The Virtuosic Performer, Book 2 PDF Download

Author: Margaret Goldston
Publisher: Alfred Music
ISBN: 9781457410277
Category : Music
Languages : en
Pages : 28

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Book Description
If dramatic glissandos, fiery staccato patterns, fast tempos and accelerating parallel triads appeal to you, take a good look at this exciting collection of intermediate and late intermediate level original piano works by composer Margaret Goldston. Any of the thrilling pieces in Book 2 are ideal for recitals, competitions and festivals. They may be worked up quickly and performed with confidence. The hardest part is simply choosing which piece to perform first!

Author: Margaret Goldston
Publisher: Alfred Music
ISBN: 9781457410260
Category : Music
Languages : en
Pages : 28

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Book Description
This series was written for piano students who enjoy showing off their talent at recitals, competitions and festivals. The technical patterns in the pieces help develop strength and dexterity in the fingers, as well as evenness and clarity of tone. Book 1 features spirited and exotic works that adventurous late elementary and early intermediate pianists will find most satisfying. These pieces are also a great way to encouraged students who are a bit more reserved to reach for more emotive performances.

Author: Robert D. Vandall
Publisher: Alfred Music
ISBN: 9781457426797
Category : Music
Languages : en
Pages : 28

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Book Description
All students who play the piano want to play music that is impressive to an audience. They are drawn to pieces that challenge them to move their fingers, arms and hands quickly, creating sounds that bring shouts of "Bravo!" from the audience. The solos in Robert Vandall’s Celebrated Virtuosic Solos are meant to show off the athleticism and musicality of the performer. The music in this five-volume series will bring out the "virtuoso" in any student and is sure to excite students, teachers and audiences alike. Titles: * Bouncing Along * Jumping Jacks * Nimble Fingers * Power Walk * Rock Climbing * Rowdy! * Sidewalk Games * Water Slide

Author: Robert D. Vandall
Publisher: Alfred Music
ISBN: 1457426811
Category : Music
Languages : en
Pages : 26

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Book Description
All students who play the piano want to play music that is impressive to an audience. They are drawn to pieces that challenge them to move their fingers, arms and hands quickly, creating sounds that bring shouts of "Bravo!" from the audience. The solos in Robert Vandalläó»s Celebrated Virtuosic Solos are meant to show off the athleticism and musicality of the performer. The music in this five-volume series will bring out the "virtuoso" in any student and is sure to excite students, teachers and audiences alike. Titles: * Allegretto Scherzando * Allegro in A Minor * Billowing Breakers * Handbell Joy * Mystical Tarantella * Perpetual Motion III * Scale Train * Summer Toccatina * Triad Toccatina

Author: Alfred Music
Publisher: Alfred Music
ISBN: 9781457404238
Category : Music
Languages : en
Pages : 44

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Book Description
The Cream of the Crop series is a representative selection of some of the most popular piano solos in a century of the publishing history of Summy-Birchard. These best-sellers have survived the test of time. Book 2 is for the early intermediate student. Titles: * Flamenco * Roller-Skating * The Elf and the Fairy * Bagpipers * Whirling Leaves * Black Boots * Theme and Variation on a Spiritual * From a Lighthouse Window * Etude * Turkish Rondo * Chattering Monkeys * Frolicky Rollicky Wind

Author: Margaret Goldston
Publisher: Alfred Music
ISBN: 9781457444319
Category : Music
Languages : en
Pages : 20

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Book Description
Each volume in the Romances series is a collection of original supplementary solos written in a romantic-contemporary style and arranged in progressive order of difficulty. These books are an excellent way for students to develop skills in musical interpretation (Book 1--late elementary/early intermediate, Book 2--early intermediate/intermediate, Book 3--intermediate/late intermediate).

Author: Martha Mier
Publisher: Alfred Music
ISBN: 1457415879
Category : Music
Languages : en
Pages : 4

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Book Description
The cover of this gentle and quiet late elementary piano solo by Martha Mier depicts a ladybug sleeping on a leaf. It is in the key of F major and 3/4 meter. Tempo markings such as "ritardando" and "a tempo" are introduced, as well as the use of the fermata.

Author: Margaret Goldston
Publisher: Alfred Music
ISBN: 9781457417764
Category : Music
Languages : en
Pages : 36

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Book Description
Majestic and colorful Christmas arrangements abound in this stunning collection arranged for intermediate pianists who enjoy performing with flair and self-assurance. Audiences will be regaled with the full drama of the piano while listening to selected Christmas carols featuring smooth left hand lines, delicate ornamentation, dramatic tempo and dynamic shifts, exciting block chords, rolled chords, lively rhythms and more.

Author: Christopher Berg
Publisher: Routledge
ISBN: 0429576315
Category : Music
Languages : en
Pages : 201

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Book Description
Practicing Music by Design: Historic Virtuosi on Peak Performance explores pedagogical practices for achieving expert skill in performance. It is an account of the relationship between historic practices and modern research, examining the defining characteristics and applications of eight common components of practice from the perspectives of performing artists, master teachers, and scientists. The author presents research past and present designed to help musicians understand the abstract principles behind the concepts. After studying Practicing Music by Design, students and performers will be able to identify areas in their practice that prevent them from developing. The tenets articulated here are universal, not instrument-specific, borne of modern research and the methods of legendary virtuosi and teachers. Those figures discussed include: Luminaries Franz Liszt and Frederic Chopin Renowned performers Anton Rubinstein, Mark Hambourg, Ignace Paderewski, and Sergei Rachmaninoff Extraordinary teachers Theodor Leschetizky, Rafael Joseffy, Leopold Auer, Carl Flesch, and Ivan Galamian Lesser-known musicians who wrote perceptively on the subject, such as violinists Frank Thistleton, Rowsby Woof, Achille Rivarde, and Sydney Robjohns Practicing Music by Design forges old with new connections between research and practice, outlining the practice practices of some of the most virtuosic concert performers in history while ultimately addressing the question: How does all this work to make for better musicians and artists?

Author: Joseph Horowitz
Publisher: W. W. Norton & Company
ISBN: 0393881253
Category : Music
Languages : en
Pages : 256

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Book Description
A Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America "stayed white"—how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvorák prophesied a “great and noble school” of American classical music based on the “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in the concert hall. Black composers found few opportunities to have their works performed, and white composers mainly rejected Dvorák’s lead. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to George Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Aaron Copland and Leonard Bernstein, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a “usable past.” The result is a new paradigm that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Levi Dawson, and Florence Price, while giving increased prominence to Charles Ives and George Gershwin. Dvorák’s Prophecy arrives in the midst of an important conversation about race in America—a conversation that is taking place in music schools and concert halls as well as capitols and boardrooms. As George Shirley writes in his foreword to the book, “We have been left unprepared for the current cultural moment. [Joseph Horowitz] explains how we got there [and] proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.”