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Author: Darryl Hickman Publisher: ISBN: Category : Biography & Autobiography Languages : en Pages : 316
Book Description
Darryl Hickman was thirty years old, starring in a Broadway musical, when he took his first acting lesson. He had appeared in almost 100 films before he was eighteen. The director John Ford called him "a natural;" he made it all look easy. He has been an actor, song-and-dance man, writer, director, producer, and CBS executive. In this book, Hickman writes about the actors, writers, and directors he came to know--and learn from--during a career that spanned four decades. He writes about how he was inspired by the ideas of the Russian master, actor-director-teacher Constantin Stanislavsky, revealing how those ideas influenced the development of his own unique Process which has informed his work as actor and teacher. Here he describes his innovative Process, a step-by-step way to learn how to act on the stage or in front of a camera. He shows you how to trust your impulses, and how to add craftsmanship and a conscious use of the mechanics of creativity to arrive at an integrated, well-balanced performance. But The Unconscious Actor is not just for actors--it's for everyone. We live in a performance-oriented society. High standards are demanded of us in the classroom, at the office, on the athletic field, in the boardroom, and in our personal lives. Hickman makes clear that we all have the tools to become outstanding performers, demonstrating how to make use of those tools with skill and precision. Many of those who have taken Hickman's workshop have gone on to become award-winning actors, writers and producers, oil magnates, college professors, world-travel consultants, even top executives. Their stories prove that, by applying the principles outlined in this book, it's possible for the motivated reader to reach the pinnacle of success in his or her chosen field.--Adapted from jacket.
Author: Darryl Hickman Publisher: ISBN: Category : Biography & Autobiography Languages : en Pages : 316
Book Description
Darryl Hickman was thirty years old, starring in a Broadway musical, when he took his first acting lesson. He had appeared in almost 100 films before he was eighteen. The director John Ford called him "a natural;" he made it all look easy. He has been an actor, song-and-dance man, writer, director, producer, and CBS executive. In this book, Hickman writes about the actors, writers, and directors he came to know--and learn from--during a career that spanned four decades. He writes about how he was inspired by the ideas of the Russian master, actor-director-teacher Constantin Stanislavsky, revealing how those ideas influenced the development of his own unique Process which has informed his work as actor and teacher. Here he describes his innovative Process, a step-by-step way to learn how to act on the stage or in front of a camera. He shows you how to trust your impulses, and how to add craftsmanship and a conscious use of the mechanics of creativity to arrive at an integrated, well-balanced performance. But The Unconscious Actor is not just for actors--it's for everyone. We live in a performance-oriented society. High standards are demanded of us in the classroom, at the office, on the athletic field, in the boardroom, and in our personal lives. Hickman makes clear that we all have the tools to become outstanding performers, demonstrating how to make use of those tools with skill and precision. Many of those who have taken Hickman's workshop have gone on to become award-winning actors, writers and producers, oil magnates, college professors, world-travel consultants, even top executives. Their stories prove that, by applying the principles outlined in this book, it's possible for the motivated reader to reach the pinnacle of success in his or her chosen field.--Adapted from jacket.
Author: Eric Morris Publisher: SCB Distributors ISBN: 0983629919 Category : Performing Arts Languages : en Pages : 200
Book Description
Acting, Imaging, and the Unconscious is the fifth in a series of books written by Eric Morris on his unique system of acting. In this book the emphasis is on imaging as an acting tool to fulfill dramatic material. The work begins with an exploration of the various uses of imaging and goes on to delineate very specific techniques and approaches on how to image, when to image and why. Involved in this process are dreams and dreaming, as well as subpersonalities, which all serve to access and communicate with the unconscious, where ninety-five per cent of an actor's talent lives. Also explored is a process of programming the unconscious to liberate the images that lie at the core of an actor's experience and talent, thus releasing the exciting wellsprings of creativity in the roles an actor plays. With complete examples taken from classical and contemporary plays and films, this book enters territories that had never before been tread upon, thus taking the art of acting into a totally new dimension.
Author: Eric Morris Publisher: SCB Distributors ISBN: 0983629900 Category : Performing Arts Languages : en Pages : 200
Book Description
Acting from the Ultimate Consciousness is Eric Morris's fourth popular book on the art of acting. His previous works have established him among the foremost innovators in the world of drama. His system, based on the Stanislavsky method but going far beyond it, begins with an exploration of consciousness and the instrumental needs of the actor and expands to dozens of practical techniques that enable the actor to utilize the full range of his talent. With complete sections on characterization, rehearsing and ensemble, this is a book that all stage or screen actors--beginning to advanced--should read, absorb and practice.
Author: Maria Grazia Turri Publisher: Routledge ISBN: 1315517310 Category : Performing Arts Languages : en Pages : 234
Book Description
From Aristotle’s theory of tragic katharsis onwards, theorists of the theatre have long engaged with the question of what spectatorship entails. This question has, directly or indirectly, often been extended to the investigation of acting. Acting, Spectating, and the Unconscious approaches the unconscious aspects of spectatorship and acting afresh. Interweaving psychoanalytic descriptions of processes such as transference, unconscious phantasy, and alpha-function with an in-depth survey of theories of spectating and acting from thinkers such as Brecht, Diderot, Rousseau and Plato, Maria Grazia Turri offers a significant insight into the emotions inherent in both the art of the actor, and the spectator’s experience. A compelling investigation of the unconscious communication between spectators and actors, this volume is a must-read for students and scholars fascinated by theatre spectatorship.
Author: Rick Kemp Publisher: Routledge ISBN: 0415507871 Category : Biography & Autobiography Languages : en Pages : 258
Book Description
A pragmatic intervention in the study of how recent discoveries within cognitive science can and should be applied to performance. Drawing on his experience the author interrogates the key cognitive activities involved in performance inc non-verbal communication; thought, speech, and gesture relationships; empathy, imagination, and emotion.
Author: Rhonda Blair Publisher: Routledge ISBN: 1135976244 Category : Art Languages : en Pages : 153
Book Description
Rhonda Blair examines the physiological relationship between bodily action and emotional experience, in the first full-length study of actor training using the insights of cognitive neuroscience and their crucial importance to an actor’s engagement with a role.
Author: Eric Morris Publisher: ISBN: 9780962970962 Category : Education Languages : en Pages : 0
Book Description
Freeing the Actor is the seventh in a series of acting books by Eric Morris, which explain and describe his unique system of acting. In this book, which is totally aimed at the instrument, Eric has implemented a complete approach to eliminating the obstacles, dependencies, traps, and habits that plague and block actors from functioning from an authentic, organic place. By teaching actors how not to act, Eric leads them to understand that they must experience in reality what the character is experiencing in the material. In order to accomplish that, they must be instrumentally free to connect with and express their authentic emotional realities. Liberating the instrument allows them to access all of the colors of their emotional rainbow.
Author: Douglas Van Praet Publisher: St. Martin's Press ISBN: 1137042788 Category : Business & Economics Languages : en Pages : 358
Book Description
For too long marketers have been asking the wrong question. If consumers make decisions unconsciously, why do we persist in asking them directly through traditional marketing research why they do what they do? They simply can't tell us because they don't really know. Before marketers develop strategies, they need to recognize that consumers have strategies too . . .human strategies, not consumer strategies. We need to go beyond asking why, and begin to ask how,behavior change occurs. Here, author DouglasVan Praet takes the most brilliant and revolutionary concepts from cognitive science and applies them to how we market, advertise, and consume in the modern digital age. Van Praet simplifies the most complex object in the known universe - the human brain - into seven codified actionable steps to behavior change. These steps are illustrated using real world examples from advertising, marketing, media and business to consciously unravel what brilliant marketers and ad practitioners have long done intuitively, deconstructing the real story behind some of the greatest marketing and business successes in recent history, such as Nike's "Just Do It" campaign; "Got Milk?"; Wendy's "Where's the Beef?" ;and the infamous Volkswagen "Punch Buggy" launch as well as their beloved "The Force" (Mini Darth Vader) Super Bowl commercial.
Author: Joel Peter Eigen Publisher: JHU Press ISBN: 080188148X Category : Medical Languages : en Pages : 238
Book Description
A sleepwalking, homicidal nursemaid; a "morally vacant" juvenile poisoner; a man driven to arson by a "lesion of the will"; an articulate and poised man on trial for assault who, while conducting his own defense, undergoes a profound personality change and becomes a wild and delusional "alter." These people are not characters from a mystery novelist's vivid imagination, but rather defendants who were tried at the Old Bailey, London's central criminal court, in the mid-nineteenth century. In Unconscious Crime, Joel Peter Eigen explores these and other cases in which defendants did not conform to any of the Victorian legal system's existing definitions of insanity yet displayed convincing evidence of mental aberration. Instead, they were—or claimed to be—"missing," "absent," or "unconscious": lucid, though unaware of their actions. Based on extensive research in the Old Bailey Sessions Papers (verbatim courtroom narratives taken down in shorthand during the trial and sold on the street the following day), Eigen's book reveals a growing estrangement between law and medicine over the legal concept of the Person as a rational and purposeful actor with a clear understanding of consequences. The McNaughtan Rules of l843 had formalized the Victorian insanity plea, guiding the courts in cases of alleged delusion and derangement. But as Eigen makes clear in the cases he discovered, even though defense attorneys attempted to broaden the definition of insanity to include mental absence, the courts and physicians who testified as experts were wary of these novel challenges to the idea of human agency and responsibility. Combining the colorful intrigue of courtroom drama and the keen insights of social history, Unconscious Crime depicts Victorian England's legal and medical cultures confronting a new understanding of human behavior, and provocatively suggests these trials represent the earliest incarnation of double consciousness and multiple personality disorder.
Author: Janet Sonenberg Publisher: Routledge ISBN: 1136788832 Category : Performing Arts Languages : en Pages : 268
Book Description
Drawing upon her wide experience as actor and director, Janet Sonenberg shows what dreamwork can do. No other acting technique offers the performer's own dreams as a means to profoundly deepen imaginative and artistic expression. This is a wholly new tool with which actors can unleash startling performances.
Author: Darryl Hickman
Author: Darryl Hickman
Author: Eric Morris
Author: Eric Morris
Author: Maria Grazia Turri
Author: Rick Kemp
Author: Rhonda Blair
Author: Eric Morris
Author: Douglas Van Praet
Author: Joel Peter Eigen
Author: Janet Sonenberg