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Author: Charlotte Ashby Publisher: Berghahn Books ISBN: 0857457659 Category : History Languages : en Pages : 256
Book Description
The Viennese café was a key site of urban modernity around 1900. In the rapidly growing city it functioned simultaneously as home and workplace, affording opportunities for both leisure and intellectual exchange. This volume explores the nature and function of the coffeehouse in the social, cultural, and political world of fin-de-siècle Vienna. Just as the café served as a creative meeting place within the city, so this volume initiates conversations between different disciplines focusing on Vienna at the beginning of the twentieth century. Contributions are drawn from the fields of social and cultural history, literary studies, Jewish studies and art, and architectural and design history. A fresh perspective is also provided by a selection of comparative articles exploring coffeehouse culture elsewhere in Eastern Europe.
Author: Monica Meehan Publisher: ISBN: 9781504800709 Category : Languages : en Pages : 224
Book Description
Viennese Kitchen is the perfect gift for cookbook enthusiasts and anyone interested in classic Viennese cooking traditions. Based on the original notebook and recipe journal of a 1900s baroness, this beautiful book takes readers on a journey through fin de siècle Viennese high society. With over 100 original recipes, all of which have been tested and brought up to date for the modern cook, it is not only a wonderful collection of recipes but also a fascinating look at the life of a Viennese family. Filled with anecdotes and personal stories to bring the recipes to life, this book is a charming insight into a bygone era. The classic recipes cover a variety of dishes both savoury and sweet, with a strong emphasis on the desserts and pastries for which Vienna is famed. Enchanting photographs of Vienna grace the book, capturing the architecture, cafe culture and beauty of this elegant city.
Author: Victoria Charles Publisher: Parkstone International ISBN: 1783103949 Category : Art Languages : en Pages : 200
Book Description
A symbol of modernity, the Viennese Secession was defined by the rebellion of twenty artists who were against the conservative Vienna Künstlerhaus' oppressive influence over the city, the epoch, and the whole Austro-Hungarian Empire. Influenced by Art Nouveau, this movement (created in 1897 by Gustav Klimt, Carl Moll, and Josef Hoffmann) was not an anonymous artistic revolution. Defining itself as a “total art”, without any political or commercial constraint, the Viennese Secession represented the ideological turmoil that affected craftsmen, architects, graphic artists, and designers from this period. Turning away from an established art and immersing themselves in organic, voluptuous, and decorative shapes, these artists opened themselves to an evocative, erotic aesthetic that blatantly offended the bourgeoisie of the time. Painting, sculpture, and architecture are addressed by the authors and highlight the diversity and richness of a movement whose motto proclaimed “for each time its art, for each art its liberty” – a declaration to the innovation and originality of this revolutionary art movement.
Author: Paul Hofmann Publisher: Anchor ISBN: 9780385239752 Category : History Languages : en Pages : 372
Book Description
Paul Hofmann, a native Viennese, brings this enchanted land of contradictions to life, covering two thousand years of Viennese personalities, politics and culture. 46 black-and-white photos.
Author: R. John Rath Publisher: University of Texas Press ISBN: 0292787022 Category : History Languages : en Pages : 441
Book Description
Liberalism, in the nineteenth-century sense of the term, came to Austria much later than it came to western Europe, for it was not until the 1840s that the industrial revolution reached the Hapsburg Empire, bringing in its train miserable working conditions and economic upheaval, which created bitter resentment among the working classes and a longing for a Utopia that would cure the ills of mankind. This new-found liberalism, largely self-contained and uninfluenced by liberal movements outside the empire, centered mainly in the idea of individual freedom and constitutional monarchism. In the end, the revolution failed because the moderates proved too weak to control the radical excesses, and the radicals in growing desperation tried to turn the rebel idea into a democratic and, at the extreme, a republican one. Fear of this extremism finally drove the moderates into the counterrevolutionary camp. Since the Viennese rebels fought to achieve many of the goals fundamental to democracy, historians have generally tended to idealize the revolutionaries and forget their shortcomings. R. John Rath has sought to evaluate the revolution from the point of view of the political ideologies of 1848 rather than those of the mid-twentieth century. Moreover, he has clearly and objectively stated the case for both the left and the right, pointing out the failures and shortcomings of each. At its publication, this was the first detailed English-language book on the Viennese Revolution of 1848 in more than a hundred years. The author has not confined himself to the bare bones of history. In his descriptions of the times and lively portrayals of the chief actors of the revolution, he has vividly restaged a drama of an ideal that failed.
Author: Klaus H. Carl Publisher: Parkstone International ISBN: Category : Art Languages : en Pages : 102
Book Description
Influenced by Art Nouveau, this movement (created in 1897 by Gustav Klimt, Carl Moll, and Josef Hoffmann) was not an anonymous artistic revolution. Defining itself as a “total art”, without any political or commercial constraint, the Viennese Secession represented the ideological turmoil that affected craftsmen, architects, graphic artists, and designers from this period. Turning away from an established art and immersing themselves in organic, voluptuous, and decorative shapes, these artists opened themselves to an evocative, erotic aesthetic that blatantly offended the bourgeoisie of the time. Painting, sculpture, and architecture are addressed by the authors and highlight the diversity and richness of a movement whose motto proclaimed “for each time its art, for each art its liberty” – a declaration to the innovation and originality of this revolutionary art movement.
Author: Nathan Timpano Publisher: Taylor & Francis ISBN: 131541368X Category : Art Languages : en Pages : 222
Book Description
This book takes a new, interdisciplinary approach to analyzing modern Viennese visual culture, one informed by Austro-German theater, contemporary medical treatises centered on hysteria, and an original examination of dramatic gestures in expressionist artworks. It centers on the following question: How and to what end was the human body discussed, portrayed, and utilized as an aesthetic metaphor in turn-of-the-century Vienna? By scrutinizing theatrically “hysterical” performances, avant-garde puppet plays, and images created by Oskar Kokoschka, Koloman Moser, Egon Schiele and others, Nathan J. Timpano discusses how Viennese artists favored the pathological or puppet-like body as their contribution to European modernism.
Author: Emil Francis Saverio Publisher: ISBN: Category : Folk drama Languages : en Pages : 100
Book Description
"Music and Song form an essential part in the daily life of the Viennese. Italian music, which was introduced in Vienna as early as the sixteenth century by the Austrian Court, by wandering minstrels, or by theatrical troupes, was welcomed everywhere and by everyone for its strong emotional force and beauty of melody. While at the Vienna Hofoper Italian operatic music prevailed by preference, the Italian songs of the commedia dell'arte were received enthusiastically by the populace of the gay capital. Such was the popularity of the songs of the commedia dell'arte that they became an important factor in the development of the Viennese Volksstück. At first one finds the musical element used sparingly in the course of this development, but, internal evidence in the texts of later plays shows a rapid increase in the use of music in the Volksstück. The present study necessarily involves a discussion of the questions, what are the functions of the musical element in the dramatic works of Viennese playwrights, and wherein lies the artistic worth of music to the play? ... The present abridged translation of the author's fuller study endeavors, therefore, to give, in a brief introductory form, the underlying factors which in a certain measure account for the particularly favorable conditions, which existed in Vienna, to encourage musical tradition, and, at the same time, to cause its application to the drama. Further, it endeavors to show that the musical element was not regarded by the playwrights of the Viennese Volksstück after Stranitzky) as an occasional and altogether unmotivated filler of their plays, but as an element with a specific dramatic purpose, e. g. to characterize, to interpret a certain action, to take the place of "asides," and the like. It concludes by attempting to estimate in what respect Grillparzer follows the general custom of his contemporary Viennese playrights in his use of the musical element, and wherein consists his contribution to artistic progress in the technique of the drama"--Introduction
Author: Erwin Dekker
Author: Erwin Dekker
Author: Charlotte Ashby
Author: Monica Meehan
Author: Victoria Charles
Author: Paul Hofmann
Author: Erica Buurman
Author: R. John Rath
Author: Klaus H. Carl
Author: Nathan Timpano
Author: Emil Francis Saverio