Author: Tallay Ornan
Publisher: Saint-Paul
ISBN: 9783525530078
Category : History
Languages : en
Pages : 318
Book Description
This book analyzes the history of Mesopotamian imagery form the mid-second to mid-first millennium BCE. It demonstrates that in spite of rich textual evidence, which grants the Mesopotamian gods and goddesses an anthropmorphic form, there was a clear abstention in various media from visualizing the gods in such a form. True, divine human-shaped cultic images existed in Mesopotamian temples. But as a rule, non-anthropomorphic visual agents such as inanimate objects, animals or fantastic hybrids replaced these figures when they were portrayed outside of their sacred enclosures. This tendency reached its peak in first-millennium Babylonia and Assyria. The removal of the Mesopotamian human-shaped deity from pictorial renderings resembles the Biblical agenda not only in its avoidance of displaying a divine image but also in the implied dual perception of the divine: according to the Bible and the Assyro-Babylonian concept the divine was conceived as having a human form; yet in both cases anthropomorphism was also concealed or rejected, though to a different degree. In the present book, this dual approach toward the divine image is considered as a reflection of two associated rather than contradictory religious worldviews. The plausible consolidation of the relevant Biblical accounts just before the Babylonian Exile, or more probably within the Exile - in both cases during a period of strong Assyrian and Babylonian hegemony - points to a direct correspondence between comparable religious phenomena. It is suggested that far from their homeland and in the absence of a temple for their god, the Judahite deportees adopted and intensified the Mesopotamian avoidance of anthropomorphic picorial portrayals of deities. While the Babylonian representations remained confined to temples, the exiles would have turned a cultic reality - i.e., the nonwritten Babylonian custom - into a written, articulated law that explicity forbade the pictorial representation of God.
The Triumph of the Symbol
Author: Tallay Ornan
Publisher: Saint-Paul
ISBN: 9783525530078
Category : History
Languages : en
Pages : 318
Book Description
This book analyzes the history of Mesopotamian imagery form the mid-second to mid-first millennium BCE. It demonstrates that in spite of rich textual evidence, which grants the Mesopotamian gods and goddesses an anthropmorphic form, there was a clear abstention in various media from visualizing the gods in such a form. True, divine human-shaped cultic images existed in Mesopotamian temples. But as a rule, non-anthropomorphic visual agents such as inanimate objects, animals or fantastic hybrids replaced these figures when they were portrayed outside of their sacred enclosures. This tendency reached its peak in first-millennium Babylonia and Assyria. The removal of the Mesopotamian human-shaped deity from pictorial renderings resembles the Biblical agenda not only in its avoidance of displaying a divine image but also in the implied dual perception of the divine: according to the Bible and the Assyro-Babylonian concept the divine was conceived as having a human form; yet in both cases anthropomorphism was also concealed or rejected, though to a different degree. In the present book, this dual approach toward the divine image is considered as a reflection of two associated rather than contradictory religious worldviews. The plausible consolidation of the relevant Biblical accounts just before the Babylonian Exile, or more probably within the Exile - in both cases during a period of strong Assyrian and Babylonian hegemony - points to a direct correspondence between comparable religious phenomena. It is suggested that far from their homeland and in the absence of a temple for their god, the Judahite deportees adopted and intensified the Mesopotamian avoidance of anthropomorphic picorial portrayals of deities. While the Babylonian representations remained confined to temples, the exiles would have turned a cultic reality - i.e., the nonwritten Babylonian custom - into a written, articulated law that explicity forbade the pictorial representation of God.
Publisher: Saint-Paul
ISBN: 9783525530078
Category : History
Languages : en
Pages : 318
Book Description
This book analyzes the history of Mesopotamian imagery form the mid-second to mid-first millennium BCE. It demonstrates that in spite of rich textual evidence, which grants the Mesopotamian gods and goddesses an anthropmorphic form, there was a clear abstention in various media from visualizing the gods in such a form. True, divine human-shaped cultic images existed in Mesopotamian temples. But as a rule, non-anthropomorphic visual agents such as inanimate objects, animals or fantastic hybrids replaced these figures when they were portrayed outside of their sacred enclosures. This tendency reached its peak in first-millennium Babylonia and Assyria. The removal of the Mesopotamian human-shaped deity from pictorial renderings resembles the Biblical agenda not only in its avoidance of displaying a divine image but also in the implied dual perception of the divine: according to the Bible and the Assyro-Babylonian concept the divine was conceived as having a human form; yet in both cases anthropomorphism was also concealed or rejected, though to a different degree. In the present book, this dual approach toward the divine image is considered as a reflection of two associated rather than contradictory religious worldviews. The plausible consolidation of the relevant Biblical accounts just before the Babylonian Exile, or more probably within the Exile - in both cases during a period of strong Assyrian and Babylonian hegemony - points to a direct correspondence between comparable religious phenomena. It is suggested that far from their homeland and in the absence of a temple for their god, the Judahite deportees adopted and intensified the Mesopotamian avoidance of anthropomorphic picorial portrayals of deities. While the Babylonian representations remained confined to temples, the exiles would have turned a cultic reality - i.e., the nonwritten Babylonian custom - into a written, articulated law that explicity forbade the pictorial representation of God.
Signs & Symbols in Christian Art
Author: George Ferguson
Publisher: New York : Oxford University Press
ISBN: 9780195014327
Category : Art
Languages : en
Pages : 308
Book Description
Examines the use and meaning of Christian symbols found in Renaissance art.
Publisher: New York : Oxford University Press
ISBN: 9780195014327
Category : Art
Languages : en
Pages : 308
Book Description
Examines the use and meaning of Christian symbols found in Renaissance art.
How to Distinguish the Saints in Art by Their Costumes, Symbols, and Attributes
Author: Arthur De Bles
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 178
Book Description
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 178
Book Description
Symbol and Existence
Author: Walker Percy
Publisher:
ISBN: 9780881467086
Category :
Languages : en
Pages : 240
Book Description
Publisher:
ISBN: 9780881467086
Category :
Languages : en
Pages : 240
Book Description
A Symbol of Wilderness
Author: Mark W. T. Harvey
Publisher: University of Washington Press
ISBN: 0295803533
Category : Technology & Engineering
Languages : en
Pages : 401
Book Description
Harvey details the first major clash between conservationists and developers after World War II, the successful fight to prevent the building of Echo Park Dam. The dam on the Green River was intended to create a recreational lake in northwest Colorado and generate hydroelectric power, but would have flooded picturesque Echo Park Valley and threatened Dinosaur National Monument, straddling the Utah-Colorado border near Wyoming.
Publisher: University of Washington Press
ISBN: 0295803533
Category : Technology & Engineering
Languages : en
Pages : 401
Book Description
Harvey details the first major clash between conservationists and developers after World War II, the successful fight to prevent the building of Echo Park Dam. The dam on the Green River was intended to create a recreational lake in northwest Colorado and generate hydroelectric power, but would have flooded picturesque Echo Park Valley and threatened Dinosaur National Monument, straddling the Utah-Colorado border near Wyoming.
Sacred Symbols in Art
Author: Elizabeth Edwards Goldsmith
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 326
Book Description
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 326
Book Description
Rosicrvcian Symbology
Author: George Winslow Plummer
Publisher:
ISBN:
Category : Rosicrucians
Languages : en
Pages : 90
Book Description
Publisher:
ISBN:
Category : Rosicrucians
Languages : en
Pages : 90
Book Description
The Secret Symbols of the Dollar Bill
Author: David Ovason
Publisher: HarperCollins
ISBN: 0062561197
Category : History
Languages : en
Pages : 157
Book Description
Do you know the true meaning of a dollar? Few people do. Now an expert on arcane symbolism uncovers the fascinating secret meanings behind the design of the money we use every day. In The Secret Symbols of the Dollar Bill, David Ovason explores the visual complexity and magic behind the world's most influential currency. Lively and readable, this extraordinary book invites you to take a dollar bill in hand and set off on a visual adventure. You will discover dazzling explanations of its secret contents -- from the symbols derived from the Great Seal to the extraordinary strands of numerology interwoven into its structure, to sur-prising hidden alignments. Once you discover the magic and mystery revealed in The Secret Symbols of the Dollar Bill, you will find that the dollar in your wallet is worth so much more than what you can buy with it.
Publisher: HarperCollins
ISBN: 0062561197
Category : History
Languages : en
Pages : 157
Book Description
Do you know the true meaning of a dollar? Few people do. Now an expert on arcane symbolism uncovers the fascinating secret meanings behind the design of the money we use every day. In The Secret Symbols of the Dollar Bill, David Ovason explores the visual complexity and magic behind the world's most influential currency. Lively and readable, this extraordinary book invites you to take a dollar bill in hand and set off on a visual adventure. You will discover dazzling explanations of its secret contents -- from the symbols derived from the Great Seal to the extraordinary strands of numerology interwoven into its structure, to sur-prising hidden alignments. Once you discover the magic and mystery revealed in The Secret Symbols of the Dollar Bill, you will find that the dollar in your wallet is worth so much more than what you can buy with it.
Poem and Symbol
Author: Wallace Fowlie
Publisher: Penn State Press
ISBN: 0271038136
Category : Literary Criticism
Languages : en
Pages : 178
Book Description
Publisher: Penn State Press
ISBN: 0271038136
Category : Literary Criticism
Languages : en
Pages : 178
Book Description
Symbols and Emblems of Early and Mediaeval Christian Art
Author: Louisa Twining
Publisher:
ISBN:
Category : Art, Early Christian
Languages : en
Pages : 432
Book Description
Publisher:
ISBN:
Category : Art, Early Christian
Languages : en
Pages : 432
Book Description