Author: Mark Greengrass
Publisher: Routledge
ISBN: 1317012577
Category : Language Arts & Disciplines
Languages : en
Pages : 417
Book Description
This unique book critically evaluates the virtual representation of the past through digital media. A distinguished team of leading experts in the field approach digital research in history and archaeology from contrasting viewpoints, including philosophical, methodological and technical. They illustrate the challenges involved in representing the past digitally by focusing on specific cases of a particular historical period, place or technical problem.
The Virtual Representation of the Past
Author: Mark Greengrass
Publisher: Routledge
ISBN: 1317012577
Category : Language Arts & Disciplines
Languages : en
Pages : 417
Book Description
This unique book critically evaluates the virtual representation of the past through digital media. A distinguished team of leading experts in the field approach digital research in history and archaeology from contrasting viewpoints, including philosophical, methodological and technical. They illustrate the challenges involved in representing the past digitally by focusing on specific cases of a particular historical period, place or technical problem.
Publisher: Routledge
ISBN: 1317012577
Category : Language Arts & Disciplines
Languages : en
Pages : 417
Book Description
This unique book critically evaluates the virtual representation of the past through digital media. A distinguished team of leading experts in the field approach digital research in history and archaeology from contrasting viewpoints, including philosophical, methodological and technical. They illustrate the challenges involved in representing the past digitally by focusing on specific cases of a particular historical period, place or technical problem.
Paradata and Transparency in Virtual Heritage
Author: Anna Bentkowska-Kafel
Publisher: Routledge
ISBN: 131708425X
Category : Business & Economics
Languages : en
Pages : 366
Book Description
Computer-Generated Images (CGIs) are widely used and accepted in the world of entertainment but the use of the very same visualization techniques in academic research in the Arts and Humanities remains controversial. The techniques and conceptual perspectives on heritage visualization are a subject of an ongoing interdisciplinary debate. By demonstrating scholarly excellence and best technical practice in this area, this volume is concerned with the challenge of providing intellectual transparency and accountability in visualization-based historical research. Addressing a range of cognitive and technological challenges, the authors make a strong case for a wider recognition of three-dimensional visualization as a constructive, intellectual process and valid methodology for historical research and its communication. Intellectual transparency of visualization-based research, the pervading theme of this volume, is addressed from different perspectives reflecting the theory and practice of respective disciplines. The contributors - archaeologists, cultural historians, computer scientists and ICT practitioners - emphasize the importance of reliable tools, in particular documenting the process of interpretation of historical material and hypotheses that arise in the course of research. The discussion of this issue refers to all aspects of the intellectual content of visualization and is centred around the concept of 'paradata'. Paradata document interpretative processes so that a degree of reliability of visualization outcomes can be understood. The disadvantages of not providing this kind of intellectual transparency in the communication of historical content may result in visual products that only convey a small percentage of the knowledge that they embody, thus making research findings not susceptible to peer review and rendering them closed to further discussion. It is argued, therefore, that paradata should be recorded alongside more tangible outcomes of research, preferably as an integral part of virtual models, and sustained beyond the life-span of the technology that underpins visualization.
Publisher: Routledge
ISBN: 131708425X
Category : Business & Economics
Languages : en
Pages : 366
Book Description
Computer-Generated Images (CGIs) are widely used and accepted in the world of entertainment but the use of the very same visualization techniques in academic research in the Arts and Humanities remains controversial. The techniques and conceptual perspectives on heritage visualization are a subject of an ongoing interdisciplinary debate. By demonstrating scholarly excellence and best technical practice in this area, this volume is concerned with the challenge of providing intellectual transparency and accountability in visualization-based historical research. Addressing a range of cognitive and technological challenges, the authors make a strong case for a wider recognition of three-dimensional visualization as a constructive, intellectual process and valid methodology for historical research and its communication. Intellectual transparency of visualization-based research, the pervading theme of this volume, is addressed from different perspectives reflecting the theory and practice of respective disciplines. The contributors - archaeologists, cultural historians, computer scientists and ICT practitioners - emphasize the importance of reliable tools, in particular documenting the process of interpretation of historical material and hypotheses that arise in the course of research. The discussion of this issue refers to all aspects of the intellectual content of visualization and is centred around the concept of 'paradata'. Paradata document interpretative processes so that a degree of reliability of visualization outcomes can be understood. The disadvantages of not providing this kind of intellectual transparency in the communication of historical content may result in visual products that only convey a small percentage of the knowledge that they embody, thus making research findings not susceptible to peer review and rendering them closed to further discussion. It is argued, therefore, that paradata should be recorded alongside more tangible outcomes of research, preferably as an integral part of virtual models, and sustained beyond the life-span of the technology that underpins visualization.
Recent Advances in 3D Imaging, Modeling, and Reconstruction
Author: Voulodimos, Athanasios
Publisher: IGI Global
ISBN: 1522552952
Category : Computers
Languages : en
Pages : 396
Book Description
3D image reconstruction is used in many fields, such as medicine, entertainment, and computer science. This highly demanded process comes with many challenges, such as images becoming blurry by atmospheric turbulence, getting snowed with noise, or becoming damaged within foreign regions. It is imperative to remain well-informed with the latest research in this field. Recent Advances in 3D Imaging, Modeling, and Reconstruction is a collection of innovative research on the methods and common techniques of image reconstruction as well as the accuracy of these methods. Featuring coverage on a wide range of topics such as ray casting, holographic techniques, and machine learning, this publication is ideally designed for graphic designers, computer engineers, medical professionals, robotics engineers, city planners, game developers, researchers, academicians, and students.
Publisher: IGI Global
ISBN: 1522552952
Category : Computers
Languages : en
Pages : 396
Book Description
3D image reconstruction is used in many fields, such as medicine, entertainment, and computer science. This highly demanded process comes with many challenges, such as images becoming blurry by atmospheric turbulence, getting snowed with noise, or becoming damaged within foreign regions. It is imperative to remain well-informed with the latest research in this field. Recent Advances in 3D Imaging, Modeling, and Reconstruction is a collection of innovative research on the methods and common techniques of image reconstruction as well as the accuracy of these methods. Featuring coverage on a wide range of topics such as ray casting, holographic techniques, and machine learning, this publication is ideally designed for graphic designers, computer engineers, medical professionals, robotics engineers, city planners, game developers, researchers, academicians, and students.
Archaeological Theory Today
Author: Ian Hodder
Publisher: Polity
ISBN: 0745653065
Category : History
Languages : en
Pages : 358
Book Description
This title brings together some of the major exponents and innovators in the discipline to introduce their individual areas of specialism. It summarizes the latest developments in the field and looks to the future of the discipline.
Publisher: Polity
ISBN: 0745653065
Category : History
Languages : en
Pages : 358
Book Description
This title brings together some of the major exponents and innovators in the discipline to introduce their individual areas of specialism. It summarizes the latest developments in the field and looks to the future of the discipline.
How Do We Imagine the Past? On Metaphorical Thought, Experientiality and Imagination in Archaeology
Author: Paul Bouissac
Publisher: Cambridge Scholars Publishing
ISBN: 1443875732
Category : Social Science
Languages : en
Pages : 199
Book Description
Recent years have witnessed a search for new sources for archaeological inspiration within areas which until recently have not been imagined as a source for science. Archaeology has become more “anthropologized”, and, as such, is becoming increasingly influenced by the Zeitgeist, although some European schools are yet to recognize this. The process of scientific research that archaeologists have always considered to be an objective approach has been revealed to be the result of different subjective cognitive processes, forming part of the contemporary humanistic paradigm, a fact confirmed by new tendencies in contemporary archaeology. Consequently, this book considers the question: how does the archaeologist think today? Beginning with simple analogies issued from archaeological experiments or from ethnography, the structure of the contemporary archaeological thought is increasingly complex, working today with concepts that only yesterday were a subject of study. This book considers these new types of approaches, through a series of personal narratives provided by archaeologists, describing their working methods in the process of imagining the past.
Publisher: Cambridge Scholars Publishing
ISBN: 1443875732
Category : Social Science
Languages : en
Pages : 199
Book Description
Recent years have witnessed a search for new sources for archaeological inspiration within areas which until recently have not been imagined as a source for science. Archaeology has become more “anthropologized”, and, as such, is becoming increasingly influenced by the Zeitgeist, although some European schools are yet to recognize this. The process of scientific research that archaeologists have always considered to be an objective approach has been revealed to be the result of different subjective cognitive processes, forming part of the contemporary humanistic paradigm, a fact confirmed by new tendencies in contemporary archaeology. Consequently, this book considers the question: how does the archaeologist think today? Beginning with simple analogies issued from archaeological experiments or from ethnography, the structure of the contemporary archaeological thought is increasingly complex, working today with concepts that only yesterday were a subject of study. This book considers these new types of approaches, through a series of personal narratives provided by archaeologists, describing their working methods in the process of imagining the past.
Media Representation and the Global Imagination
Author: Shani Orgad
Publisher: John Wiley & Sons
ISBN: 0745680852
Category : Social Science
Languages : en
Pages : 391
Book Description
This book is a clear, systematic, original and lively account of how media representations shape the way we see our and others’ lives in a global age. It provides in-depth analysis of a range of international media representations of disaster, war, conflict, migration and celebration. The book explores how images, stories and voices, on television, the Internet, and in advertisements and newspapers, invite us to relocate to distant contexts, and to relate to people who are remote from our daily lives, by developing ‘mediated intimacy’ and focusing on the self. It also explores how these representations shape our self-narratives. Orgad examines five sites of media representation – the other, the nation, possible lives, the world and the self. She argues that representations can and should contribute to fostering more ambivalence and complexity in how we think and feel about the world, our place in it and our relation to far-away others. Media Representations and the Global Imagination will be of particular interest to students and scholars of media and cultural studies, as well as sociology, politics, international relations, development studies and migration studies.
Publisher: John Wiley & Sons
ISBN: 0745680852
Category : Social Science
Languages : en
Pages : 391
Book Description
This book is a clear, systematic, original and lively account of how media representations shape the way we see our and others’ lives in a global age. It provides in-depth analysis of a range of international media representations of disaster, war, conflict, migration and celebration. The book explores how images, stories and voices, on television, the Internet, and in advertisements and newspapers, invite us to relocate to distant contexts, and to relate to people who are remote from our daily lives, by developing ‘mediated intimacy’ and focusing on the self. It also explores how these representations shape our self-narratives. Orgad examines five sites of media representation – the other, the nation, possible lives, the world and the self. She argues that representations can and should contribute to fostering more ambivalence and complexity in how we think and feel about the world, our place in it and our relation to far-away others. Media Representations and the Global Imagination will be of particular interest to students and scholars of media and cultural studies, as well as sociology, politics, international relations, development studies and migration studies.
Travel and Representation
Author: Garth Lean
Publisher: Berghahn Books
ISBN: 1785336037
Category : Social Science
Languages : en
Pages : 249
Book Description
Travel and Representation is a timely volume of essays that explores and re-examines the various convergences between literature, art, photography, television, cinema and travel. The essays do so in a way that appreciates the entanglement of representations and travel at a juncture in theoretical work that recognizes the limits of representation, things that lie outside of representation and the continuing power of representation. The emphasis is on the myriad ways travelers/scholars employ representation in their writing/analyses as they re-think the intersections between travelers, fields of representation, imagination, emotions and corporeal experiences in the past, the present and the future.
Publisher: Berghahn Books
ISBN: 1785336037
Category : Social Science
Languages : en
Pages : 249
Book Description
Travel and Representation is a timely volume of essays that explores and re-examines the various convergences between literature, art, photography, television, cinema and travel. The essays do so in a way that appreciates the entanglement of representations and travel at a juncture in theoretical work that recognizes the limits of representation, things that lie outside of representation and the continuing power of representation. The emphasis is on the myriad ways travelers/scholars employ representation in their writing/analyses as they re-think the intersections between travelers, fields of representation, imagination, emotions and corporeal experiences in the past, the present and the future.
Pastplay
Author: Kevin Kee
Publisher: University of Michigan Press
ISBN: 0472120484
Category : Education
Languages : en
Pages : 347
Book Description
In the field of history, the Web and other technologies have become important tools in research and teaching of the past. Yet the use of these tools is limited—many historians and history educators have resisted adopting them because they fail to see how digital tools supplement and even improve upon conventional tools (such as books). In Pastplay, a collection of essays by leading history and humanities researchers and teachers, editor Kevin Kee works to address these concerns head-on. How should we use technology? Playfully, Kee contends. Why? Because doing so helps us think about the past in new ways; through the act of creating technologies, our understanding of the past is re-imagined and developed. From the insights of numerous scholars and teachers, Pastplay argues that we should play with technology in history because doing so enables us to see the past in new ways by helping us understand how history is created; honoring the roots of research, teaching, and technology development; requiring us to model our thoughts; and then allowing us to build our own understanding.
Publisher: University of Michigan Press
ISBN: 0472120484
Category : Education
Languages : en
Pages : 347
Book Description
In the field of history, the Web and other technologies have become important tools in research and teaching of the past. Yet the use of these tools is limited—many historians and history educators have resisted adopting them because they fail to see how digital tools supplement and even improve upon conventional tools (such as books). In Pastplay, a collection of essays by leading history and humanities researchers and teachers, editor Kevin Kee works to address these concerns head-on. How should we use technology? Playfully, Kee contends. Why? Because doing so helps us think about the past in new ways; through the act of creating technologies, our understanding of the past is re-imagined and developed. From the insights of numerous scholars and teachers, Pastplay argues that we should play with technology in history because doing so enables us to see the past in new ways by helping us understand how history is created; honoring the roots of research, teaching, and technology development; requiring us to model our thoughts; and then allowing us to build our own understanding.
The Trace of Political Representation
Author: Brian Seitz
Publisher: State University of New York Press
ISBN: 1438419376
Category : Philosophy
Languages : en
Pages : 256
Book Description
The Trace of Political Representation is a philosophical analysis of the discourses, practices, and effects of representation in political institutions, with an ultimate interest in contemporary American democracy. The perspective governing its approach is derived largely from Foucault, and tempered by a range of contemporary philosophers, including Derrida, Pitkin, and Castoriadis. Seitz explores and questions the traditional, metaphysical notion that what gets represented in the apparatuses and processes of representation is a political subject or identity (for example, will, opinion, interests) that exists fundamentally independent of and prior to that process. To accomplish this, he sketches out a historical articulation of several prominent formations of political representation from the past and then focuses on more contemporary political developments and dynamics, including the impact of "communications" technology and culture on the processes and institutions of representation.
Publisher: State University of New York Press
ISBN: 1438419376
Category : Philosophy
Languages : en
Pages : 256
Book Description
The Trace of Political Representation is a philosophical analysis of the discourses, practices, and effects of representation in political institutions, with an ultimate interest in contemporary American democracy. The perspective governing its approach is derived largely from Foucault, and tempered by a range of contemporary philosophers, including Derrida, Pitkin, and Castoriadis. Seitz explores and questions the traditional, metaphysical notion that what gets represented in the apparatuses and processes of representation is a political subject or identity (for example, will, opinion, interests) that exists fundamentally independent of and prior to that process. To accomplish this, he sketches out a historical articulation of several prominent formations of political representation from the past and then focuses on more contemporary political developments and dynamics, including the impact of "communications" technology and culture on the processes and institutions of representation.
Handbook of Digital 3D Reconstruction of Historical Architecture
Author: Sander Münster
Publisher: Springer Nature
ISBN: 3031433637
Category :
Languages : en
Pages : 211
Book Description
Publisher: Springer Nature
ISBN: 3031433637
Category :
Languages : en
Pages : 211
Book Description