Author: Terence SheridanPublisher:
ISBN:
Category : Music Theses
Languages : en
Pages :
Book Description
The trois chorals of Cesar Franck
Author: Terence SheridanPublisher:
ISBN:
Category : Music Theses
Languages : en
Pages :
Book Description
An Analysis of César Franck's Trois Chorals
Author: Brian Craig DuSellPublisher:
ISBN:
Category : Organ music
Languages : en
Pages : 390
Book Description
Playing the Organ Works of César Franck
Author: Rollin SmithPublisher: Pendragon Press
ISBN: 9780945193791
Category : Music
Languages : en
Pages : 328
Book Description
A companion to the author's Toward and Authentic Interpretation of the Organ Works of César Franck, this title applies the sources discussed in that volume in its practical approach to performance. Each of Franck's twelve major organ works is discussed in detail: the manuscript, the work's history and association with Franck and his circle, published editions, corrections to the 1959 Durand edition, and recorded performances. Technical problems are discussed and solutions provided. A glossary of terms found in Franck's organ works is provided with English translation; Franck's often confusing registration indications are translated and explained; performance of each work is discussed in light of the information provided by Franck's own pupils, their students and contemporaries. A bibliography of Franck literature published from 1983 to 1996 is also included.
César Franck's Trois Chorals Pour Orgue No. 3
Author: Meghan M. NaxerPublisher:
ISBN:
Category : Chorales
Languages : en
Pages : 89
Book Description
Franck's third organ chorale, composed in 1890, is a piece that pushes the boundaries of traditional Schenkerian analysis. The presence of scale-degree 6 for scale-degree 4 substitutions in the Urlinie, Urlinie parallelisms, and dual registers is evidence of the progressive nature of the work. The use of the Neapolitan, both as a plagal entity and in its minor form, stretches the limit of traditional harmonic function. The possibility of a free interruption further adds to the complexity of the work. These discoveries are significant to the main goal of the analysis: to clarify the form. However, the form is just as complex as the smaller building blocks used to create the work. Each of the characteristics of the piece contributes to labeling the work as an undivided form, while also supporting the notion of a two-part form on a lower structural level. The confusion in published commentaries that has arisen from labeling the form of the work stems from a lack of complexity within traditional and Schenkerian formal labels. While an undivided form is a clear answer, there is a hidden intricacy to this work revealed by careful analysis.
Three Chorals for Organ, by Cesar Franck. Rev. by Otto Barblan
Author: Cesar FranckCésar Franck's Compositional Process as Reflected in His Trois Chorals
Author: Jung Yeon KimThree Chorals - Nr. 2, B minor
Author: César FranckThe Three Chorals for Organ by César Franck
Author: Orpha OchseThree chorals
Author: César FranckPublisher:
ISBN:
Category : Chorale preludes
Languages : en
Pages :
Book Description
Author: Karen Hastings