Author: John GillowPublisher: Chronicle Books
ISBN: 0811841669
Category : Art
Languages : en
Pages : 252
Book Description
Traces a boy's journey across India as he searches for a sacred buffalo bell stolen from his tribe.
African Textiles
Author: John GillowPublisher: Chronicle Books
ISBN: 0811841669
Category : Art
Languages : en
Pages : 252
Book Description
Traces a boy's journey across India as he searches for a sacred buffalo bell stolen from his tribe.
Handbook of Museum Textiles, Volume 1
Author: Sabu ThomasPublisher: John Wiley & Sons
ISBN: 1119792266
Category : Technology & Engineering
Languages : en
Pages : 420
Book Description
Handbook of Museum Textiles Textiles have been known to us throughout human history and played a vital role in the lives and traditions of people. Clothing was made by using different materials and methods from natural fibers. There are different varieties of textiles, out of which certain traditional textiles, archaeological findings, or fragments are of cultural, historical, and sentimental value such as tapestries, embroideries, flags, shawls, etc. These kinds of textiles, due to their historical use and environmental factors, require special attention to guarantee their long-term stability. Textile conservation is a complex, challenging, and multi-faceted discipline and it is one of the most versatile branches of conservation. Volume 1 of the Handbook of Museum Textiles focuses on conservation and cultural research and addresses the proper display, storage, upkeep, handling, and conservation technology of textile artifacts to ensure their presence for coming generations. Spread over 19 chapters, the volume is a unique body of knowledge of theoretical and practical details of museum practices. Chapters on textile museums, the importance of cultural heritage, conservation, and documentation of textiles are covered in depth. Conservation case studies and examples are highlighted in many chapters. Management practices and guidelines to pursue a career in the museum textile field have been given due attention. The respective authors of the chapters are of international repute and are researchers, academicians, conservators, and curators in this field. Audience The book is a unique asset for textile researchers, fine art scholars, archaeologists, museum curators, designers, and those who are interested in the field of traditional or historic textile collections.
African Costumes and Textiles
Author: Anne-Marie BouttiauxPublisher: 5Continents
ISBN:
Category : Art
Languages : en
Pages : 328
Book Description
Celebrating African costumes and textiles, this volume draws on historical and modern pieces from the Zaira and Marcel Mis Collection. The extraordinary works presented exemplify the craftsmanship of highly skilled African weavers and provide insight into the lives and culture of various ethnic groups. Whether the materials used are wool, cotton, silk, raffia, or bark, the patterns the weavers produce are predominantly geometric and abstract, but highly stylized figurative motifs are also found. The designs frequently illustrate excerpts from historical or mythical stories. The book presents a breathtaking variety of costumes, textiles, and accessories used for everyday wear and for special celebrations, and explores the different techniques, influences, and meanings behind these colorful works of art. The essays describe the history of the development of these techniques and the richness of the symbolism in this form of cultural heritage. The superb photography showcases the splendor of these intricate and exquisite textiles.
Vanishing Cuba
Author: Michael ChinniciPublisher:
ISBN: 9781737767817
Category : Photography
Languages : en
Pages : 0
Book Description
The VANISHING CUBA Deluxe Edition photo book is limited to only 500 copies, each signed and numbered, and comes packaged in a beautiful protective slipcase. Vanishing Cuba is a curated visual storytelling photo book by American photographer Michael Chinnici. The collection depicts the changes Cuba faces as it emerges from more than 60 years of isolation and decay. Michael's 24 trips to Cuba have yielded tens of thousands of photographs, thought-provoking, and emotional stories, and created lifelong friendships. Vanishing Cuba is about capturing Cuba's past, present, and future, and even more so, about capturing the "Soul of Cuba." Michael's love affair with Cuba and the Cuban people comes through in this compelling and beautifully produced book. The Deluxe Edition contains over 300 photographs and stories in a beautifully printed and produced 12.30" x 13.25" hardcover book. Designed by Michael, this 348-page museum-quality photo book is offset printed in Italy using only the finest Italian papers. The book's color images are printed using a 7-color Spectra7 System to provide the most vibrant colors. The book's black & white images are printed using a 3-black TriTone System, delivering superior B&W images with breathtaking images results. Michael has curated his 24 trips to Cuba into a wonderful storytelling photo collection. Each beautifully crafted book is produced with stories in both English and Spanish, with Cuban friends helping guide the narrative with beautiful essays. Michael's style of photography captures the "Soul of Cuba" in the most authentic, endearing, beautiful, and honest light.
Authentically African
Author: Sarah Van BeurdenPublisher: Ohio University Press
ISBN: 0821445456
Category : History
Languages : en
Pages : 505
Book Description
Together, the Royal Museum for Central Africa in Tervuren, Belgium, and the Institut des Musées Nationaux du Zaire (IMNZ) in the Congo have defined and marketed Congolese art and culture. In Authentically African, Sarah Van Beurden traces the relationship between the possession, definition, and display of art and the construction of cultural authenticity and political legitimacy from the late colonial until the postcolonial era. Her study of the interconnected histories of these two institutions is the first history of an art museum in Africa, and the only work of its kind in English. Drawing on Flemish-language sources other scholars have been unable to access, Van Beurden illuminates the politics of museum collections, showing how the IMNZ became a showpiece in Mobutu’s effort to revive “authentic” African culture. She reconstructs debates between Belgian and Congolese museum professionals, revealing how the dynamics of decolonization played out in the fields of the museum and international heritage conservation. Finally, she casts light on the art market, showing how the traveling displays put on by the IMNZ helped intensify collectors’ interest and generate an international market for Congolese art. The book contributes to the fields of history, art history, museum studies, and anthropology and challenges existing narratives of Congo’s decolonization. It tells a new history of decolonization as a struggle over cultural categories, the possession of cultural heritage, and the right to define and represent cultural identities.
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