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Author: Kevin Emerson Publisher: Open Road Media ISBN: 1504010795 Category : Juvenile Fiction Languages : en Pages : 226
Book Description
Oliver’s life is no different from those of most middle school kids—except he sleeps in a coffin and drinks blood for breakfast Oliver Nocturne lives a pretty normal life—he deals with bullies, has an obnoxious older brother, and generally feels misunderstood. But being a vampire presents another host of problems, especially when he feels—he knows—he’s not quite like everyone else. When Emalie, a human girl with a troubled past, takes a picture of him, Oliver ignores the rules that forbid him from interacting with humans and agrees to show her the darkest secrets of the Seattle underworld. But their quest will uncover more than vampire mythology—they will learn the terrible truth about Oliver’s past and his purpose. And for Emalie, this knowledge could come at a fatal price.
Author: Kevin Emerson Publisher: Open Road Media ISBN: 1504010795 Category : Juvenile Fiction Languages : en Pages : 226
Book Description
Oliver’s life is no different from those of most middle school kids—except he sleeps in a coffin and drinks blood for breakfast Oliver Nocturne lives a pretty normal life—he deals with bullies, has an obnoxious older brother, and generally feels misunderstood. But being a vampire presents another host of problems, especially when he feels—he knows—he’s not quite like everyone else. When Emalie, a human girl with a troubled past, takes a picture of him, Oliver ignores the rules that forbid him from interacting with humans and agrees to show her the darkest secrets of the Seattle underworld. But their quest will uncover more than vampire mythology—they will learn the terrible truth about Oliver’s past and his purpose. And for Emalie, this knowledge could come at a fatal price.
Author: Stacey Abbott Publisher: University of Texas Press ISBN: 029278449X Category : Performing Arts Languages : en Pages : 279
Book Description
In 1896, French magician and filmmaker George Méliès brought forth the first celluloid vampire in his film Le manoir du diable. The vampire continues to be one of film's most popular gothic monsters and in fact, today more people become acquainted with the vampire through film than through literature, such as Bram Stoker's classic Dracula. How has this long legacy of celluloid vampires affected our understanding of vampire mythology? And how has the vampire morphed from its folkloric and literary origins? In this entertaining and absorbing work, Stacey Abbott challenges the conventional interpretation of vampire mythology and argues that the medium of film has completely reinvented the vampire archetype. Rather than representing the primitive and folkloric, the vampire has come to embody the very experience of modernity. No longer in a cape and coffin, today's vampire resides in major cities, listens to punk music, embraces technology, and adapts to any situation. Sometimes she's even female. With case studies of vampire classics such as Nosferatu, Martin, Blade, and Habit, the author traces the evolution of the American vampire film, arguing that vampires are more than just blood-drinking monsters; they reflect the cultural and social climate of the societies that produce them, especially during times of intense change and modernization. Abbott also explores how independent filmmaking techniques, special effects makeup, and the stunning and ultramodern computer-generated effects of recent films have affected the representation of the vampire in film.
Author: Asha Greyling Publisher: Crooked Lane Books ISBN: 1639108688 Category : Fiction Languages : en Pages : 236
Book Description
In this gothic debut novel, perfect for fans of Tread of Angels and Gail Carriger’s Soulless, Miss Radhika Dhingra, a newly minted lawyer in 19th century New York, never expected that her first client would be a vampire accused of murder. Having a resident vampire is just the thing for upper-class New Yorkers–besides being a status symbol, they make excellent butlers or housekeepers. The only thing they require in return is a drop or two of blood and a casket to shut out the dawn’s early light. Tolerated by society only if they follow a strict set of rules, vampires are seen as “less than”–and as the daughter of immigrants, Radhika knows firsthand how this feels. Accused of murder, her undead client Mr. Evelyn More, knows that the cards are stacked against him. With the help of a journalist friend and a diminutive detective inspector, Miss Dhingra sets out to prove her client’s innocence and win his freedom. Failure will mean Mr. More’s death, the end of her dreams of becoming a successful attorney, and the loss of the vampire Miss Dhingra has begun to call her friend. Offering an alternative paranormal history, delightful characters, and insightful social commentary, The Vampire of Kings Street will thrill readers of Deanna Rayburn and Rebecca Roanhorse.
Author: Sarah E. Maier Publisher: Anthem Press ISBN: 1785272187 Category : Literary Criticism Languages : en Pages : 204
Book Description
Neo-Gothic Narratives defines and theorises what, exactly, qualifies as such a text, what mobilises the employment of the Gothic to speak to our own times, whether nostalgia plays a role and whether there is room for humour besides the sobriety and horror in these narratives across various media. What attracts us to the Gothic that makes us want to resurrect, reinvent, echo it? Why do we let the Gothic redefine us? Why do we let it haunt us? Does it speak to us through intertexuality, self-reflectivity, metafiction, immersion, affect? Are we reclaiming the history of women and other subalterns in the Gothic that had been denied in other forms of history? Are we revisiting the trauma of English colonisation and seeking national identity? Or are we simply tourists who enjoy cruising through the otherworld? The essays in this volume investigate both the readerly experience of Neo-Gothic narratives as well as their writerly pastiche.
Author: David Wellington Publisher: Crown ISBN: 0307381722 Category : Fiction Languages : en Pages : 338
Book Description
One man stood between them and us. U.S. Marshal Jameson Arkeley—the country’s foremost authority on vampires—taught police investigator and vampire fighter Laura Caxton everything she knows about monsters. After a bloody war visited upon Gettysburg by an army of vampires, Arkeley gave up his own life to save others. Except he didn’t exactly die . . . Arkeley accepted the curse and is now a vampire himself. What’s worse, he’s the savviest vampire ever—he knows all the tricks better than anyone. Caxton is now faced with the task of destroying him. But Arkeley knows all her tactics too; after all, he taught them to her. Caxton realizes she must finish Arkeley before he succeeds in his quest to exterminate his own family, one member at a time. But even more important, she has to prevent him from becoming a beast exponentially more dangerous—a Vampire Zero. The author of 13 Bullets and 99 Coffins, David Wellington takes the Laura Caxton series to a whole new level in this action-packed third volume.
Author: Emily Ennis Publisher: Bloomsbury Publishing ISBN: 1350196193 Category : Literary Criticism Languages : en Pages : 232
Book Description
At the turn of the 20th century, printing and photographic technologies evolved rapidly, leading to the birth of mass media and the rise of the amateur photographer. Demonstrating how this development happened symbiotically with great changes in the shape of British literature, Writing, Authorship and Photography in British Literary Culture, 1880-1920 explores this co-evolution, showing that as both writing and photography became tools of mass dissemination, literary writers were forced to re-evaluate their professional and personal identities. Focusing on four key authors-Thomas Hardy, Bram Stoker, Joseph Conrad and Virginia Woolf-each of which had their own private and professional connections to photographs, this book offers valuable historical contexts for contemporary cultural developments and anxieties. At first establishing the authors' response to developing technologies through their non-fiction, personal correspondences and working drafts, Ennis moves on to examine how their perceptions of photography extend into their major works of fiction: A Laodicean, Dracula, The Secret Agent, The Inheritors and The Voyage Out. Reflecting on the first 'graphic revolution' in a world where text and image are now reproduced digitally and circulated en masse and online, Ennis redirects our attention to when image and text appeared alongside each other for the first time and the crises this sparked for authors: how they would respond to increasingly photographic depictions of everyday life, and in turn, how their writing adapted to a distinctly visual mass media.
Author: Kevin Emerson
Author: Kevin Emerson
Author: Kevin Emerson
Author: Stacey Abbott
Author: Arthur H. Elliott
Author: Simon Bacon
Author: Asha Greyling
Author: 
Author: Sarah E. Maier
Author: David Wellington
Author: Emily Ennis