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Author: Thomas Alan King Publisher: Univ of Wisconsin Press ISBN: 9780299226206 Category : History Languages : en Pages : 596
Book Description
"Taking on nothing less than the formation of modern genders and sexualities, Thomas A. King develops a history of the political and performative struggles that produced both normative and queer masculinities in the seventeenth and eighteenth centuries. The result is a major contribution to gender studies, gay studies, and theater and performance history. The Gendering of Men, 1600-1750 traces the transition from a society based on alliance, which had subordinated all men, women, and boys to higher ranked males, to one founded in sexuality, through which men have embodied their claims to personal and political privacy. King proposes that the male body is a performative production marking men's resistance to their subjection within patriarchy and sovereignty. Emphasizing that categories of gender must come under historical analysis, The Gendering of Men explores men's particpation in an ongoing struggle for access to a universal manliness transcending other biological and social differentials."--Pub. desc. v.1.
Author: Thomas Alan King Publisher: Univ of Wisconsin Press ISBN: 9780299226206 Category : History Languages : en Pages : 596
Book Description
"Taking on nothing less than the formation of modern genders and sexualities, Thomas A. King develops a history of the political and performative struggles that produced both normative and queer masculinities in the seventeenth and eighteenth centuries. The result is a major contribution to gender studies, gay studies, and theater and performance history. The Gendering of Men, 1600-1750 traces the transition from a society based on alliance, which had subordinated all men, women, and boys to higher ranked males, to one founded in sexuality, through which men have embodied their claims to personal and political privacy. King proposes that the male body is a performative production marking men's resistance to their subjection within patriarchy and sovereignty. Emphasizing that categories of gender must come under historical analysis, The Gendering of Men explores men's particpation in an ongoing struggle for access to a universal manliness transcending other biological and social differentials."--Pub. desc. v.1.
Author: Emil Naumann Publisher: Cambridge University Press ISBN: 1108061648 Category : History Languages : en Pages : 667
Book Description
Scholar and composer Emil Naumann (1827-88) studied with Mendelssohn. This two-volume English translation of his best-known work was made by Ferdinand Praeger (1815-91) and published in 1888. Chapters on music in England have been added by its editor, the eminent Victorian musician Sir Frederick Gore Ouseley (1825-89).
Author: Tony Bennett Publisher: Duke University Press ISBN: 1478027339 Category : Social Science Languages : en Pages : 165
Book Description
Habit has long preoccupied a wide range of theologians, philosophers, sociologists, psychologists, and neuroscientists. In Habit’s Pathways Tony Bennett explores the political consequences of the varied ways in which habit’s repetitions have been acted on to guide or direct conduct. Bennett considers habit’s uses and effects across the monastic regimens of medieval Europe, in plantation slavery and the factory system, through colonial forms of rule, and within a range of medicalized pathologies. He brings these episodes in habit’s political histories to bear on contemporary debates ranging from its role in relation to the politics of white supremacy to the digital harvesting of habits in practices of algorithmic governance. Throughout, Bennett tracks how habit’s repetitions have been articulated differently across divisions of class, race, and gender, demonstrating that although habit serves as an apparatus for achieving success, self-fulfilment, and freedom for the powerful, it has simultaneously served as a means of control over women, racialized peoples, and subordinate classes.
Author: Zarko Cvejic Publisher: ISBN: Category : Languages : en Pages : 389
Book Description
The purpose of this dissertation is to offer a novel reading of the steady decline that instrumental virtuosity underwent in its critical reception between c. 1815 and c. 1850, represented here by a selection of the most influential music periodicals edited in Europe at that time. In contemporary philosophy, the same period saw, on the one hand, the reconceptualization of music (especially of instrumental music) from "pleasant nonsense" (Sulzer) and a merely "agreeable art" (Kant) into the "most romantic of the arts" (E.T.A. Hoffmann), a radically disembodied, aesthetically autonomous, and transcendent art and on the other, the growing suspicion about the tenability of the free subject of the Enlightenment. This dissertation's main claim is that those three developments did not merely coincide but, rather, that the changes in the aesthetics of music and the philosophy of subjectivity around 1800 made a deep impact on the contemporary critical reception of instrumental virtuosity. More precisely, it seems that instrumental virtuosity was increasingly regarded with suspicion because it was deemed incompatible with, and even threatening to, the new philosophic conception of music and via it, to the increasingly beleaguered notion of subjective freedom that music thus reconceived was meant to symbolize. Thus while the virtuoso could be and often was celebrated as a direct embodiment of free subjectivity, he was more typically dreaded as a threat to it. Chapter One reviews the conceptual links between music and subjectivity in the early German Romantics, Schelling, and Schopenhauer, as well as in Kant, Fichte, and Hegel. The topic of Chapter Two is the impact of early-nineteenth-century aesthetics of music and the philosophy of subjectivity on the critical reception of virtuosity in performance, with focus on the denigration of performance (and thus also of virtuosity) in favor of composition, the imposition of interpretation as the guiding ideal of performance, and the binary opposition between "expressivity" and "empty virtuosic technique". Chapter Three revisits some of the same issues but in the context of the reception of virtuosity in composition and adds some new ones, such as the valorization of clear-cut formal structures and historically established genres at the expense of program music, improvisation, and most genres of virtuosic music. Finally, Chapter Four examines the hyper-masculine tropes in the reception of some virtuosi, their female rivals, and Chopin, from the perspective of the contemporary gendering of the subject, of music, and of musical instruments.
Author: James M. Trotter Publisher: DigiCat ISBN: Category : Fiction Languages : en Pages : 222
Book Description
DigiCat Publishing presents to you this special edition of "Music and Some Highly Musical People" by James M. Trotter. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author: Saidiya Hartman Publisher: W. W. Norton & Company ISBN: 1324021594 Category : History Languages : en Pages : 491
Book Description
The groundbreaking debut by the award-winning author of Wayward Lives, Beautiful Experiments, revised and updated. Saidiya Hartman has been praised as “one of our most brilliant contemporary thinkers” (Claudia Rankine, New York Times Book Review) and “a lodestar for a generation of students and, increasingly, for politically engaged people outside the academy” (Alexis Okeowo, The New Yorker). In Scenes of Subjection—Hartman’s first book, now revised and expanded—her singular talents and analytical framework turn away from the “terrible spectacle” and toward the forms of routine terror and quotidian violence characteristic of slavery, illuminating the intertwining of injury, subjugation, and selfhood even in abolitionist depictions of enslavement. By attending to the withheld and overlooked at the margins of the historical archive, Hartman radically reshapes our understanding of history, in a work as resonant today as it was on first publication, now for a new generation of readers. This 25th anniversary edition features a new preface by the author, a foreword by Keeanga-Yamahtta Taylor, an afterword by Marisa J. Fuentes and Sarah Haley, notations with Cameron Rowland, and compositions by Torkwase Dyson.
Author: Gisela Bock Publisher: Cambridge University Press ISBN: 9780521435895 Category : History Languages : en Pages : 336
Book Description
Some of the world's foremost historians of ideas consider Machiavelli's political thought in the larger context of the republican tradition.
Author: Thomas Alan King
Author: Thomas Alan King
Author: Emil Naumann
Author: Tony Bennett
Author: Zarko Cvejic
Author: James M. Trotter
Author: Saidiya Hartman
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Author: Alexander Taylor Innes
Author: Gisela Bock