Author: Thomas Arentzen
Publisher: University of Pennsylvania Press
ISBN: 0812293916
Category : Religion
Languages : en
Pages : 284
Book Description
According to legend, the Virgin appeared one Christmas Eve to an artless young man standing in one of Constantinople's most famous Marian shrines. She offered him a scroll of papyrus with the injunction that he swallow it, and following the Virgin's command, he did so. Immediately his voice turned sweet and gentle as he spontaneously intoned his hymn "The Virgin today gives birth." So was born the career of Romanos the Melodist (ca. 485-560), one of the greatest liturgical poets of Byzantium, author of at least sixty long hymns, or kontakia, that were chanted during the night vigils preceding major feasts and festivals. In The Virgin in Song, Thomas Arentzen explores the characterization of Mary in these kontakia and the ways in which the kontakia echoed the cult of the Virgin. He focuses on three key moments in her story as marked in the liturgical calendar: her encounter with Gabriel at the Annunciation, her child's birth at Christmas, and the death of her son on Good Friday. Consistently, Arentzen contends, Romanos counters expectations by shifting emphasis away from Christ himself to focus on Mary—as the subject of the erotic gaze, as a breastfeeding figure of abundance and fertility, and finally as an authoritatively vocal woman who conveys the secrets of her son and the joys of the resurrection. Through his hymns, Romanos inspired an affective relationship between Mary and his audience, bringing the human and the holy into dialogue. By plumbing her emotional depths, the poet traces her process of understanding as she apprehends the mysteries that she embodies. By giving her a powerful voice, he grants subjectivity to a maiden who becomes a mediator. Romanos shaped a figure, Arentzen argues, who related intimately to her flock in a formative period of Christian orthodoxy.
The Virgin in Song
Author: Thomas Arentzen
Publisher: University of Pennsylvania Press
ISBN: 0812293916
Category : Religion
Languages : en
Pages : 284
Book Description
According to legend, the Virgin appeared one Christmas Eve to an artless young man standing in one of Constantinople's most famous Marian shrines. She offered him a scroll of papyrus with the injunction that he swallow it, and following the Virgin's command, he did so. Immediately his voice turned sweet and gentle as he spontaneously intoned his hymn "The Virgin today gives birth." So was born the career of Romanos the Melodist (ca. 485-560), one of the greatest liturgical poets of Byzantium, author of at least sixty long hymns, or kontakia, that were chanted during the night vigils preceding major feasts and festivals. In The Virgin in Song, Thomas Arentzen explores the characterization of Mary in these kontakia and the ways in which the kontakia echoed the cult of the Virgin. He focuses on three key moments in her story as marked in the liturgical calendar: her encounter with Gabriel at the Annunciation, her child's birth at Christmas, and the death of her son on Good Friday. Consistently, Arentzen contends, Romanos counters expectations by shifting emphasis away from Christ himself to focus on Mary—as the subject of the erotic gaze, as a breastfeeding figure of abundance and fertility, and finally as an authoritatively vocal woman who conveys the secrets of her son and the joys of the resurrection. Through his hymns, Romanos inspired an affective relationship between Mary and his audience, bringing the human and the holy into dialogue. By plumbing her emotional depths, the poet traces her process of understanding as she apprehends the mysteries that she embodies. By giving her a powerful voice, he grants subjectivity to a maiden who becomes a mediator. Romanos shaped a figure, Arentzen argues, who related intimately to her flock in a formative period of Christian orthodoxy.
Publisher: University of Pennsylvania Press
ISBN: 0812293916
Category : Religion
Languages : en
Pages : 284
Book Description
According to legend, the Virgin appeared one Christmas Eve to an artless young man standing in one of Constantinople's most famous Marian shrines. She offered him a scroll of papyrus with the injunction that he swallow it, and following the Virgin's command, he did so. Immediately his voice turned sweet and gentle as he spontaneously intoned his hymn "The Virgin today gives birth." So was born the career of Romanos the Melodist (ca. 485-560), one of the greatest liturgical poets of Byzantium, author of at least sixty long hymns, or kontakia, that were chanted during the night vigils preceding major feasts and festivals. In The Virgin in Song, Thomas Arentzen explores the characterization of Mary in these kontakia and the ways in which the kontakia echoed the cult of the Virgin. He focuses on three key moments in her story as marked in the liturgical calendar: her encounter with Gabriel at the Annunciation, her child's birth at Christmas, and the death of her son on Good Friday. Consistently, Arentzen contends, Romanos counters expectations by shifting emphasis away from Christ himself to focus on Mary—as the subject of the erotic gaze, as a breastfeeding figure of abundance and fertility, and finally as an authoritatively vocal woman who conveys the secrets of her son and the joys of the resurrection. Through his hymns, Romanos inspired an affective relationship between Mary and his audience, bringing the human and the holy into dialogue. By plumbing her emotional depths, the poet traces her process of understanding as she apprehends the mysteries that she embodies. By giving her a powerful voice, he grants subjectivity to a maiden who becomes a mediator. Romanos shaped a figure, Arentzen argues, who related intimately to her flock in a formative period of Christian orthodoxy.
The Virgin Mary Around the World
The Virgin's Slumber Song
Author: Max Reger
Publisher:
ISBN:
Category : Sacred songs (High voice) with piano
Languages : en
Pages : 12
Book Description
Publisher:
ISBN:
Category : Sacred songs (High voice) with piano
Languages : en
Pages : 12
Book Description
The Reception of the Virgin in Byzantium
Author: Thomas Arentzen
Publisher: Cambridge University Press
ISBN: 1108476287
Category : Art
Languages : en
Pages : 381
Book Description
Images and texts tell various stories about the Virgin Mary in Byzantium, reflecting an important cult with strong doctrinal foundations.
Publisher: Cambridge University Press
ISBN: 1108476287
Category : Art
Languages : en
Pages : 381
Book Description
Images and texts tell various stories about the Virgin Mary in Byzantium, reflecting an important cult with strong doctrinal foundations.
The Song of Bernadette
Author: Franz Werfel
Publisher:
ISBN:
Category : Christian women saints
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Christian women saints
Languages : en
Pages : 0
Book Description
Frauenlob's Song of Songs
Author:
Publisher: Penn State Press
ISBN: 0271045604
Category : Literary Criticism
Languages : en
Pages : 266
Book Description
Publisher: Penn State Press
ISBN: 0271045604
Category : Literary Criticism
Languages : en
Pages : 266
Book Description
Theology and Poetry in Early Byzantium
Author: Sarah Gador-Whyte
Publisher: Cambridge University Press
ISBN: 1107140137
Category : History
Languages : en
Pages : 249
Book Description
This book studies Romanos' lively and dramatic hymns, highlighting especially the relationship between theological themes and performative rhetoric.
Publisher: Cambridge University Press
ISBN: 1107140137
Category : History
Languages : en
Pages : 249
Book Description
This book studies Romanos' lively and dramatic hymns, highlighting especially the relationship between theological themes and performative rhetoric.
Medieval Franciscan Approaches to the Virgin Mary
Author:
Publisher: BRILL
ISBN: 9004408819
Category : History
Languages : en
Pages : 483
Book Description
This volume offers a sample of the many ways that medieval Franciscans wrote, represented in art, and preached about the ‘model of models’ of the medieval religious experience, the Virgin Mary. This is an extremely valuable collection of essays that highlight the significant role the Franciscans played in developing Mariology in the Middle Ages. Beginning with Francis, Clare, and Anthony, a number of significant theologians, spiritual writers, preachers, and artists are presented in their attempt to capture the significance and meaning of the Virgin Mary in the context of the late Middle Ages within the Franciscan movement. Contributors are Luciano Bertazzo, Michael W. Blastic, Rachel Fulton Brown, Leah Marie Buturain, Marzia Ceschia, Holly Flora, Alessia Francone, J. Isaac Goff, Darrelyn Gunzburg, Mary Beth Ingham, Christiaan Kappes, Steven J. McMichael, Pacelli Millane, Kimberly Rivers, Filippo Sedda, and Christopher J. Shorrock.
Publisher: BRILL
ISBN: 9004408819
Category : History
Languages : en
Pages : 483
Book Description
This volume offers a sample of the many ways that medieval Franciscans wrote, represented in art, and preached about the ‘model of models’ of the medieval religious experience, the Virgin Mary. This is an extremely valuable collection of essays that highlight the significant role the Franciscans played in developing Mariology in the Middle Ages. Beginning with Francis, Clare, and Anthony, a number of significant theologians, spiritual writers, preachers, and artists are presented in their attempt to capture the significance and meaning of the Virgin Mary in the context of the late Middle Ages within the Franciscan movement. Contributors are Luciano Bertazzo, Michael W. Blastic, Rachel Fulton Brown, Leah Marie Buturain, Marzia Ceschia, Holly Flora, Alessia Francone, J. Isaac Goff, Darrelyn Gunzburg, Mary Beth Ingham, Christiaan Kappes, Steven J. McMichael, Pacelli Millane, Kimberly Rivers, Filippo Sedda, and Christopher J. Shorrock.
Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 764
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 764
Book Description
Song of Solomon
Author: Dr. Bonnie L. Westhoff
Publisher: WestBow Press
ISBN: 1512740942
Category : Religion
Languages : en
Pages : 168
Book Description
The Book of First Kings 4:32 says that Solomon wrote 1005 songs. A song is poetry like the Psalms that were sung to bring forth a message from God. God deemed this song important enough to keep it in His manual, the Bible. The Books of First and Second Samuel are the historical books of David, but His love and emotions for God were written in his Psalms. Likewise, the Book of Revelation is a historical book of the bride of Christ, but the Song of Solomon is the love and emotions of Christ and His bride. This book is being published at the same time as Revelation to be companion books with the same overview. God desired a people who would be adopted into His kingdom. Christ would redeem every person who would acknowledge the plan of God to become children of the Most High God. The Bible was inspired by God (2 Tim 3:16). The Book of Song of Solomon shows the love of the Lord Jesus to His bride, the Church, who is called Shulamite. Shulamite in Hebrew is the feminine noun for Solomon. Solomon in Hebrew is shalom meaning peace unto wholeness. This wholeness comes from a relationship with the Lord which is offered to everyone, male or female, Jewish or Gentile (non-Jewish). Do not think of Solomon in this book as the king, for he too is a believer in the Lord, so therefore He too can be the Shulamite. This is not a picture of Solomons love for a woman, but instead the story of how Solomon came to love the Lord and grow spiritually throughout His life. Both Books (Revelation and Song of Solomon) are actually a symbolic picture of the Ancient Jewish Wedding. The bride is the Church, and therefore, seen as female, yet we know that God is identified as being present in both male and female. Therefore, Solomon is writing as a believer growing in his walk with the Lord. Song of Solomon, like all books in the Old Testament, point to Jesus. It cant be about Solomon and his love for a woman; IT HAS TO BE ABOUT JESUS. Therefore, it shows how a believer grows in their relationship with Jesus. The Jewish wedding takes us from the first time we see Jesus in the spirit and are engaged (salvation) to the time we see Jesus face to face in marriage (our resurrection) to the time we return with Christ to rule and reign as His wife (Millennium) to the time we live in the new heaven and earth (eternity). The intention of this book is to experience in the spirit the life of the believer growing in our knowledge and relationship with Jesus Christ.
Publisher: WestBow Press
ISBN: 1512740942
Category : Religion
Languages : en
Pages : 168
Book Description
The Book of First Kings 4:32 says that Solomon wrote 1005 songs. A song is poetry like the Psalms that were sung to bring forth a message from God. God deemed this song important enough to keep it in His manual, the Bible. The Books of First and Second Samuel are the historical books of David, but His love and emotions for God were written in his Psalms. Likewise, the Book of Revelation is a historical book of the bride of Christ, but the Song of Solomon is the love and emotions of Christ and His bride. This book is being published at the same time as Revelation to be companion books with the same overview. God desired a people who would be adopted into His kingdom. Christ would redeem every person who would acknowledge the plan of God to become children of the Most High God. The Bible was inspired by God (2 Tim 3:16). The Book of Song of Solomon shows the love of the Lord Jesus to His bride, the Church, who is called Shulamite. Shulamite in Hebrew is the feminine noun for Solomon. Solomon in Hebrew is shalom meaning peace unto wholeness. This wholeness comes from a relationship with the Lord which is offered to everyone, male or female, Jewish or Gentile (non-Jewish). Do not think of Solomon in this book as the king, for he too is a believer in the Lord, so therefore He too can be the Shulamite. This is not a picture of Solomons love for a woman, but instead the story of how Solomon came to love the Lord and grow spiritually throughout His life. Both Books (Revelation and Song of Solomon) are actually a symbolic picture of the Ancient Jewish Wedding. The bride is the Church, and therefore, seen as female, yet we know that God is identified as being present in both male and female. Therefore, Solomon is writing as a believer growing in his walk with the Lord. Song of Solomon, like all books in the Old Testament, point to Jesus. It cant be about Solomon and his love for a woman; IT HAS TO BE ABOUT JESUS. Therefore, it shows how a believer grows in their relationship with Jesus. The Jewish wedding takes us from the first time we see Jesus in the spirit and are engaged (salvation) to the time we see Jesus face to face in marriage (our resurrection) to the time we return with Christ to rule and reign as His wife (Millennium) to the time we live in the new heaven and earth (eternity). The intention of this book is to experience in the spirit the life of the believer growing in our knowledge and relationship with Jesus Christ.