The two- and three-part consort music PDF Download

Author: Thomas Lupo
Publisher:
ISBN:
Category : Canons, fugues, etc. (Viols (2))
Languages : en
Pages : 182

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Author: John Patrick Cunningham
Publisher: Boydell & Brewer
ISBN: 0954680979
Category : Music
Languages : en
Pages : 378

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Book Description
This book looks at the work of one of England's finest composers, William Lawes. It provides a contextual examination of music at the court of Charles I, a detailed study of Lawes's autograph sources and an examination of his consort music.

Author: Thomas Lupo
Publisher: Fretwork Publishing
ISBN:
Category : Music
Languages : en
Pages : 218

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Book Description
Thomas Lupo (1571-1627): The Three-Part Consort Music. Fantasia 1-17; Fantasia [Air] 18-25; Pavan 26-29. Appendix: Fantasia 1-2. Introduction, Critical Commentary and scores. Performing parts available direct from the publishers.

Author: John Coperario
Publisher: Fretwork Publishing
ISBN:
Category : Music
Languages : en
Pages : 396

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Book Description
John Coprario (c. 1575-1626): the complete consort music in two, three and four parts. Introduction, critical commentaries and full scores. Performing parts available direct from the publisher. Published in 1993.

Author: Martin Adams
Publisher: Cambridge University Press
ISBN: 9780521431590
Category : Music
Languages : en
Pages : 408

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Book Description
Using a mix of broad stylistic observation and detailed analysis, Adams distinguishes between late-seventeenth-century English style in general and Purcell's style in particular, and chronicles the changes in the composer's approach to the main genres in which he worked, especially the newly emerging ode and English opera. As a result, Adams reveals that although Purcell went through a marked stylistic development, encompassing an unusually wide range of surface changes, special elements of his style remained constant.

Author: James Augustus Henry Murray
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 1332

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Author: Jeffrey Pulver
Publisher: London : K. Paul, Trench, Trubner & Company, Limited, J. Curwen & sons, Limited ; New York : E. P. Dutton & Company
ISBN:
Category : Music
Languages : en
Pages : 566

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Author: James Augustus Henry Murray
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 660

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Book Description

Author: Michael Fleming
Publisher: Routledge
ISBN: 1317147154
Category : Music
Languages : en
Pages : 475

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Book Description
Winner of the Nicholas Bessaraboff Prize Musical repertory of great importance and quality was performed on viols in sixteenth- and early seventeenth-century England. This is reported by Thomas Mace (1676) who says that ’Your Best Provision’ for playing such music is a chest of old English viols, and he names five early English viol makers than which ’there are no Better in the World’. Enlightened scholars and performers (both professional and amateur) who aim to understand and play this music require reliable historical information and need suitable viols, but so little is known about the instruments and their makers that we cannot specify appropriate instruments with much precision. Our ignorance cannot be remedied exclusively by the scrutiny or use of surviving antique viols because they are extremely rare, they are not accessible to performers and the information they embody is crucially compromised by degradation and alteration. Drawing on a wide variety of evidence including the surviving instruments, music composed for those instruments, and the documentary evidence surrounding the trade of instrument making, Fleming and Bryan draw significant conclusions about the changing nature and varieties of viol in early modern England.

Author: Tessie Prakas
Publisher: Oxford University Press
ISBN: 0192857126
Category : Christian poetry, English
Languages : en
Pages : 253

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Book Description
Poetic Priesthood reads seventeenth-century devotional verse as staging a surprising competition between poetry and the established church. The work of John Donne, George Herbert, Richard Crashaw, John Milton, and Thomas Traherne suggests that the demands of faith are better understood by poets than by priests--even while four of these authors were also ordained. While recent scholarship has tended to emphasize the shaping influence of the liturgy on the poetry of this period, this book argues that verse instead presents readers with a mode of articulating piety that relies on formal experimentation, and that varies from the forms of the church rather than straightforwardly reproducing them. In crafting this poetic aid to devotion, these authors practiced an alternative and even more ample form of ministry than in their ecclesiastical activities. In the wake of the Reformation, the liturgy of the English church centered on rituals of communal prayer and praise, but the poetry considered in this study suggests that such rituals in fact risk distracting worshippers from the pleasures and challenges of navigating an individual relationship with God. Yet these poets do not make this suggestion by rejecting communal rituals outright. Their verse invokes ecclesiastical practice as a basis for formal innovation that suggests how intimacy with the divine might look, feel, and sound, connecting humans with their God more precisely and more individually than the liturgy can. As they shift between explicit comment on the liturgy and more subtle departures from it in the interplay of verse form and denotation, these authors claim the work of priesthood for poetry.