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Author: Peter Bil'ak Publisher: ISBN: 9789089896285 Category : Graphic design (Typography) Languages : en Pages : 0
Book Description
Culture. Communication. New Media Typography rules the world, but in what way does a typographical text still form the fundamentals of public life in an era of digitalism and interactivity? In 'The Triumph of Typography' a number of professionals investigate the cultural revolution caused by new media and digitalisation. AUTHOR: Henk Hoeks studied philosophy and history and has been an editor for Sun publishers for over 40 years. Ewan Lentjes taught design theory at the graphic department of ArtEZ. SELLING POINTS: * The history of modern typography and the development and influence of new media on it, offering a selection of diverse insights on the concept of typography * Highlights the most recent developments in the field of typography * With contributions by Willem Frijhoff, Gererd Hadders, Ellen Lupton, Jack Post, Rick Poynor, Jose Teunissen and Wouter Weijers and in collaborations with Artez school 200 colour and 80 b/w illustrations
Author: Peter Bil'ak Publisher: ISBN: 9789089896285 Category : Graphic design (Typography) Languages : en Pages : 0
Book Description
Culture. Communication. New Media Typography rules the world, but in what way does a typographical text still form the fundamentals of public life in an era of digitalism and interactivity? In 'The Triumph of Typography' a number of professionals investigate the cultural revolution caused by new media and digitalisation. AUTHOR: Henk Hoeks studied philosophy and history and has been an editor for Sun publishers for over 40 years. Ewan Lentjes taught design theory at the graphic department of ArtEZ. SELLING POINTS: * The history of modern typography and the development and influence of new media on it, offering a selection of diverse insights on the concept of typography * Highlights the most recent developments in the field of typography * With contributions by Willem Frijhoff, Gererd Hadders, Ellen Lupton, Jack Post, Rick Poynor, Jose Teunissen and Wouter Weijers and in collaborations with Artez school 200 colour and 80 b/w illustrations
Author: Margaret Re Publisher: Princeton Architectural Press ISBN: 1568984278 Category : Design Languages : en Pages : 108
Book Description
In a career that has spanned more than forty years, Matthew Carter has designed many of the typefaces that we see every day in and on publications, books, signs, and screens. Carter's celebrated typefaces include such stalwarts as Galliard, Mantinia, and Verdana. In 1975, he created the now-pervasive Bell Centennial specifically for use in phone books. Publications including Sports Illustrated, the Daily News, Wired, and the Washington Post, along with cultural institutions such as the Walker Arts Center and The Victoria & Albert Museum, have all commissioned Carter fonts. Typographically Speaking: The Art of Matthew Carter entered the field in the days of hand-cut punches and hot-metal type, and has continued to innovate through the eras of photocomposition and digital design. Essays discuss the form of his work, his position and use of typographic history, and his technological innovation. All of his fonts are reproduced in full for reference, and illustrations place his designs in context. Published in conjunction with the University of Maryland Baltimore County.
Author: Simon Garfield Publisher: Profile Books ISBN: 1847652921 Category : Reference Languages : en Pages : 352
Book Description
Just My Type is not just a font book, but a book of stories. About how Helvetica and Comic Sans took over the world. About why Barack Obama opted for Gotham, while Amy Winehouse found her soul in 30s Art Deco. About the great originators of type, from Baskerville to Zapf, or people like Neville Brody who threw out the rulebook, or Margaret Calvert, who invented the motorway signs that are used from Watford Gap to Abu Dhabi. About the pivotal moment when fonts left the world of Letraset and were loaded onto computers ... and typefaces became something we realised we all have an opinion about. As the Sunday Times review put it, the book is 'a kind of Eats, Shoots and Leaves for letters, revealing the extent to which fonts are not only shaped by but also define the world in which we live.' This edition is available with both black and silver covers.
Author: Douglas Thomas Publisher: Chronicle Books ISBN: 1616896663 Category : Languages : en Pages : 209
Book Description
It's everywhere, including the moon (on the commemorative plaque left by Apollo 11 astronauts), Nike sneakers, the artworks of Barbara Kruger, Ed Ruscha, and Jenny Holzer, 2001: A Space Odyssey credits, Domino's Pizza boxes, Absolut Vodka bottles, and Red Bull cans. Richard Nixon used it for his presidential campaign, as did Hillary Clinton. Indeed, Futura is one of the most used fonts in the world today—the typeface of modern design—more so even than Helvetica. This fascinating book explores the cultural history and uses of a face that's so common you might not notice, until you start looking, and then you can't escape it. Douglas Thomas traces Futura from its Bauhaus-inspired origin in Paul Renner's 1924 design, to its current role as the go-to choice for corporate work, logos, motion pictures, and advertisements. Never Use Futura is illuminating, sometimes playful, reading, not just for type nerds, but for anyone interested in how typefaces are used, take on meaning, and become a language of their own.
Author: Gavin Ambrose Publisher: AVA Publishing ISBN: 2940373450 Category : Art Languages : en Pages : 187
Book Description
Basic principles are presented through detailed explanations, expanded illustrations, case studies, and reference material from leading design studios around the world. A sound understanding of type history and classification facilitates controlled, intelligent and thoughtful type usage, across a range of media. The Fundamentals of Typography builds upon these shared principles and will become an invaluable reference for creatives and designers alike.
Author: Kate Brideau Publisher: MIT Press ISBN: 0262365626 Category : Design Languages : en Pages : 299
Book Description
An innovative examination of typography as a medium of communication rather than part of print or digital media. Typography is everywhere and yet widely unnoticed. When we read type, we fail to see type. In this book, Kate Brideau considers typography not as part of "print media" or "digital media" but as a medium of communication itself, able to transcend the life and death of particular technologies. Examining the contradiction between typographic form (often overlooked) and function (often overpowering), Brideau argues that typography is made up not of letters but of shapes, and that shape is existentially and technologically central to the typographic medium. After considering what constitutes typographic form, Brideau turns to typographic function and how it relates to form. Examining typography's role in both the neurological and psychological aspects of reading, she argues that typography's functions exceed reading; typographic forms communicate, but that communication is not limited to the content they carry. To understand to what extent the design and operations of the typographic medium affect the way we perceive information, Brideau warns, we must understand the medium's own operational logic, embodied in the full diversity of typographic forms. Brideau discusses a range of topics--from intellectual property protection for typefaces to Renaissance and Enlightenment ideal letterforms--and draws on a wide variety of theoretical work, including phenomenological ideas about comprehension, German media archaeology, and the media and communication theories of Vilém Flusser and others. Hand-drawn illustrations of typographic forms accompany the text.
Author: Allan Haley Publisher: John Wiley & Sons ISBN: 9780471288947 Category : Design Languages : en Pages : 158
Book Description
Profiles of 18 typographers who made significant contributions to the field, including oldies such as Gutenberg, Caxton, Caslon, Baskerville, Bodoni, and several moderns whose work—Times New Roman, Perpetua, Electra, etc.—is better known than their names.
Author: Marian Bantjes Publisher: The Monacelli Press, LLC ISBN: 1580935192 Category : Design Languages : en Pages : 117
Book Description
From typographic illustrator Marian Bantjes, I Wonder will make you think in new ways about art, design, beauty, and popular culture. This unique presentation features the elaborately crafted word pictures of Marian Bantjes, the most inventive and creative typographic illustrator of our time. Whether intricately hand-drawn or using computer illustration software, Bantjes's work crosses the boundaries of time, style, and technology. There is, however, another side to Bantjes's visual work: her thoughtful treatises on art, design, beauty, and popular culture that add a deeper dimension to the decorative nature of her best-known work. These reflections cover the cult of Santa, road-side advertising, photography and memory, the alphabet's letterforms, heraldry, and stars. Bantjes's writing style ranges from the playful to the confrontational, but it is always imbued with perspicacity, insight, and a sense of fun. Intended to inspire creatives of any persuasion, this is more than a collection of ideas: Bantjes has meticulously illustrated every page of the book in her inimitable style to create an accessible work of art that is far greater than the sum of its parts. Quirky, poignant, astute, funny--this beautiful book presents a compelling collection of observations on visual culture and design. In Stefan Sagmeister's telling words, Bantjes's work is his "favorite example of beauty facilitating the communication of meaning." This paperback edition is expanded with a new essay from the author.
Author: Peter Bil'ak
Author: Peter Bil'ak
Author: Margaret Re
Author: Simon Garfield
Author: Stanley Morison
Author: Douglas Thomas
Author: Gavin Ambrose
Author: Theodore Low De Vinne
Author: Kate Brideau
Author: Allan Haley
Author: Marian Bantjes