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Author: J.-K. Huysmans Publisher: University Press of Kentucky ISBN: 0813194687 Category : Fiction Languages : en Pages : 217
Book Description
Les Soeurs Vatard, described by its author as a "lewd but exact" slice of life, was J.-K. Huysmans' second novel. Huysmans abandoned poetry and turned to the novel at a time when the works of Emile Zola were intensely controversial; Les Soeurs Vatard is dedicated to Zola by "his fervent admirer and devoted friend." In it, Huysmans vividly depicts the scene that for his generation of French writers stood for the contemporary world: the brutal, teeming life of the industrial quarters of Paris in the 1870s. Huysmans' Vatard sisters are "Désirée, an urchin of fifteen, a brunette with large, pale eyes that were somewhat crossed, plump without being fat, attractive and clean; and Céline, the carouser, a big girl with clear eyes and hair the color of straw, a solid, vigorous girl whose blood raced and danced in her veins." The two are part of that "bizarre race of young women" who work as bookbinders, whose lives revolve around the gaslighted bindery works, the gaudy shop windows, and cheap wineshops that Huysmans describes with minute and colorful detail. His precisely observed sketches show that Naturalism as practiced by Buysmans had none of Zola' s emphasis on "scientific" determinism, but centered primarily on the faithful rendering of what he described as "living persons in real milieus." The Vatard Sisters is the first English translation of Les Soeurs Vatard.
Author: J.-K. Huysmans Publisher: University Press of Kentucky ISBN: 0813194687 Category : Fiction Languages : en Pages : 217
Book Description
Les Soeurs Vatard, described by its author as a "lewd but exact" slice of life, was J.-K. Huysmans' second novel. Huysmans abandoned poetry and turned to the novel at a time when the works of Emile Zola were intensely controversial; Les Soeurs Vatard is dedicated to Zola by "his fervent admirer and devoted friend." In it, Huysmans vividly depicts the scene that for his generation of French writers stood for the contemporary world: the brutal, teeming life of the industrial quarters of Paris in the 1870s. Huysmans' Vatard sisters are "Désirée, an urchin of fifteen, a brunette with large, pale eyes that were somewhat crossed, plump without being fat, attractive and clean; and Céline, the carouser, a big girl with clear eyes and hair the color of straw, a solid, vigorous girl whose blood raced and danced in her veins." The two are part of that "bizarre race of young women" who work as bookbinders, whose lives revolve around the gaslighted bindery works, the gaudy shop windows, and cheap wineshops that Huysmans describes with minute and colorful detail. His precisely observed sketches show that Naturalism as practiced by Buysmans had none of Zola' s emphasis on "scientific" determinism, but centered primarily on the faithful rendering of what he described as "living persons in real milieus." The Vatard Sisters is the first English translation of Les Soeurs Vatard.
Author: J.-K. Huysmans Publisher: University Press of Kentucky ISBN: 0813163471 Category : Fiction Languages : en Pages : 183
Book Description
Les Soeurs Vatard, described by its author as a "lewd but exact" slice of life, was J.-K. Huysmans' second novel. Huysmans abandoned poetry and turned to the novel at a time when the works of Emile Zola were intensely controversial; Les Soeurs Vatard is dedicated to Zola by "his fervent admirer and devoted friend." In it, Huysmans vividly depicts the scene that for his generation of French writers stood for the contemporary world: the brutal, teeming life of the industrial quarters of Paris in the 1870s. Huysmans' Vatard sisters are "Désirée, an urchin of fifteen, a brunette with large, pale eyes that were somewhat crossed, plump without being fat, attractive and clean; and Céline, the carouser, a big girl with clear eyes and hair the color of straw, a solid, vigorous girl whose blood raced and danced in her veins." The two are part of that "bizarre race of young women" who work as bookbinders, whose lives revolve around the gaslighted bindery works, the gaudy shop windows, and cheap wineshops that Huysmans describes with minute and colorful detail. His precisely observed sketches show that Naturalism as practiced by Buysmans had none of Zola' s emphasis on "scientific" determinism, but centered primarily on the faithful rendering of what he described as "living persons in real milieus." The Vatard Sisters is the first English translation of Les Soeurs Vatard.
Author: Justin Wintle Publisher: Routledge ISBN: 1136768815 Category : History Languages : en Pages : 2569
Book Description
New Makers of Modern Culture is the successor to the classic reference works Makers of Modern Culture and Makers of Nineteenth-Century Culture, published by Routledge in the early 1980s. The set was extremely successful and continues to be used to this day, due to the high quality of the writing, the distinguished contributors, and the cultural sensitivity shown in the selection of those individuals included. New Makers of Modern Culture takes into full account the rise and fall of reputation and influence over the last twenty-five years and the epochal changes that have occurred: the demise of Marxism and the collapse of the Soviet Union; the rise and fall of postmodernism; the eruption of Islamic fundamentalism; the triumph of the Internet. Containing over eight hundred essay-style entries, and covering the period from 1850 to the present, New Makers of Modern Culture includes artists, writers, dramatists, architects, philosophers, anthropologists, scientists, sociologists, major political figures, composers, film-makers and many other culturally significant individuals and is thoroughly international in its purview. Next to Karl Marx is Bob Marley, next to John Ruskin is Salman Rushdie, alongside Darwin is Luigi Dallapiccola, Deng Xiaoping runs shoulders with Jacques Derrida as do Julia Kristeva and Kropotkin. Once again, Wintle has enlisted the services of many distinguished writers and leading academics, such as Sam Beer, Bernard Crick, Edward Seidensticker and Paul Preston. In a few cases, for example Michael Holroyd and Philip Larkin, contributors are themselves the subject of entries. With its global reach, New Makers of Modern Culture provides a multi-voiced witness of the contemporary thinking world. The entries carry short bibliographies and there is thorough cross-referencing. There is an index of names and key terms.
Author: Justin Wintle Esq Publisher: Routledge ISBN: 1317853636 Category : Reference Languages : en Pages : 1432
Book Description
This volume provides a critical examination of the lives and works of the leading novelists, poets, dramatists, artists, philosophers, social thinkers, mathematicians and scientists of the period. The subjects are assessed in the light of their cultural importance, and each entry is deliberately interpretative, making this work both an essential reference tool and an engaging collection of essays. Figures covered include: Marx, Wagner,Darwin, Malthus, Balzac, Jane Austen, Nietzsche, Babbage, Edgar Allan Poe, Ruskin, Schleiermacher, Herbert Spencer, Harriet Martineau and Oscar Wilde.
Author: Elisabeth M. Donato Publisher: Peter Lang ISBN: 9780820455785 Category : Literary Criticism Languages : en Pages : 302
Book Description
This investigation of J.-K. Huysmans' representation of temporality sheds light on the complex and paradoxical nature of this late-nineteenth-century novelist and art critic, who was a modernist steeped in nostalgia as well as a nostalgic steeped in modernity. To unveil and understand the mechanisms and logic of this paradox, Elisabeth M. Donato examines Huysmans' characters' dealings with measured time and schedules, investigates the failure of des Esseintes' aesthetic experiment, and relates the novelist's construct of «spiritualist naturalism» to his increasingly frequent and intense longings for his own medieval utopia. Donato's new perspective onto the intricate relationship between modernity and nostalgia underscores Huysmans' firm and very modern stance à rebours of commonality in his never ending search for a solution to his dilemma.
Author: Wintle Justin Publisher: Routledge ISBN: 113409454X Category : History Languages : en Pages : 905
Book Description
New Makers of Modern Culture is the successor to the classic reference works Makers of Modern Culture and Makers of Nineteenth-Century Culture, published by Routledge in the early 1980s. The set was extremely successful and continues to be used to this day, due to the high quality of the writing, the distinguished contributors, and the cultural sensitivity shown in the selection of those individuals included. New Makers of Modern Culture takes into full account the rise and fall of reputation and influence over the last twenty-five years and the epochal changes that have occurred: the demise of Marxism and the collapse of the Soviet Union; the rise and fall of postmodernism; the eruption of Islamic fundamentalism; the triumph of the Internet. Containing over eight hundred essay-style entries, and covering the period from 1850 to the present, New Makers includes artists, writers, dramatists, architects, philosophers, anthropologists, scientists, sociologists, major political figures, composers, film-makers and many other culturally significant individuals and is thoroughly international in its purview. Next to Karl Marx is Bob Marley, next to John Ruskin is Salmon Rushdie, alongside Darwin is Luigi Dallapiccola, Deng Xiaoping runs shoulders with Jacques Derrida, Julia Kristeva with Kropotkin. Once again, Wintle has enlisted the services of many distinguished writers and leading academics, such as Sam Beer, Bernard Crick, Edward Seidensticker and Paul Preston. In a few cases, for example Michael Holroyd and Philip Larkin, contributors are themselves the subject of entries. With its global reach, New Makers of Modern Culture provides a multi-voiced witness of the contemporary thinking world. The entries carry short bibliographies and there is thorough cross-referencing. There is an index of names and key terms.
Author: Karen L. Taylor Publisher: Infobase Publishing ISBN: 0816074992 Category : Electronic books Languages : en Pages : 497
Book Description
French novels such as "Madame Bovary" and "The Stranger" are staples of high school and college literature courses. This work provides coverage of the French novel since its origins in the 16th century, with an emphasis on novels most commonly studied in high school and college courses in world literature and in French culture and civilization.
Author: Ruth Antosh Publisher: Reaktion Books ISBN: 1789148901 Category : Biography & Autobiography Languages : en Pages : 178
Book Description
A critical biography of a major novelist and art critic from the late nineteenth-century French decadent movement. J.-K. Huysmans (1848–1907) is often hailed as a forerunner of modernist letters. While his novel À rebours / Against Nature remains infamous for its reclusive protagonist retreating into a realm of artifice and dreams, Huysmans’s literary contributions are far-reaching. Ruth Antosh explores Huysmans’s life and work, illustrating how both reflect an uneasy era of profound social and artistic change. In this context, Huysmans’s correspondence, early fiction, art criticism, and surrealist novel En rade / Stranded demand greater critical attention. Antosh argues that Huysmans’s life should be understood as an unwavering quest for spiritual and aesthetic fulfillment.
Author: Paul Signac Publisher: Metropolitan Museum of Art ISBN: 0870999982 Category : Neo-impressionism (Art) Languages : en Pages : 354
Book Description
This book, the catalogue of the first retrospective of the work of the French Neoimpressionist artist Paul Signac to be held in nearly forty years, accompanies the 2001 exhibition organised by the Reunion des Musees Nationaux/Musee d'Orsay, Paris, the Van Gogh Museum, Amsterdam, and The Metropolitan Museum of Art, New York. This long overdue tribute to Signac's power of expression and artistic influence features some two hundred paintings, drawings, watercolours, and prints from public and private collections worldwide. Fully illustrated in colour and discussed in individual entries, these works offer an unprecedented overview of Signac's fifty-year career. Signac's artistic development began with the luminous plein air paintings he made in the early 1880s which reveal the lessons he absorbed from Monet, Guillaumin, and other leading Impressionists. From 1884 until 1891 Signac's close association with Georges Seurat encouraged his explorations of colour harmony, contrasts, and Neoimpressionist technique. In the scintillating works of his maturity the rigours of Pointillism gave way to richly patterned, decorative colour surfaces. In a series of essays the exhibition's curators disc
Author: J.-K. Huysmans
Author: J.-K. Huysmans
Author: J.-K. Huysmans
Author: Justin Wintle
Author: Justin Wintle Esq
Author: Elisabeth M. Donato
Author: Wintle Justin
Author: Karen L. Taylor
Author: Benjamin Willis Wells
Author: Ruth Antosh
Author: Paul Signac