature cross paths via symbols and other visual and linguistic constructs. Writers deal with how and where their own or their characters multiple identities intersect. The Hispanic world is an extraordinarily vivid place to explore these crossroads. This collection of essays addresses a multitude of crossroads in numerous Hispanic contexts across the intersections of time & space/tradition & modernity. The contexts are wide-ranging; e.g., the visual, architectural: how Spains age-old oenological tradition meets modern technology, how the vestiges of long-term dictatorship lurk in the spaces of Spains democracy; and how space/architecture, and art/poetry cross in Latin America. Painters Pablo Picasso and Frida Kahlos productions cross the visual to the written; and magical realism products of the twentieth century Latin American artistic movement defy nature, science, time and space.
Author: Michelle Facos Publisher: Routledge ISBN: 1351540106 Category : Art Languages : en Pages : 261
Book Description
With the words ?A new manifestation of art was ... expected, necessary, inevitable,? Jean Mor? announced the advent of the Symbolist movement in 1886. When Symbolist artists began experimenting in order to invent new visual languages appropriate for representing modern life in all its complexity, they set the stage for innovation in twentieth-century art. Rejecting what they perceived as the superficial descriptive quality of Impressionism, Naturalism, and Realism, Symbolist artists delved beneath the surface to express feelings, ideas, scientific processes, and universal truths. By privileging intangible concepts over perceived realities and by asserting their creative autonomy, Symbolist artists broke with the past and paved the way for the heterogeneity and penchant for risk-taking that characterizes modern art. The essays collected here, which consider artists from France to Russia and Finland to Greece, argue persuasively that Symbolist approaches to content, form, and subject helped to shape twentieth-century Modernism. Well-known figures such as Kandinsky, Khnopff, Matisse, and Munch are considered alongside lesser-known artists such as Fini, Gyzis, Koen, and Vrubel in order to demonstrate that Symbolist art did not constitute an isolated moment of wild experimentation, but rather an inspirational point of departure for twentieth-century developments.
Author: Rudolf Arnheim Publisher: Univ of California Press ISBN: 0520250079 Category : Art Languages : en Pages : 150
Book Description
Rudolf Arnheim explores the creative process through the sketches executed by Picasso for his mural Guernica. The drawings and paintings shown herein, as well as the photographs of the stages of the final painting, represent the complete visual record of the creative stages of a major work of art.
Author: Dr Debra D Andrist Publisher: Liverpool University Press ISBN: 1782843280 Category : Medical Languages : en Pages : 340
Book Description
Hominids have always been obsessed with representing their own bodies. The first "selfies" were prehistoric negative hand images and human stick figures, followed by stone and ceramic representations of the human figure. Thousands of years later, moving via historic art and literature to contemporary social media, the contemporary term "selfie" was self-generated. The book illuminates some "selfies". This collection of critical essays about the fixation on the human self addresses a multi-faceted geographic set of cultures -- the Iberian Peninsula to pre-Columbian America and Hispanic America -- analysing such representations from medical, literal and metaphorical perspectives over centuries. Chapter contributions address the representation of the body itself as subject, in both visual and textual manners, and illuminate attempts at control of the environment, of perception, of behaviour and of actions, by artists and authors. Other chapters address the body as subjected to circumstance, representing the body as affected by factors such as illness, injury, treatment and death. These myriad effects on the body are interpreted through the brushes of painters and the pens of authors for social and/or personal control purposes. The essays reveal critics' insights when "selfies" are examined through a focused "lens" over a breadth of cultures. The result, complex and unique, is that what is viewed -- the visual art and literature under discussion -- becomes a mirror image, indistinguishable from the component viewing apparatus, the "lens".
Author: Melvin González-Rivera Publisher: Routledge ISBN: 1000028399 Category : Language Arts & Disciplines Languages : en Pages : 226
Book Description
Interface-Driven Phenomena in Spanish: Essays in Honor of Javier Gutiérrez-Rexach brings together a collection of articles from leading experts in the fields of formal syntax and semantics. With a specific focus on interface-related phenomena, the articles address a broad array of issues in Spanish grammar. In so doing, the book offers an updated view on current research topics while providing a rich variety of methods and theoretical perspectives. The volume will be of interest to advanced students, researchers and scholars working on Spanish syntax, semantics and their interfaces.
Author: Susan Greenberg Fisher Publisher: Yale University Press ISBN: Category : Art Languages : en Pages : 276
Book Description
A revealing investigation into Picasso's career-long fascination with the written word Throughout his life, Pablo Picasso had close friendships with writers and an abiding interest in the written word. This groundbreaking book, which draws on the collections of Yale University, traces the relationship that Picasso had with literature and writing in his life and work. Beginning with the artist's early associations with such writers as Gertrude Stein, Guillaume Apollinaire, Max Jacob, and Pierre Reverdy, the book continues until the postwar period, by which time Picasso had become a worldwide celebrity. Distinguished authorities in art and literature explore the theme of Picasso and language from historical, linguistic, and visual perspectives and contextualize Picasso's work within a rich literary framework. Presenting fascinating archival materials and written in an accessible style, Picasso and the Allure of Language is essential reading for anyone interested in this great artist and the history of modernism. Published in association with the Yale University Art Gallery Exhibition Schedule: Yale University Art Gallery, New Haven (January 27 - May 24, 2009) Nasher Museum of Art at Duke University, Durham (August 20, 2009 - January 3, 2010)
Author: Debra D. Andrist Publisher: Liverpool University Press ISBN: 1782846034 Category : Social Science Languages : en Pages : 235
Book Description
Jigsaw puzzles' notorious complexity and mega-multiple, amorphously-shaped pieces provide an appropriate metaphor for the navigating and maneuvering necessary throughout all aspects of human dynamics. Involvement comprises not only efforts by an individual personally trying to fit together a life of relationships with Family, Friends & Foes within complex categories and different levels, but the efforts by groups of individuals within those categories, progressively, by those groups within a larger society and/or societies, and then, across so many so-called boundaries: geographic, ethnic, linguistic, artistic and more. Such is the starting point for this particular collection of essays, which focuses on the human dynamics in cultures characterized, mostly linguistically, as Hispanic worlds, and those cultures both in real life and in terms of cultural productions such as movies, visual art and literature. Unlike jigsaw puzzles with their convenient guiding box-cover representation of the finished "product" once the pieces are correctly assembled, human dynamics' "pieces" are more like amoebas, ever changing size and shape, multiplying and dividing, sometimes fitting in with other pieces, sometimes not, sometimes overlappingin short, frequently unpredictable and always challenging for the would-be "assembler(s)." Thus, the title of this book could easily morph ad infinitum with the three elements of Family, Friends, Foes reflecting an enormous and unwieldy range of relationship, emotion and viewpoint. Mixed messages abound. And as can be seen from the individual chapter titles and content so-called successful relationships may be fleeting or unattainableor may match the imagined, hoped-for "picture" of a working relationship dynamic.
Author: Robert J. Lang Publisher: CRC Press ISBN: 1439871043 Category : Mathematics Languages : en Pages : 566
Book Description
The connections between origami, mathematics, science, technology, and education have been a topic of considerable interest now for several decades. While many individuals have happened upon discrete connections among these fields during the twentieth century, the field really took off when previously isolated individuals began to make stronger con
Author: Michael C. FitzGerald Publisher: Yale University Press ISBN: 0300089414 Category : Art Languages : en Pages : 204
Book Description
A study of Picasso's depictions of the artist's studio in paintings, drawings and prints throughout his career, showing how he found there a profound expression of the creative focus. Most of the book analyzes relevant paintings and drawings, and there is an essay on the painting "La Vie."
Author: Enrique Mallén
Author: Enrique Mallén
Author: Dr Debra D Andrist
Author: Michelle Facos
Author: Rudolf Arnheim
Author: Dr Debra D Andrist
Author: Melvin González-Rivera
Author: Susan Greenberg Fisher
Author: Debra D. Andrist
Author: Robert J. Lang
Author: Michael C. FitzGerald