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Author: Stanley Gardner Publisher: Fairleigh Dickinson Univ Press ISBN: 9780838635667 Category : Biography & Autobiography Languages : en Pages : 280
Book Description
The first section of this book follows Blake out of the family haberdashery shop, where his parents tacitly and unwittingly shaped his future as a poet; then into (and out of) the custody of Basire, Moser, and the Medway militia. The book then turns back to the days of Samuel Pepys for the crowning of King Mob, and for the formulation of systems of social control, particularly directed at the young. Gardner traces the exploitation of children (both poor and "the better sort") through the century and Blake's familiar knowledge of the rescue of workhouse children in his parish which he chronicled in Innocence. It was these turbulent decades that fostered Blake's reactions to what he saw in the city around him, and which became the poems and designs in Innocence and Experience. For Blake, "the terrible desart of London" was where the triad of State, Church and Imperial Commerce set the foundations of privilege and oppression. Respite from this for Blake lay among the Surrey hills south of the Thames, and in "organised Innocence". Illustrated with maps, drawings and engravings of the period this part demonstrates how remarkably Blake's vision responded to his times. The second part of this book includes complete facsimiles of two copies of each of fifty-four plates in the Songs set.
Author: Stanley Gardner Publisher: Fairleigh Dickinson Univ Press ISBN: 9780838635667 Category : Biography & Autobiography Languages : en Pages : 280
Book Description
The first section of this book follows Blake out of the family haberdashery shop, where his parents tacitly and unwittingly shaped his future as a poet; then into (and out of) the custody of Basire, Moser, and the Medway militia. The book then turns back to the days of Samuel Pepys for the crowning of King Mob, and for the formulation of systems of social control, particularly directed at the young. Gardner traces the exploitation of children (both poor and "the better sort") through the century and Blake's familiar knowledge of the rescue of workhouse children in his parish which he chronicled in Innocence. It was these turbulent decades that fostered Blake's reactions to what he saw in the city around him, and which became the poems and designs in Innocence and Experience. For Blake, "the terrible desart of London" was where the triad of State, Church and Imperial Commerce set the foundations of privilege and oppression. Respite from this for Blake lay among the Surrey hills south of the Thames, and in "organised Innocence". Illustrated with maps, drawings and engravings of the period this part demonstrates how remarkably Blake's vision responded to his times. The second part of this book includes complete facsimiles of two copies of each of fifty-four plates in the Songs set.
Author: Andrew M. Cooper Publisher: Routledge ISBN: 1351872923 Category : Literary Criticism Languages : en Pages : 533
Book Description
Challenging the idea that a writer’s work reflects his experiences in time and place, Andrew M. Cooper locates the action of William Blake’s major illuminated books in the ahistorical present, an impersonal spirit realm beyond the three-dimensional self. Blake, Cooper shows, was a formalist who exploited eighteenth-century scientific and philosophical research on vision, sense, and mind for spiritual purposes. Through irony, dialogism, two-way syntax, and synesthesia, Blake extended and refined the prophetic method Milton forged in Paradise Lost to bring the performativity of traditional oral song and storytelling into print. Cooper argues that historicist attempts to place Blake’s vision in perspective, as opposed to seeing it for oneself, involve a deeply self-contradictory denial of his performativity as a poet-artist. Rather, Blake’s expansion of linear reading into a space of creative, self-conscious collaboration laid the basis for his lifelong critique of dualism in religion and science, and anticipated the non-Euclidean geometrics of twentieth-century Modernism.
Author: Punter David Punter Publisher: Edinburgh University Press ISBN: 0748691987 Category : Literary Criticism Languages : en Pages : 274
Book Description
Pity represents a combination of fear, helplessness and overwhelming agitation. It is a term which suffuses our everyday lives; it is also a dangerous term hovering between approval of sympathy and disapproval of emotional wallowing (as in 'self-pity'). This book traces an entire history of pity, as an emotion and as an element in the arts, engaging as it does so with a wealth of theoretical ideas including Freud, Derrida, Levinas and others. It begins with an 'Introduction: Distinguishing Pity', followed by chapters on the Aristotelian framework; Buddhism and pity; the pieta in the Middle Ages and Renaissance; Shakespeare on pity; Milton's pitiless Christianity; pity and charity in the early novel; Blake's views on pity; the Victorian debate, from Austen to Dickens and George Eliot; Brecht and Chekhov on pity and self-pity; 'war, and the pity of war'; Jean Rhys and Stevie Smith; pity, immigration and the colony; and finally three contemporary texts by Michel Faber, Kazuo Ishiguro and Cormac McCarthy.Features* Original treatment of the concept of pity providing detailed textual criticism and speculative argument* Wide-ranging: running from ancient Greek theory to the present day* Covers a wide variety of texts, including fiction, poetry and drama* Engages with the most recent theoretical debates about literature and the emotions
Author: Sarah Haggarty Publisher: Bloomsbury Publishing ISBN: 1137382457 Category : Literary Criticism Languages : en Pages : 212
Book Description
Songs of Innocence and of Experience (1794) is William Blake's best-known work, containing such familiar poems as 'London', 'Sick Rose' and 'The Tyger'. Evolving over the author's lifetime, the collection was printed by Blake himself on his own press. This Reader's Guide: - Explains the unique development of Songs as an illuminated book - Considers the earliest reactions to the text during Blake's lifetime, and his gathering posthumous reputation in the nineteenth century - Explores modern critical approaches and recent debates - Discusses key topics that have been of abiding interest to critics, including the relationship between text and image in Blake's 'composite art' Insightful and stimulating, this introductory guide is an invaluable resource for anyone who is seeking to navigate their way through the mass of criticism surrounding Blake's most widely-studied work.
Author: Gale, Cengage Learning Publisher: Gale, Cengage Learning ISBN: 1410346145 Category : Literary Criticism Languages : en Pages : 29
Book Description
A Study Guide for William Blake's "The Fly," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.
Author: Jason Whittaker Publisher: Reaktion Books ISBN: 1789142881 Category : Art Languages : en Pages : 393
Book Description
Although relatively obscure during his lifetime, William Blake has become one of the most popular English artists and writers, through poems such as “The Tyger” and “Jerusalem,” and images including The Ancient of Days. Less well-known is Blake’s radical religious and political temperament and that his visionary art was created to express a personal mythology that sought to recreate an entirely new approach to philosophy and art. This book examines both Blake’s visual and poetic work over his long career, from early engravings and poems to his final illustrations to Dante and the Book of Job. Divine Images further explores Blake’s immense popular appeal and influence after his death, offering an inspirational look at a pioneering figure.
Author: Sandra Sherman Publisher: Ohio State University Press ISBN: 9780814208854 Category : Charities Languages : en Pages : 344
Book Description
An interdisciplinary study of public attitudes towards the poor in Britain between 1790 and 1835. Sandra Sherman reconsiders a question that has challenged social historians for years: what changes (political, economic and philosophical) lead to the New Poor Law of 1834? As new, scientific methods of regulating the poor were adopted - such as statistics, cost accounting, and cost-benefit analyses - old fashioned paternalism gave way to newer modalities in which the poor were not addressed as individuals but instead were managed en masse. The poor became poverty, a political/economic condition that could be managed from a distance by professionals who had no contact with individuals and made no accommodations to them.
Author: Steven Goldsmith Publisher: JHU Press ISBN: 1421409062 Category : Literary Criticism Languages : en Pages : 418
Book Description
Since the Romantic period, the critical thinker's enthusiasm has served to substantiate his or her agency in the world. Blake’s Agitation is a thorough and engaging reflection on the dynamic, forward-moving, and active nature of critical thought. Steven Goldsmith investigates the modern notion that there’s a fiery feeling in critical thought, a form of emotion that gives authentic criticism the potential to go beyond interpreting the world. By arousing this critical excitement in readers and practitioners, theoretical writing has the power to alter the course of history, even when the only evidence of its impact is the emotion it arouses. Goldsmith identifies William Blake as a paradigmatic example of a socially critical writer who is moved by enthusiasm and whose work, in turn, inspires enthusiasm in his readers. He traces the particular feeling of engaged, dynamic urgency that characterizes criticism as a mode of action in Blake’s own work, in Blake scholarship, and in recent theoretical writings that identify the heightened affect of critical thought with the potential for genuine historical change. Within each of these horizons, the critical thinker’s enthusiasm serves to substantiate his or her agency in the world, supplying immediate, embodied evidence that criticism is not one thought-form among many but an action of consequence, accessing or even enabling the conditions of new possibility necessary for historical transformation to occur. The resulting picture of the emotional agency of criticism opens up a new angle on Blake’s literary and visual legacy and offers a vivid interrogation of the practical potential of theoretical discourse.
Author: Nicholas Meihuizen Publisher: Cambridge Scholars Publishing ISBN: 1527577562 Category : Religion Languages : en Pages : 468
Book Description
This book offers detailed readings of relevant works by Blake, Shelley and Keats, to bring together what is loosely termed as Hermetic tradition, British Romantic poetry and responses to the present crises regarding our life on the planet, including those linked to the notion of posthumanism. This conjunction of forces, so to speak, points beyond the boundaries erected by general sociological complacency and the acceptance of humankind as the centre of existence on Earth, to affirm the value of the non-human world and the possibilities inherent in an awareness of its subtler manifestations. Although the idea of spiritual agency might stretch the bounds of credulity, for centuries the inspired imagination has been considered daemonic; that is, it brings to artists and poets (and certain scientists, indeed) a sense of heightened consciousness, seemingly from beyond the self. Whatever causality may be at play here, it is clear that instances of an exalted outlook on life exist in abundance in the poetry of Blake, Shelley and Keats. The present book explores them and their implications.
Author: Stanley Gardner
Author: Stanley Gardner
Author: Andrew M. Cooper
Author: Punter David Punter
Author: Sarah Haggarty
Author: Gale, Cengage Learning
Author: Jason Whittaker
Author: Sandra Sherman
Author: Steven Goldsmith
Author: Nicholas Meihuizen
Author: B. A. Sheen