Author: J. Spencer Beck
Publisher: ABRAMS
ISBN: 9780810939264
Category : Performing Arts
Languages : en
Pages : 232
Book Description
"There's no business that's bigger or more exciting than show business, and for almost a century Variety has been the single most authoritative and influential publication devoted to the entertainment industry, including the worlds of movies, television, theater, and live performance. With colorful lingo that has enriched the American language, a talent for spotting trends and events long before anyone else does, and statistics to back up its hunches, Variety is one of the most widely known and oft-quoted periodicals in our movie-mad, celebrity-obsessed world." "If Variety could go back and cover the great events of show-business history with all the style, verve, and insight for which it's famous - and add dramatic, revealing photographs - the result would be The Variety History of Show Business." "Each of forty chapters focuses on a pivotal event, introduces its key players, and explores its longterm impact on show business. The reader journeys to Hollywood in 1913, where Cecil B. DeMille shoots The Squaw Man and inadvertendy brings an entire industry West; to the opening night of Eugene O'Neill's Beyond the Horizon in 1920, which establishes Broadway as a center for serious theater; to the premiere of the first talking picture in 1927 and the first Cannes Film Festival in 1946; to the final concert of the most popular singing group of the '60s and the first broadcast on MTV in 1981. Along the way, we meet the actors, entertainers, producers, directors, writers, agents, financiers, and a host of other colorful characters who people the world of entertainment."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The Variety History of Show Business
Author: J. Spencer Beck
Publisher: ABRAMS
ISBN: 9780810939264
Category : Performing Arts
Languages : en
Pages : 232
Book Description
"There's no business that's bigger or more exciting than show business, and for almost a century Variety has been the single most authoritative and influential publication devoted to the entertainment industry, including the worlds of movies, television, theater, and live performance. With colorful lingo that has enriched the American language, a talent for spotting trends and events long before anyone else does, and statistics to back up its hunches, Variety is one of the most widely known and oft-quoted periodicals in our movie-mad, celebrity-obsessed world." "If Variety could go back and cover the great events of show-business history with all the style, verve, and insight for which it's famous - and add dramatic, revealing photographs - the result would be The Variety History of Show Business." "Each of forty chapters focuses on a pivotal event, introduces its key players, and explores its longterm impact on show business. The reader journeys to Hollywood in 1913, where Cecil B. DeMille shoots The Squaw Man and inadvertendy brings an entire industry West; to the opening night of Eugene O'Neill's Beyond the Horizon in 1920, which establishes Broadway as a center for serious theater; to the premiere of the first talking picture in 1927 and the first Cannes Film Festival in 1946; to the final concert of the most popular singing group of the '60s and the first broadcast on MTV in 1981. Along the way, we meet the actors, entertainers, producers, directors, writers, agents, financiers, and a host of other colorful characters who people the world of entertainment."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher: ABRAMS
ISBN: 9780810939264
Category : Performing Arts
Languages : en
Pages : 232
Book Description
"There's no business that's bigger or more exciting than show business, and for almost a century Variety has been the single most authoritative and influential publication devoted to the entertainment industry, including the worlds of movies, television, theater, and live performance. With colorful lingo that has enriched the American language, a talent for spotting trends and events long before anyone else does, and statistics to back up its hunches, Variety is one of the most widely known and oft-quoted periodicals in our movie-mad, celebrity-obsessed world." "If Variety could go back and cover the great events of show-business history with all the style, verve, and insight for which it's famous - and add dramatic, revealing photographs - the result would be The Variety History of Show Business." "Each of forty chapters focuses on a pivotal event, introduces its key players, and explores its longterm impact on show business. The reader journeys to Hollywood in 1913, where Cecil B. DeMille shoots The Squaw Man and inadvertendy brings an entire industry West; to the opening night of Eugene O'Neill's Beyond the Horizon in 1920, which establishes Broadway as a center for serious theater; to the premiere of the first talking picture in 1927 and the first Cannes Film Festival in 1946; to the final concert of the most popular singing group of the '60s and the first broadcast on MTV in 1981. Along the way, we meet the actors, entertainers, producers, directors, writers, agents, financiers, and a host of other colorful characters who people the world of entertainment."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Variety
Author: Tim Gray
Publisher: National Geographic Books
ISBN: 0789325985
Category : Performing Arts
Languages : en
Pages : 0
Book Description
An illuminating view of the world as seen through the tinted lens of Hollywood’s most important chronicler of entertainment news and show business. Variety is not only a fascinating look at the history of entertainment as reported by the world’s most highly regarded commentator of show business news, it is also a history of American popular culture and a record of the influence and confluence of art, life, and Hollywood. Illustrated with hundreds of front pages, its articles chronicle everything from Debbie Reynolds’s opinions of 1960s youth to how Steven Spielberg and Jaws transformed the movie business. With new and archival photographs spanning Variety’s more-than-century-old archives, the book includes exclusive essays by a host of well-regarded artists about what Variety means to them, how Variety has impacted the entertainment industry, and what they felt like the first time they saw their names in Variety’s pages. Variety is a decade-by-decade documentation of such pivotal moments as the audience’s move from vaudeville houses to movie theaters, censorship, how Lucy and Desi changed the face of television, Walter Cronkite’s shaping of America’s view of the Vietnam War, the birth of the summer blockbuster, the game-changing technology of Jurassic Park and Avatar, and how the movies, television, and theater reflect society’s ever-changing social values and mores. The perfect gift for anyone who loves Hollywood, Variety is also a never-before-available look at the premier source of entertainment reporting.
Publisher: National Geographic Books
ISBN: 0789325985
Category : Performing Arts
Languages : en
Pages : 0
Book Description
An illuminating view of the world as seen through the tinted lens of Hollywood’s most important chronicler of entertainment news and show business. Variety is not only a fascinating look at the history of entertainment as reported by the world’s most highly regarded commentator of show business news, it is also a history of American popular culture and a record of the influence and confluence of art, life, and Hollywood. Illustrated with hundreds of front pages, its articles chronicle everything from Debbie Reynolds’s opinions of 1960s youth to how Steven Spielberg and Jaws transformed the movie business. With new and archival photographs spanning Variety’s more-than-century-old archives, the book includes exclusive essays by a host of well-regarded artists about what Variety means to them, how Variety has impacted the entertainment industry, and what they felt like the first time they saw their names in Variety’s pages. Variety is a decade-by-decade documentation of such pivotal moments as the audience’s move from vaudeville houses to movie theaters, censorship, how Lucy and Desi changed the face of television, Walter Cronkite’s shaping of America’s view of the Vietnam War, the birth of the summer blockbuster, the game-changing technology of Jurassic Park and Avatar, and how the movies, television, and theater reflect society’s ever-changing social values and mores. The perfect gift for anyone who loves Hollywood, Variety is also a never-before-available look at the premier source of entertainment reporting.
Variety History of Show Business
Author:
Publisher: Reed Mitchel Beazley
ISBN: 9780600576389
Category : Motion picture actors and actresses
Languages : en
Pages : 223
Book Description
For almost a century Variety has been the single most authoritative and influential publication devoted to the entertainment industry. Here Variety's editors go into the past and cover the great events of show business history with characteristic style and with more than 100 revealing photos.
Publisher: Reed Mitchel Beazley
ISBN: 9780600576389
Category : Motion picture actors and actresses
Languages : en
Pages : 223
Book Description
For almost a century Variety has been the single most authoritative and influential publication devoted to the entertainment industry. Here Variety's editors go into the past and cover the great events of show business history with characteristic style and with more than 100 revealing photos.
Ziegfeld
Author: Ethan Mordden
Publisher: Macmillan
ISBN: 1429951524
Category : Biography & Autobiography
Languages : en
Pages : 384
Book Description
Any girl who twists her hat will be fired! – Florenz Ziegfeld And no Ziegfeld girl ever did as she made her way down the gala stairways of the Ziegfeld Follies in some of the most astonishing spectacles the American theatergoing public ever witnessed. When Florenz Ziegfeld started in theater, it was flea circus, operetta and sideshow all rolled into one. When he left it, the glamorous world of "show-biz" had been created. Though many know him as the man who "glorified the American girl," his first real star attraction was the bodybuilder Eugen Sandow, who flexed his muscles and thrilled the society matrons who came backstage to squeeze his biceps. His lesson learned with Sandow, Ziegfeld went on to present Anna Held, the naughty French sensation, who became the first Mrs. Ziegfeld. He was one of the first impresarios to mix headliners of different ethnic backgrounds, and literally the earliest proponent of mixed-race casting. The stars he showcased and, in some cases, created have become legends: Billie Burke (who also became his wife), elfin Marilyn Miller, cowboy Will Rogers, Bert Williams, W. C. Fields, Eddie Cantor and, last but not least, neighborhood diva Fanny Brice. A man of voracious sexual appetites when it came to beautiful women, Ziegfeld knew what he wanted and what others would want as well. From that passion, the Ziegfeld Girl was born. Elaborately bejeweled, they wore little more than a smile as they glided through eye-popping tableaux that were the highlight of the Follies, presented almost every year from 1907 to 1931. Ziegfeld's reputation and power, however, went beyond the stage of the Follies as he produced a number of other musicals, among them the ground-breaking Show Boat. In Ziegfeld: The Man Who Created Show Business, Ethan Mordden recreates the lost world of the Follies, a place of long-vanished beauty masterminded by one of the most inventive, ruthless, street-smart and exacting men ever to fill a theatre on the Great White Way : Florenz Ziegfeld.
Publisher: Macmillan
ISBN: 1429951524
Category : Biography & Autobiography
Languages : en
Pages : 384
Book Description
Any girl who twists her hat will be fired! – Florenz Ziegfeld And no Ziegfeld girl ever did as she made her way down the gala stairways of the Ziegfeld Follies in some of the most astonishing spectacles the American theatergoing public ever witnessed. When Florenz Ziegfeld started in theater, it was flea circus, operetta and sideshow all rolled into one. When he left it, the glamorous world of "show-biz" had been created. Though many know him as the man who "glorified the American girl," his first real star attraction was the bodybuilder Eugen Sandow, who flexed his muscles and thrilled the society matrons who came backstage to squeeze his biceps. His lesson learned with Sandow, Ziegfeld went on to present Anna Held, the naughty French sensation, who became the first Mrs. Ziegfeld. He was one of the first impresarios to mix headliners of different ethnic backgrounds, and literally the earliest proponent of mixed-race casting. The stars he showcased and, in some cases, created have become legends: Billie Burke (who also became his wife), elfin Marilyn Miller, cowboy Will Rogers, Bert Williams, W. C. Fields, Eddie Cantor and, last but not least, neighborhood diva Fanny Brice. A man of voracious sexual appetites when it came to beautiful women, Ziegfeld knew what he wanted and what others would want as well. From that passion, the Ziegfeld Girl was born. Elaborately bejeweled, they wore little more than a smile as they glided through eye-popping tableaux that were the highlight of the Follies, presented almost every year from 1907 to 1931. Ziegfeld's reputation and power, however, went beyond the stage of the Follies as he produced a number of other musicals, among them the ground-breaking Show Boat. In Ziegfeld: The Man Who Created Show Business, Ethan Mordden recreates the lost world of the Follies, a place of long-vanished beauty masterminded by one of the most inventive, ruthless, street-smart and exacting men ever to fill a theatre on the Great White Way : Florenz Ziegfeld.
TV in the USA [3 volumes]
Author: Vincent LoBrutto
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 1785
Book Description
This three-volume set is a valuable resource for researching the history of American television. An encyclopedic range of information documents how television forever changed the face of media and continues to be a powerful influence on society. What are the reasons behind enduring popularity of television genres such as police crime dramas, soap operas, sitcoms, and "reality TV"? What impact has television had on the culture and morality of American life? Does television largely emulate and reflect real life and society, or vice versa? How does television's influence differ from that of other media such as newspapers and magazines, radio, movies, and the Internet? These are just a few of the questions explored in the three-volume encyclopedia TV in the USA: A History of Icons, Idols, and Ideas. This expansive set covers television from 1950 to the present day, addressing shows of all genres, well-known programs and short-lived series alike, broadcast on the traditional and cable networks. All three volumes lead off with a keynote essay regarding the technical and historical features of the decade(s) covered. Each entry on a specific show investigates the narrative, themes, and history of the program; provides comprehensive information about when the show started and ended, and why; and identifies the star players, directors, producers, and other key members of the crew of each television production. The set also features essays that explore how a particular program or type of show has influenced or reflected American society, and it includes numerous sidebars packed with interesting data, related information, and additional insights into the subject matter.
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 1785
Book Description
This three-volume set is a valuable resource for researching the history of American television. An encyclopedic range of information documents how television forever changed the face of media and continues to be a powerful influence on society. What are the reasons behind enduring popularity of television genres such as police crime dramas, soap operas, sitcoms, and "reality TV"? What impact has television had on the culture and morality of American life? Does television largely emulate and reflect real life and society, or vice versa? How does television's influence differ from that of other media such as newspapers and magazines, radio, movies, and the Internet? These are just a few of the questions explored in the three-volume encyclopedia TV in the USA: A History of Icons, Idols, and Ideas. This expansive set covers television from 1950 to the present day, addressing shows of all genres, well-known programs and short-lived series alike, broadcast on the traditional and cable networks. All three volumes lead off with a keynote essay regarding the technical and historical features of the decade(s) covered. Each entry on a specific show investigates the narrative, themes, and history of the program; provides comprehensive information about when the show started and ended, and why; and identifies the star players, directors, producers, and other key members of the crew of each television production. The set also features essays that explore how a particular program or type of show has influenced or reflected American society, and it includes numerous sidebars packed with interesting data, related information, and additional insights into the subject matter.
The 1930s
Author: William H. Young
Publisher: Bloomsbury Publishing USA
ISBN: 0313077479
Category : Social Science
Languages : en
Pages : 366
Book Description
Most historical studies bury us in wars and politics, paying scant attention to the everyday effects of pop culture. Welcome to America's other history—the arts, activities, common items, and popular opinions that profoundly impacted our national way of life. The twelve narrative chapters in this volume provide a textured look at everyday life, youth, and the many different sides of American culture during the 1930s. Additional resources include a cost comparison of common goods and services, a timeline of important events, notes arranged by chapter, an extensive bibliography for further reading, and a subject index. The dark cloud of the Depression shadowed most Americans' lives during the 1930s. Books, movies, songs, and stories of the 1930s gave Americans something to hope for by depicting a world of luxury and money. Major figures of the age included Fred Astaire and Ginger Rogers, Irving Berlin, Amelia Earhart, Duke Ellington, the Marx Brothers, Margaret Mitchell, Cole Porter, Joe Louis, Babe Ruth, Shirley Temple, and Frank Lloyd Wright. Innovations in technology and travel hinted at a Utopian society just off the horizon, group sports and activities gave the unemployed masses ways to spend their days, and a powerful new demographic—the American teenager—suddenly found itself courted by advertisers and entertainers.
Publisher: Bloomsbury Publishing USA
ISBN: 0313077479
Category : Social Science
Languages : en
Pages : 366
Book Description
Most historical studies bury us in wars and politics, paying scant attention to the everyday effects of pop culture. Welcome to America's other history—the arts, activities, common items, and popular opinions that profoundly impacted our national way of life. The twelve narrative chapters in this volume provide a textured look at everyday life, youth, and the many different sides of American culture during the 1930s. Additional resources include a cost comparison of common goods and services, a timeline of important events, notes arranged by chapter, an extensive bibliography for further reading, and a subject index. The dark cloud of the Depression shadowed most Americans' lives during the 1930s. Books, movies, songs, and stories of the 1930s gave Americans something to hope for by depicting a world of luxury and money. Major figures of the age included Fred Astaire and Ginger Rogers, Irving Berlin, Amelia Earhart, Duke Ellington, the Marx Brothers, Margaret Mitchell, Cole Porter, Joe Louis, Babe Ruth, Shirley Temple, and Frank Lloyd Wright. Innovations in technology and travel hinted at a Utopian society just off the horizon, group sports and activities gave the unemployed masses ways to spend their days, and a powerful new demographic—the American teenager—suddenly found itself courted by advertisers and entertainers.
Where Did I Go Right?
Author: Bernie Brillstein
Publisher: Phoenix Books
ISBN: 1614670781
Category : Biography & Autobiography
Languages : en
Pages : 485
Book Description
Beginning in the William Morris mail room in 1955, Bernie Brillstein wanted only three things: “to walk into a restaurant and have people know who I am…to be the guy who gets the phone calls and doesn’t have to make them…to represent the one performer people must have.” Throughout his long career at the top of the entertainment industry––as TV and movie producer, agent and brilliant personal manager––Brillstein has accomplished it all. Where Did I Go Right? is Brillstein’s street-smart, funny, and thoroughly human story of a life in show business. With his trademark wit and candor, he speaks out for the first time about his feud with Mike Ovitz, and how it felt to pass the leadership of his company to his partner, Brad Grey, and “no longer be the king.” He describes his close relationship with John Belushi and what it was like being alone with Belushi’s body as it lay “stretched out across two cramped seats in a tiny jet, wrapped up in a body bag” on the way to his funeral. He shares stories about Jim Hensen and Gilda Radner, about Lorne Michaels and the early days of Saturday Night Live. He takes us behind the scenes at such hits as The Blues Brothers, Ghostbusters, and The Muppet Show. Brillstein also reveals his secrets about how to survive and prosper in Hollywood, the real meaning of “the art of the deal,” the difference between “hot” and “good,” and why instinct is so crucial to the future of the entertainment industry. “Becoming successful is the most fun of all. I’m not talking about being successful or staying successful. I mean the getting there, the instant you arrive, and for the first time you think, ‘Where did I go right?’” After eight years, Phoenix Books is re-releasing this bestseller, with an updated epilogue from Bernie Brillstein entitled, “Still going right.”
Publisher: Phoenix Books
ISBN: 1614670781
Category : Biography & Autobiography
Languages : en
Pages : 485
Book Description
Beginning in the William Morris mail room in 1955, Bernie Brillstein wanted only three things: “to walk into a restaurant and have people know who I am…to be the guy who gets the phone calls and doesn’t have to make them…to represent the one performer people must have.” Throughout his long career at the top of the entertainment industry––as TV and movie producer, agent and brilliant personal manager––Brillstein has accomplished it all. Where Did I Go Right? is Brillstein’s street-smart, funny, and thoroughly human story of a life in show business. With his trademark wit and candor, he speaks out for the first time about his feud with Mike Ovitz, and how it felt to pass the leadership of his company to his partner, Brad Grey, and “no longer be the king.” He describes his close relationship with John Belushi and what it was like being alone with Belushi’s body as it lay “stretched out across two cramped seats in a tiny jet, wrapped up in a body bag” on the way to his funeral. He shares stories about Jim Hensen and Gilda Radner, about Lorne Michaels and the early days of Saturday Night Live. He takes us behind the scenes at such hits as The Blues Brothers, Ghostbusters, and The Muppet Show. Brillstein also reveals his secrets about how to survive and prosper in Hollywood, the real meaning of “the art of the deal,” the difference between “hot” and “good,” and why instinct is so crucial to the future of the entertainment industry. “Becoming successful is the most fun of all. I’m not talking about being successful or staying successful. I mean the getting there, the instant you arrive, and for the first time you think, ‘Where did I go right?’” After eight years, Phoenix Books is re-releasing this bestseller, with an updated epilogue from Bernie Brillstein entitled, “Still going right.”
The 1950s
Author: William H. Young
Publisher: Bloomsbury Publishing USA
ISBN: 0313052956
Category : Social Science
Languages : en
Pages : 372
Book Description
Have the 1950s been overly romanticized? Beneath the calm, conformist exterior, new ideas and attitudes were percolating. This was the decade of McCarthyism, Levittowns, and men in gray flannel suits, but the 1950s also saw bold architectural styles, the rise of paperback novels and the Beat writers, Cinema Scope and film noir, television variety shows, the Golden Age of the automobile, subliminal advertising, fast food, Frisbees, and silly putty. Meanwhile, teens attained a more prominent role in American culture with hot rods, rock 'n' roll, preppies and greasers, and—gasp—juvenile delinquency. At the same time, a new technological threat, the atom bomb, lurked beneath the surface of the postwar decade. This volume presents a nuanced look at a surprisingly complex time in American popular culture.
Publisher: Bloomsbury Publishing USA
ISBN: 0313052956
Category : Social Science
Languages : en
Pages : 372
Book Description
Have the 1950s been overly romanticized? Beneath the calm, conformist exterior, new ideas and attitudes were percolating. This was the decade of McCarthyism, Levittowns, and men in gray flannel suits, but the 1950s also saw bold architectural styles, the rise of paperback novels and the Beat writers, Cinema Scope and film noir, television variety shows, the Golden Age of the automobile, subliminal advertising, fast food, Frisbees, and silly putty. Meanwhile, teens attained a more prominent role in American culture with hot rods, rock 'n' roll, preppies and greasers, and—gasp—juvenile delinquency. At the same time, a new technological threat, the atom bomb, lurked beneath the surface of the postwar decade. This volume presents a nuanced look at a surprisingly complex time in American popular culture.
Comedy for Animators
Author: Jonathan Lyons
Publisher: CRC Press
ISBN: 1317679555
Category : Computers
Languages : en
Pages : 212
Book Description
While comedy writers are responsible for creating clever scripts, comedic animators have a much more complicated problem to solve: What makes a physical character funny? Comedy for Animators breaks down the answer by exploring the techniques of those who have used their bodies to make others laugh. Drawing from traditions such as commedia dell’arte, pantomime, Vaudeville, the circus, and silent and modern film, animators will learn not only to create funny characters, but also how to execute gags, create a comic climate, and use environment as a character. Whether you’re creating a comic villain or a bumbling sidekick, this is the one and only guide you need to get your audience laughing! Explanation of comedic archetypes and devices will both inspire and inform your creative choices Exploration of various modes of storytelling allows you to give the right context for your story and characters Tips for creating worlds, scenarios, and casts for your characters to flourish in Companion website includes example videos and further resources to expand your skillset--check it out at www.comedyforanimators.com! Jonathan Lyons delivers simple, fun, illustrated lessons that teach readers to apply the principles of history’s greatest physical comedians to their animated characters. This isn’t stand-up comedy—it’s the falling down and jumping around sort!
Publisher: CRC Press
ISBN: 1317679555
Category : Computers
Languages : en
Pages : 212
Book Description
While comedy writers are responsible for creating clever scripts, comedic animators have a much more complicated problem to solve: What makes a physical character funny? Comedy for Animators breaks down the answer by exploring the techniques of those who have used their bodies to make others laugh. Drawing from traditions such as commedia dell’arte, pantomime, Vaudeville, the circus, and silent and modern film, animators will learn not only to create funny characters, but also how to execute gags, create a comic climate, and use environment as a character. Whether you’re creating a comic villain or a bumbling sidekick, this is the one and only guide you need to get your audience laughing! Explanation of comedic archetypes and devices will both inspire and inform your creative choices Exploration of various modes of storytelling allows you to give the right context for your story and characters Tips for creating worlds, scenarios, and casts for your characters to flourish in Companion website includes example videos and further resources to expand your skillset--check it out at www.comedyforanimators.com! Jonathan Lyons delivers simple, fun, illustrated lessons that teach readers to apply the principles of history’s greatest physical comedians to their animated characters. This isn’t stand-up comedy—it’s the falling down and jumping around sort!
Variety's Who's who in Show Business
Author: Mike Kaplan
Publisher: R. R. Bowker
ISBN: 9780835226653
Category : Biography & Autobiography
Languages : en
Pages : 432
Book Description
Publisher: R. R. Bowker
ISBN: 9780835226653
Category : Biography & Autobiography
Languages : en
Pages : 432
Book Description