Author: Ger LuijtenPublisher:
ISBN:
Category : Doetechum family
Languages : en
Pages : 296
Book Description
The Van Doetecum Family: The Antwerp years, 1554-1575, the years of refuge, 1576-c. 1583
Author: Ger LuijtenPublisher:
ISBN:
Category : Doetechum family
Languages : en
Pages : 296
Book Description
The Van Doetecum Family: The Antwerp years, 1554-1575
Author: Ger LuijtenPublisher:
ISBN:
Category : Doetechum family
Languages : en
Pages : 296
Book Description
Annual Bibliography of the History of the Printed Book and Libraries
Author: Dept. of Special Collections of the Koninklijke BibliotheekPublisher: Springer Science & Business Media
ISBN: 9781402002373
Category : Language Arts & Disciplines
Languages : en
Pages : 706
Book Description
The Annual Bibliography of the History of the Printed Book and Libraries records articles of scholarly value that relate to the history of the printed book, to the history of arts, crafts, techniques and equipment, and of the economic, social and cultural environment involved in their production, distribution, conservation and description.
The Van Doetecum Family
Author: Ger LuijtenPublisher:
ISBN:
Category : Prints, Dutch
Languages : en
Pages : 296
Book Description
The New Hollstein Dutch & Flemish Etchings, Engravings and Woodcuts, 1450-1700
Author: F. W. H. HollsteinPublisher:
ISBN: 9789075607260
Category : Cartography
Languages : en
Pages : 135
Book Description
The Transformation of Vernacular Expression in Early Modern Arts
Author: Joost KeizerPublisher: BRILL
ISBN: 9004212043
Category : History
Languages : en
Pages : 423
Book Description
Including contributions by historians of early modern European art, architecture, and literature, this book examines the transformative force of the vernacular over time and different regions, as well as the way the concept of the vernacular itself changes in the period.
The Van Doetecum Family
Author: "Prints in Translation, 1450?750 "
Author: EdwardH. WoukPublisher: Routledge
ISBN: 1351553208
Category : Art
Languages : en
Pages : 556
Book Description
Printed artworks were often ephemeral, but in the early modern period, exchanges between print and other media were common, setting off chain reactions of images and objects that endured. Paintings, sculpture, decorative arts, musical or scientific instruments, and armor exerted their own influence on prints, while prints provided artists with paper veneers, templates, and sources of adaptable images. This interdisciplinary collection unites scholars from different fields of art history who elucidate the agency of prints on more traditionally valued media, and vice-versa. Contributors explore how, after translations across traditional geographic, temporal, and material boundaries, original 'meanings' may be lost, reconfigured, or subverted in surprising ways, whether a Netherlandish motif graces a cabinet in Italy or the print itself, colored or copied, is integrated into the calligraphic scheme of a Persian royal album. These intertwined relationships yield unexpected yet surprisingly prevalent modes of perception. Andrea Mantegna's 1470/1500 Battle of the Sea Gods, an engraving that emulates the properties of sculpted relief, was in fact reborn as relief sculpture, and fabrics based on print designs were reapplied to prints, returning color and tactility to the very objects from which the derived. Together, the essays in this volume witness a methodological shift in the study of print, from examining the printed image as an index of an absent invention in another medium - a painting, sculpture, or drawing - to considering its role as a generative, active agent driving modes of invention and perception far beyond the locus of its production.
Early Modern Dutch Prints of Africa
Author: ElizabethA. SuttonPublisher: Routledge
ISBN: 1351569058
Category : Art
Languages : en
Pages : 297
Book Description
Using Pieter de Marees' Description and Historical Account of the Gold Kingdom of Guinea (1602) as her main source material, author Elizabeth Sutton brings to bear approaches from the disciplines of art history and book history to explore the context in which De Marees' account was created. Since variations of the images and text were repeated in other European travel collections and decorated maps, Sutton is able to trace how the framing of text and image shaped the formation of knowledge that continued to be repeated and distilled in later European depictions of Africans. She reads the engravings in De Marees' account as a demonstration of the intertwining domains of the Dutch pictorial tradition, intellectual inquiry, and Dutch mercantilism. At the same time, by analyzing the marketing tactics of the publisher, Cornelis Claesz, this study illuminates how early modern epistemological processes were influenced by the commodification of knowledge. Sutton examines the book's construction and marketing to shed new light on the social milieus that shared interests in ethnography, trade, and travel. Exploring how the images and text function together, Sutton suggests that Dutch visual and intellectual traditions informed readers' choices for translating De Marees' text visually. Through the examination of early modern Dutch print culture, Early Modern Dutch Prints of Africa expands the boundaries of our understanding of the European imperial enterprise.
Author: