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Author: Rupert Christiansen Publisher: Grove Press ISBN: 9780802139337 Category : History Languages : en Pages : 298
Book Description
In the nineteenth century, London was a city of big money, large audiences, and creative dynamism. In The Victorian Visitors, Rupert Christiansen lucidly captures the city to which visitors went in search of the artistic fervor, fame, and wealth that only London could offer. The great French painter Theodore Gericault escaped to London after a disappointing reception in Paris to show his painting, Raft of the "Medusa." The high pitch and hustle of London life influenced the fecundity and variety of several of his paintings, including Derby d'Epsom. Composer Richard Wagner went for the first time in search of money, but was disappointed to find the audiences indiscriminating, the musicians poorly trained, and the weather depressing. Writing to his friend Liszt in a frenzy of despair, he said, "I live here like a damned soul in hell." Then there was the demon Australian bowler, Frederick Spofforth, who changed the course of English cricket.
Author: Rupert Christiansen Publisher: Grove Press ISBN: 9780802139337 Category : History Languages : en Pages : 298
Book Description
In the nineteenth century, London was a city of big money, large audiences, and creative dynamism. In The Victorian Visitors, Rupert Christiansen lucidly captures the city to which visitors went in search of the artistic fervor, fame, and wealth that only London could offer. The great French painter Theodore Gericault escaped to London after a disappointing reception in Paris to show his painting, Raft of the "Medusa." The high pitch and hustle of London life influenced the fecundity and variety of several of his paintings, including Derby d'Epsom. Composer Richard Wagner went for the first time in search of money, but was disappointed to find the audiences indiscriminating, the musicians poorly trained, and the weather depressing. Writing to his friend Liszt in a frenzy of despair, he said, "I live here like a damned soul in hell." Then there was the demon Australian bowler, Frederick Spofforth, who changed the course of English cricket.
Author: Katie Trumpener Publisher: Yale University Press ISBN: 0300184794 Category : Art Languages : en Pages : 325
Book Description
A wide-ranging study of the painted panorama’s influence on art, photography, and film This ambitious volume presents a multifaceted account of the legacy of the circular painted panorama and its far-reaching influence on art, photography, film, and architecture. From its 18th-century origins, the panorama quickly became a global mass-cultural phenomenon, often linked to an imperial worldview. Yet it also transformed modes of viewing and exerted a lasting, visible impact on filmmaking techniques, museum displays, and contemporary installation art. On the Viewing Platform offers close readings of works ranging from proto-panoramic Renaissance cityscapes and 19th-century paintings and photographs to experimental films and a wide array of contemporary art. Extensively researched and spectacularly illustrated, this volume proposes an expansive new framework for understanding the histories of art, film, and spectatorship.
Author: Nicholas Freeman Publisher: Oxford University Press, USA ISBN: 0199218188 Category : Art Languages : en Pages : 253
Book Description
'Conceiving the City' looks at how major writers and artists represented London in fiction, poetry, essays, and art. It shows that late-Victorian fin-de-siècle London emerged as a focus for dynamic, explicitly modern art as writers and artists broke with earlier tradition and bent realism into exciting new shapes.
Author: M. Hammond Publisher: Springer ISBN: 023021083X Category : Literary Criticism Languages : en Pages : 250
Book Description
This book explores the publishing and reading practices formed and changed by the First World War. From an exploration of British and Australian trench journals to the impact of war on the literary figures of the home front, the essays provide new information about the production, circulation and reception of reading matter during this time.
Author: Alex Ross Publisher: Farrar, Straus and Giroux ISBN: 1429944544 Category : Music Languages : en Pages : 784
Book Description
Alex Ross, renowned New Yorker music critic and author of the international bestseller and Pulitzer Prize finalist The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence. For better or worse, Wagner is the most widely influential figure in the history of music. Around 1900, the phenomenon known as Wagnerism saturated European and American culture. Such colossal creations as The Ring of the Nibelung, Tristan und Isolde, and Parsifal were models of formal daring, mythmaking, erotic freedom, and mystical speculation. A mighty procession of artists, including Virginia Woolf, Thomas Mann, Paul Cézanne, Isadora Duncan, and Luis Buñuel, felt his impact. Anarchists, occultists, feminists, and gay-rights pioneers saw him as a kindred spirit. Then Adolf Hitler incorporated Wagner into the soundtrack of Nazi Germany, and the composer came to be defined by his ferocious antisemitism. For many, his name is now almost synonymous with artistic evil. In Wagnerism, Alex Ross restores the magnificent confusion of what it means to be a Wagnerian. A pandemonium of geniuses, madmen, charlatans, and prophets do battle over Wagner’s many-sided legacy. As readers of his brilliant articles for The New Yorker have come to expect, Ross ranges thrillingly across artistic disciplines, from the architecture of Louis Sullivan to the novels of Philip K. Dick, from the Zionist writings of Theodor Herzl to the civil-rights essays of W.E.B. Du Bois, from O Pioneers! to Apocalypse Now. In many ways, Wagnerism tells a tragic tale. An artist who might have rivaled Shakespeare in universal reach is undone by an ideology of hate. Still, his shadow lingers over twenty-first century culture, his mythic motifs coursing through superhero films and fantasy fiction. Neither apologia nor condemnation, Wagnerism is a work of passionate discovery, urging us toward a more honest idea of how art acts in the world.
Author: Julia Grella O'Connell Publisher: Routledge ISBN: 1317091531 Category : Music Languages : en Pages : 285
Book Description
The plight of the fallen woman is one of the salient themes of nineteenth-century art and literature; indeed, the ubiquity of the trope galvanized the Victorian conscience and acted as a spur to social reform. In some notable examples, Julia Grella O’Connell argues, the iconography of the Victorian fallen woman was associated with music, reviving an ancient tradition conflating the practice of music with sin and the abandonment of music with holiness. The prominence of music symbolism in the socially-committed, quasi-religious paintings of the Pre-Raphaelites and their circle, and in the Catholic-Wagnerian novels of George Moore, gives evidence of the survival of a pictorial language linking music with sin and conversion, and shows, even more remarkably, that this language translated fairly easily into the cultural lexicon of Victorian Britain. Drawing upon music iconography, art history, patristic theology, and sensory theory, Grella O’Connell investigates female fallenness and its implications against the backdrop of the social and religious turbulence of the mid-nineteenth century.
Author: John Lazenby Publisher: Bloomsbury Publishing ISBN: 1408842882 Category : Sports & Recreation Languages : en Pages : 329
Book Description
A compelling and beautifully drawn social history of the first Australian cricket tour of England 'An excellent, bustling account of the first Australian cricket XI to tour England' Independent 'A fascinating story, well told' Choice The Ashes cricket series, played out between England and Australia, is the oldest - and undoubtedly the most keenly-contested - rivalry in international sport. And yet the majority of the first representative Australian cricket team to tour England in 1878 in fact regarded themselves as Englishmen. In May of that year the SS City of Berlin docked at Liverpool, and the Australians stepped onto English ground to begin the inaugural first-class cricket tour of England by a representative overseas team. As they made their way south towards Lord's to play MCC in the second match of the tour, the intrepid tourists - or 'the strangers' as they were referred to in the press - encountered arrogance and ignorance, cheating umpires and miserable weather. But by defeating a powerful MCC side which included W.G. Grace himself in a single afternoon's play, they turned English cricket on its head. The Lord's crowd, having begun by openly laughing at the tourists, were soon wildly celebrating a victory that has been described as 'arguably the most momentous six hours in cricket history' and claiming the Australians as their own. The Strangers Who Came Home is a compelling social history which brings that momentous summer to life, telling the story of these extraordinary men who travelled thousands of miles, risking life and limb, playing 43 matches in England (as well as several in Philadelphia, America, on their return journey) during a demanding but ultimately triumphant homecoming. It reveals how their glorious achievements on the field of play threw open the doors to international sports touring, and how these men from the colonies provided the stimulus for Australian nationhood through their sporting success and brought unprecedented vitality to international cricket.
Author: Emma Roberts Publisher: Liverpool University Press ISBN: 180207919X Category : History Languages : en Pages : 248
Book Description
This edited collection re-examines the relationship between art and the sea, reflecting growing interest in the intersections between art and maritime history. Artists have always been fascinated by and drawn to the sea and this book considers some of the themes and approaches in art that have evolved as a result of this captivation. The chapters consider how an examination of art can provide new insights into existing knowledge of port and maritime history, and are representative of a ‘cultural turn’ in port and maritime studies, which is becoming increasingly visible. In Art and the Sea, multiple perspectives are offered as a result of the contributors’ individual positions and methodologies: some museological, others art historical or maritime-historical. Each chapter proposes a new way of building upon available interpretations of port and maritime history: whether this be to reject, support or reconsider existing knowledge. The book as a whole is a timely addition, therefore, to the developing body of revisionist texts in port and maritime history. The interdisciplinary nature of the volume relates to a current trend for interdisciplinarity in art history and will appeal to those with an interest in art history, geography, sociology, history and transport / maritime studies.
Author: Ian Lloyd Publisher: The History Press ISBN: 0750991194 Category : Biography & Autobiography Languages : en Pages : 330
Book Description
One of Britain's most famous and longest serving rulers, Queen Victoria saw widespread change across her empire. During her sixty-three-year reign, in which she became one of the most powerful and influential people in the world, Victoria met everyone from Florence Nightingale to 'Buffalo Bill', as well as royalty from around the world with whom she exchanged truly unique gifts. After meeting the exalted monarch her subjects often recorded their impressions of her, sometimes favourable and sometimes not, and she wasn't shy with her opinion either. The records range from her less than enamoured assessment of 'Greatest Showman' P.T. Barnum and her opinions about Jack the Ripper, to how much she enjoyed Jane Eyre and the affection she held for her family. An Audience with Queen Victoria examines the meetings and letters exchanged between the Queen and a veritable 'who's who' of her time. Through brand-new archival research, newspapers and interviews with descendants, sit right alongside Victoria and, for the first time, experience queenship from her perspective.
Author: Rupert Christiansen
Author: Rupert Christiansen
Author: Rupert Christiansen
Author: Katie Trumpener
Author: Nicholas Freeman
Author: M. Hammond
Author: Alex Ross
Author: Julia Grella O'Connell
Author: John Lazenby
Author: Emma Roberts
Author: Ian Lloyd