The Unwritten Rules of Stand-up Comedy PDF Download

Author:
Publisher: Lulu.com
ISBN: 141160850X
Category :
Languages : en
Pages : 106

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Author: Ellen C. Dowling
Publisher: iUniverse
ISBN: 9781475901177
Category : Performing Arts
Languages : en
Pages : 144

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Like stage actors and standup comics, trainers perform before a live audience. This book shares theatrical secrets that can enliven learning and enhance presentation skills: how to move and gesture dramatically, how to deal with difficult audience members, and how to create and deliver humorous training material. If you've ever thought to yourself, "But the material I teach is so dry, there is no way I can make it interesting," then this book is definitely for you.

Author: Mirco Steder
Publisher: GRIN Verlag
ISBN: 3346649156
Category : Foreign Language Study
Languages : en
Pages : 47

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Book Description
Bachelor Thesis from the year 2019 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,3, Christian-Albrechts-University of Kiel, language: English, abstract: In meiner Arbeit gehe ich der Frage nach, wie und warum self-deprecating humor von Stand-up-Comedians eingesetzt wird und welchen Effekt er auf das Publikum hat. Außerdem untersuche ich die Gemeinsamkeiten mit und die Unterschiede zum Gegenpol des self-depricating humor, disparaging beziehungsweise other-deprecating humor, da die Unterschiede in der Stand-up Comedy in der Wirkung manchmal gering und die Übergänge teilweise fließend sind. Darüber hinaus gebe ich einen kurzen, zusammenfassenden Überblick über die Geschichte der Stand-up Comedy in Nordamerika und bespreche anschließend drei gängige Humortheorien ( Superiority, Relief und lncongruity theory), um den Einsatz von self-deprecating humor zu kontextualisieren. Zur Veranschaulichung habe ich exemplarisch zwei sogenannte skits (Teile einer Stand-up show) des Komikers Jim Jefferies herangezogen, durch die der Einsatz von self-deprecating humor verdeutlicht wird.

Author: Oliver Double
Publisher: A&C Black
ISBN: 1408177692
Category : Performing Arts
Languages : en
Pages : 367

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'This is the kind of book that troubles grey-suited committees of academic peers. It's too enjoyable. But that, given its subject, is just what it ought to be, and it treats that subject seriously . . . There isn't a “dull” page anywhere in the book.' – Professor Peter Thomson, Studies in Theatre and Performance Comedy is changing: stand-up comedians routinely sell out stadia, their audience-figures swollen by panel-show appearances and much-followed Twitter feeds. Meanwhile, the smaller clubs are filling up, with audiences as well as aspirants. How can we make sense of it all? This new edition of Getting the Joke gives an insider's look at the spectrum of modern comedy, re-examining the world of stand-up in the internet age. Drawing on his acclaimed first edition, Oliver Double focuses in greater detail on the US scene and its comedians (such as David Cross, Sarah Silverman, Louis CK, Demetri Martin and Margaret Cho); the 'DIY' comedy circuit and its celebrated apostles and visionaries, from Josie Long to Stewart Lee; the growing importance of the solo stand-up show; the role played by Twitter (including an interview with the organiser of the world's first comedy gig on Twitter), and the driving force that is the TV guest slot, be it on Mock the Week or Live at the Apollo. With expanded sections on joke construction, as well as ways to challenge the audience, and a host of new and updated exercises to guide the aspiring comedian, this new edition of Getting the Joke is the only book to combine the history of stand-up comedy with an analysis of the elements and methods that go into its creation. Featuring a range of interviews with working comedians – from circuit veterans to new kids on the block – combined with the author's vast experience, this is a must read for any aspiring stand-up comedian.

Author: Rashi Bhargava
Publisher: Taylor & Francis
ISBN: 1000827518
Category : Humor
Languages : en
Pages : 300

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Book Description
Punching Up in Stand-Up Comedy explores the new forms, voices and venues of stand-up comedy in different parts of the world and its potential role as a counterhegemonic tool for satire, commentary and expression of identity especially for the disempowered or marginalised. The title brings together essays and perspectives on stand-up and satire from different cultural and political contexts across the world which raise pertinent issues regarding its role in contemporary times, especially with the increased presence of OTT platforms and internet penetration that allows for easy access to this art form. It examines the theoretical understanding of the different aspects of the humour, aesthetics and politics of stand-up comedy, as well as the exploration of race, gender, politics and conflicts, urban culture and LGBTQ+ identities in countries such as Indonesia, Finland, France, Iran, Italy, Morocco, India and the USA. It also asks the question whether, along with contesting and destabilising existing discursive frameworks and identities, a stand-up comic can open up a space for envisaging a new social, cultural and political order? This book will appeal to people interested in performance studies, media, popular culture, digital culture, sociology, digital sociology and anthropology, and English literature. Chapter 9 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons (CC-BY) 4.0 license. Funded by the University of Helsinki.

Author: Richa Chilana
Publisher: Springer Nature
ISBN: 3031394275
Category :
Languages : en
Pages : 256

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Author: Dan Rosenberg
Publisher: Lulu.com
ISBN: 1411677846
Category : Humor
Languages : en
Pages : 142

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Book Description
Learn the 25 rules of hosting that should never be broken. Read "Words of Widsom" and stories from some of the top comedians working today.

Author: Neil Hegarty
Publisher: Random House
ISBN: 0753551586
Category : Biography & Autobiography
Languages : en
Pages : 466

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Book Description
Sir David Frost was the only person to have met and interviewed every British Prime Minister since Harold Wilson as well as seven Presidents of the United States. With unparalleled, authorised access to David’s family and friends, in this book Neil Hegarty documents how he became the most successful TV host in the world, his work defining the mood of the moment. Frost didn’t just report the news, he made the news.

Author: Rob Durham
Publisher: Createspace Independent Publishing Platform
ISBN: 9781468004847
Category : Stand-up comedy
Languages : en
Pages : 0

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Book Description
Rob Durham has written a book on the ins and outs of being a stand-up comic. Hilarious and enlightening, he uses some funny experiences of his own with famous and not-so-famous people to give some great tips on getting started in the biz. "Rob Durham 'gets it' as a performer and a teacher of how to get going in the comedy business. He covers the little things that so many new guys ignore. This is the book I would have written. . . if I had the time, interest, or word-processor." --Jimmy Pardo"I support this book unconditionally!" --Maria Bamford"Read this book before going to your next open mic night." --Tommy Johnagin

Author: Dustin Goltz
Publisher: Taylor & Francis
ISBN: 1351723766
Category : Art
Languages : en
Pages : 211

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Book Description
Comic Performativities: Identity, Internet Outrage, and the Aesthetics of Communication studies patterns of criticism and public debate in the relationship between humour, identity, and offense. In an increasingly reductive and politically charged debate, right-wing pundits argue leftist politics has compromised a free and open discussion, while scholars take right-wing critics to task for reifying systems of oppression under the guise of reason and respect. In response, Goltz scrutinises twenty-first century "comedic controversies," the notion of "political correctness," and the so-called "outrage machine" of social media. How should we appropriately determine whether a joke is "sexist," "racist," or "offensive"? Informed by communication, performance, and critical identity theory, Goltz examines infamous controversies involving performers like Sarah Silverman, Amy Schumer, and Seth MacFarlane, and the social media backlash that redefined these events. He investigates the ironic interplay between spoken word, identity, physicality and, as a result, the contrasting meanings potentially construed. Consequently, the book encourages a greater appreciation of the aesthetics involved in comedic performance that help signpost interpretation and emphasizes the role of the audience as self-reflexive and self-aware. This book highlights the significant parallels between the nature of performance art and comedic performance in order to elevate analysis of, and discussion around, contemporary comedy. In doing so, it is an important critical contribution to the field of performance studies and cultural criticism, as well as communication studies, at both the undergraduate and postgraduate level.