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Author: Ian C. Bradley Publisher: Faber & Faber ISBN: 9780571259595 Category : Hymns Languages : en Pages : 318
Book Description
'Abide with me', 'The day thou gavest Lord is ended', 'All things bright and beautiful': a century and more after they were written Victorian hymns like these have an enduring popularity. This book examines the Victorian hymn from a literary, theological and cultural point of view. It traces its contemporary impact and its continuing influence in churches, public popularity, parody and literary references. In a way that has not been done before, Ian Bradley traces the importance of hymns in Victorian novels, explores the extraordinary political and social ramifications of Victorian hymnody, and assesses the literary and musical importance of the genre. Written in a lively and anecdotal style, this book punctures some of the myths about Victorian hymns, showing that the themes of doubt, humility and political and social radicalism surface just as much as those of triumphalism, imperialism and conservatism. 'Ian Bradley tells his story lucidly, from the disappearance of the chaotic and cheerful gallery musicians so beloved of Thomas Hardy, to the gospel songs of Dwight Moody and Ira Sankey. He moves easily between the novelist, the theologian and the musician. He introduces the story with a striking analogy: hymns played much the same role in Victorian culture that soap operas do among us today . . . it is a good curtain-raiser for a serious, indeed learned, but never humourless book.' Lord Runcie, "Daily Telegraph" "" 'I was so gripped by this book that I could not put it down. Here is invaluable resource material dealing with a period of hymnody which has never before been researched in such depth. In this eminently readable survey, we are left in no doubt as to the merits or otherwise of nineteenth-century hymnody.' Dr Lionel Dakers, formerly Director of the Royal School of Music.
Author: Ian C. Bradley Publisher: Faber & Faber ISBN: 9780571259595 Category : Hymns Languages : en Pages : 318
Book Description
'Abide with me', 'The day thou gavest Lord is ended', 'All things bright and beautiful': a century and more after they were written Victorian hymns like these have an enduring popularity. This book examines the Victorian hymn from a literary, theological and cultural point of view. It traces its contemporary impact and its continuing influence in churches, public popularity, parody and literary references. In a way that has not been done before, Ian Bradley traces the importance of hymns in Victorian novels, explores the extraordinary political and social ramifications of Victorian hymnody, and assesses the literary and musical importance of the genre. Written in a lively and anecdotal style, this book punctures some of the myths about Victorian hymns, showing that the themes of doubt, humility and political and social radicalism surface just as much as those of triumphalism, imperialism and conservatism. 'Ian Bradley tells his story lucidly, from the disappearance of the chaotic and cheerful gallery musicians so beloved of Thomas Hardy, to the gospel songs of Dwight Moody and Ira Sankey. He moves easily between the novelist, the theologian and the musician. He introduces the story with a striking analogy: hymns played much the same role in Victorian culture that soap operas do among us today . . . it is a good curtain-raiser for a serious, indeed learned, but never humourless book.' Lord Runcie, "Daily Telegraph" "" 'I was so gripped by this book that I could not put it down. Here is invaluable resource material dealing with a period of hymnody which has never before been researched in such depth. In this eminently readable survey, we are left in no doubt as to the merits or otherwise of nineteenth-century hymnody.' Dr Lionel Dakers, formerly Director of the Royal School of Music.
Author: Dr Alisa Clapp-Itnyre Publisher: Ashgate Publishing, Ltd. ISBN: 1472407016 Category : Literary Criticism Languages : en Pages : 520
Book Description
Examining nineteenth-century British hymns for children, Alisa Clapp-Itnyre argues that the unique qualities of children's hymnody created a space for children's empowerment. Unlike other literature of the era, hymn books were often compilations of many writers' hymns, presenting the discerning child with a multitude of perspectives on religion and childhood. In addition, the agency afforded children as singers meant that they were actively engaged with the text, music, and pictures of their hymnals. Clapp-Itnyre charts the history of children’s hymn-book publications from early to late nineteenth century, considering major denominational movements, the importance of musical tonality as it affected the popularity of hymns to both adults and children, and children’s reformation of adult society provided by such genres as missionary and temperance hymns. While hymn books appear to distinguish 'the child' from 'the adult', intricate issues of theology and poetry - typically kept within the domain of adulthood - were purposely conveyed to those of younger years and comprehension. Ultimately, Clapp-Itnyre shows how children's hymns complicate our understanding of the child-adult binary traditionally seen to be a hallmark of Victorian society. Intersecting with major aesthetic movements of the period, from the peaking of Victorian hymnody to the Golden Age of Illustration, children’s hymn books require scholarly attention to deepen our understanding of the complex aesthetic network for children and adults. Informed by extensive archival research, British Hymn Books for Children, 1800-1900 brings this understudied genre of Victorian culture to critical light.
Author: Kegan Paul Trench And Company Publisher: ISBN: 9781104558758 Category : Literary Collections Languages : en Pages : 252
Book Description
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Author: J. R. Watson Publisher: OUP Oxford ISBN: 0191520489 Category : Music Languages : en Pages : 564
Book Description
D.H. Lawrence, writing of the poems that had meant most to him, said that they were `still not woven so deep in me as the rather banal Nonconformist hymns that penetrated through and through my childhood'. It is not easy to account for this, and most writing about hymns has not helped because it has concentrated on their content and function in worship and liturgy. In the present book the author tries to account for feelings like Lawrence's by examining the hymn form and its progress through the centuries from the Reformation to the present day. He begins by discussing the status of a hymn text and relates it to the demands made upon it by the needs of singing. A chronological study then traces the development of the English hymn, from the metrical psalms of the Reformation, through the seventeenth century and Isaac Watts to the Wesleys, Cowper, Toplady, and others, and then to the great flood of hymn writing that occurred during the Victorian period, together with the great success of Hymns Ancient and Modern. There are chapters on American hymnody and women's hymn writing, and sections on gospel hymns and the translation of German hymnody. A final chapter takes the story into the twentieth century, with a brief postscript on the revival of hymn writing since 1960.
Author: Victorian Hymns Publisher: Palala Press ISBN: 9781377733227 Category : Drama Languages : en Pages : 262
Book Description
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Author: Ian C. Bradley
Author: Ian C. Bradley
Author: Dr Alisa Clapp-Itnyre
Author: Ian Bradley
Author: Hymnals
Author: John Richard Watson
Author: Kegan Paul Trench And Company
Author: J. R. Watson
Author: Victorian Hymns
Author: Church of England in Canada
Author: George Lawrence Harter GARDNER