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Author: Anindyo Roy Publisher: Hachette India ISBN: 9357316582 Category : Biography & Autobiography Languages : en Pages : 232
Book Description
Somewhere in the foothills of the Himalayas, a sixty-two-year-old English painter falls off his sketching stool. Overweight, asthmatic and prone to attacks of epilepsy, Edward Lear is nevertheless on a mission – to paint the mighty Kanchenjunga for his patron, the Viceroy of India. Lear is an oddity, an outsider, simultaneously fascinated and repelled by the world the British have built in India. Even as he battles the fatigue of travelling on pony carts, jampans and trains, Lear reflects on those who run the vast machinery of the Empire – administrators and missionaries, kitmutgars and kamsamahs. Duelling pompous British officers with his wry humour, Lear turns his ear to the polyphony of local languages to compose nonsense poetry with a uniquely Indian flavour. Woven into this vivid account are flashes from Lear's own life – deep-seated fears stemming from an unhappy childhood and the memory of unfulfilled adult relationships. Inspired by the journals of this celebrated artist and poet, Anindyo Roy brings to life Lear's little-known Indian sojourns. In lyrical prose, and occasional verse, The Viceroy's Artist paints a picture of an exceptional man who inspires by his unhindered imagination, curiosity and compassion for the world.
Author: Anindyo Roy Publisher: Hachette India ISBN: 9357316582 Category : Biography & Autobiography Languages : en Pages : 232
Book Description
Somewhere in the foothills of the Himalayas, a sixty-two-year-old English painter falls off his sketching stool. Overweight, asthmatic and prone to attacks of epilepsy, Edward Lear is nevertheless on a mission – to paint the mighty Kanchenjunga for his patron, the Viceroy of India. Lear is an oddity, an outsider, simultaneously fascinated and repelled by the world the British have built in India. Even as he battles the fatigue of travelling on pony carts, jampans and trains, Lear reflects on those who run the vast machinery of the Empire – administrators and missionaries, kitmutgars and kamsamahs. Duelling pompous British officers with his wry humour, Lear turns his ear to the polyphony of local languages to compose nonsense poetry with a uniquely Indian flavour. Woven into this vivid account are flashes from Lear's own life – deep-seated fears stemming from an unhappy childhood and the memory of unfulfilled adult relationships. Inspired by the journals of this celebrated artist and poet, Anindyo Roy brings to life Lear's little-known Indian sojourns. In lyrical prose, and occasional verse, The Viceroy's Artist paints a picture of an exceptional man who inspires by his unhindered imagination, curiosity and compassion for the world.
Author: Jesse M. Locker Publisher: Yale University Press ISBN: 0300259050 Category : Art Languages : en Pages : 249
Book Description
An important reassessment of the later career and life of a beloved baroque artist Hailed as one of the most influential and expressive painters of the seventeenth century, Artemisia Gentileschi (1593–ca. 1656) has figured prominently in the art historical discourse of the past two decades. This attention to Artemisia, after many years of scholarly neglect, is partially due to interest in the dramatic details of her early life, including the widely publicized rape trial of her painting tutor, Agostino Tassi, and her admission to Florence’s esteemed Accademia del Disegno. While the artist’s early paintings have been extensively discussed, her later work has been largely dismissed. This beautifully illustrated and elegantly written book provides a revolutionary look at Artemisia’s later career, refuting longstanding assumptions about the artist. The fact that she was semi-illiterate has erroneously led scholars to assume a lack of literary and cultural education on her part. Stressing the importance of orality in Baroque culture and in Artemisia’s paintings, Locker argues for her important place in the cultural dialogue of the seventeenth century.
Author: Paul B. Niell Publisher: UNM Press ISBN: 0826353770 Category : Art Languages : en Pages : 312
Book Description
The promotion of classicism in the visual arts in late eighteenth and nineteenth-century Latin America and the need to “revive” buen gusto (good taste) are the themes of this collection of essays. The contributors provide new insights into neoclassicism and buen gusto as cultural, not just visual, phenomena in the late colonial and early national periods and promote new approaches to the study of Latin American art history and visual culture. The essays examine neoclassical visual culture from assorted perspectives. They consider how classicism was imposed, promoted, adapted, negotiated, and contested in myriad social, political, economic, cultural, and temporal situations. Case studies show such motivations as the desire to impose imperial authority, to fashion the nationalist self, and to form and maintain new social and cultural ideologies. The adaptation of classicism and buen gusto in the Americas was further shaped by local factors, including the realities of place and the influence of established visual and material traditions.
Author: James M. Córdova Publisher: University of Texas Press ISBN: 0292753152 Category : Art Languages : en Pages : 289
Book Description
"Offering a pioneering interpretation of the "crowned nun" portrait, this book explores how visual culture contributed to local identity formation in Mexico"--
Author: Michael J. Schreffler Publisher: Penn State University Press ISBN: Category : Art Languages : en Pages : 214
Book Description
The Art of Allegiance explores the ways in which Spanish imperial authority was manifested in a compelling system of representation for the subjects of New Spain during the seventeenth century. Michael Schreffler identifies and analyzes a corpus of "source" material--paintings, maps, buildings, and texts--produced in and around Mexico City that addresses themes of kingly presence and authority as well as obedience, loyalty, and allegiance to the crown. The Art of Allegiance opens with a discussion of the royal palace in Mexico City, now destroyed but known through a number of images, and then moves on to consider its interior decoration, particularly the Hall of Royal Accord and the numerous portraits of royalty and government officials displayed in the palace. Subsequent chapters examine images in which the conquest of Mexico is depicted, maps showing New Spain's relationship to Spain and the larger world, and the restructuring of space in and through imperial rule. Although the book focuses on material from the reign of Charles II (1665-1700), it sheds light on the wider development of cultural politics in the Spanish colonial world.
Author: Fernando Checa Cremades Publisher: Routledge ISBN: 131713561X Category : History Languages : en Pages : 322
Book Description
In recent years, there has been an increasing interest in Early Modern Festivals. These spectacles articulated the self-image of ruling elites and played out the tensions of the diverse social strata. Responding to the growing academic interest in festivals this volume focuses on the early modern Iberian world, in particular the spectacles staged by and for the Spanish Habsburgs. The study of early modern Iberian festival culture in Europe and the wider world is surprisingly limited compared to the published works devoted to other kingdoms at the time. There is a clear need for scholarly publications to examine festivals as a vehicle for the presence of Spanish culture beyond territorial boundaries. The present books responds to this shortcoming. Festivals and ceremonials played a major role in the Spanish world; through them local identities as well as a common Spanish culture made their presence manifest within and beyond the peninsula through ephemeral displays, music and print. Local communities often conflated their symbols of identity with religious images and representations of the Spanish monarchy. The festivals (fiestas in Spanish) materialized the presence of the Spanish diaspora in other European realms. Royal funerals and proclamations served to establish kingly presence in distant and not so distant lands. The socio-political, religious and cultural nuances that were an intrinsic part of the territories of the empire were magnified and celebrated in the Spanish festivals in Europe, Iberia and overseas viceroyalties. Following a foreword and an introduction the remaining 12 chapters are divided up into four sections. The first explores Habsburg Visual culture at court and its relationship with the creation of a language of triumph and the use of tapestries in festivals. The second part examines triumphal entries in Madrid, Lisbon, Cremona, Milan, Pavia and the New World; the third deals with the relationship between religion and the empire through the examination of royal funerals, hagiography and calendric celebrations. The fourth part of the book explores cultural, artistic and musical exchange in Naples and Rome. Taken together these essays contribute further to our growing appreciation of the importance of early-modern festival culture in general, and their significance in the world of the Spanish Habsburgs in particular.
Author: Anindyo Roy
Author: Anindyo Roy
Author: Charles Kingston O'Mahony
Author: Jesse M. Locker
Author: 
Author: Lynch Lawdon Sharpe
Author: Paul B. Niell
Author: James M. Córdova
Author: American Film Institute
Author: Michael J. Schreffler
Author: Fernando Checa Cremades