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Author: Bryan Magee Publisher: Macmillan ISBN: 9780805071894 Category : Biography & Autobiography Languages : en Pages : 424
Book Description
And he unflinchingly confronts the Wagner whose paranoia, egocentricity, and anti-Semitism are as repugnant as his achievements are glorious."--Jacket.
Author: Bryan Magee Publisher: Macmillan ISBN: 9780805071894 Category : Biography & Autobiography Languages : en Pages : 424
Book Description
And he unflinchingly confronts the Wagner whose paranoia, egocentricity, and anti-Semitism are as repugnant as his achievements are glorious."--Jacket.
Author: Glenn Skwerer Publisher: Unbound Publishing ISBN: 1783525754 Category : Fiction Languages : en Pages : 309
Book Description
2019 Walter Scott Prize Academy recommendation 'Succeeds brilliantly ... a gripping and disturbing portrait of the young Hitler' Simon Mawer, author of the Man Booker-shortlisted The Glass House Salzburg, 1945: Eugen Reczek, a middle-aged Austrian desk clerk, is interned by the American occupiers. The reason: he is Hitlers Jugendfreund – ‘The Friend of the Führer’s Youth’. Linz, 1905: An upholstery apprentice by day and fledgling violist by night, Eugen meets fifteen-year-old Adolf Hitler at the local opera, and for the next four years they see each other almost daily. Eugen is captivated but also troubled by Hitler: his almost complete isolation, his morbid preoccupation with his dead father, and his obsession with a young woman to whom he has never said a word. They move together to Vienna – Adolf to study art; Eugen to study music – but as Adolf’s money runs low, he becomes increasingly drawn to the racist gutter press of Vienna, and so to hatred: of women, of sex, of all things sensual. When Eugen begins a relationship with the Jewish mother of one of his piano students, it is only a matter of time before their suppressed conflict will ignite. Now, with the Third Reich in ashes, Eugen sits in a barren room writing his memoir. In a voice by turns intelligent, sceptical, pained, nostalgic and appalled, he tries to come to terms with the course of his own life and with the unfathomable criminality of his boyhood friend – his Hitler.
Author: Kenneth M. Smith Publisher: Oxford University Press ISBN: 019092344X Category : Music Languages : en Pages : 361
Book Description
How does musical harmony engage listeners in relations of desire? Where does this desire come from? Author Kenneth Smith seeks to answer these questions by analyzing works from the turn of the twentieth- century that are both harmonically enriched and psychologically complex. Desire in Chromatic Harmony yields a new theory of how chromatic chord progressions direct the listener on intricate journeys through harmonic space, mirroring the tensions of the psyche found in Schopenhauer, Freud, Lacan, Lyotard, and Deleuze. Smith extends this mode of enquiry into sophisticated music theory, while exploring philosophically engaged European and American composers such as Richard Strauss, Alexander Skryabin, Josef Suk, Charles Ives, and Aaron Copland. Focusing on harmony and chord progression, the book drills down into the diatonic undercurrent beneath densely chromatic and dissonant surfaces. From the obsession with death and mourning in Suk's asrael Symphony to an exploration of "perversion" in Strauss's elektra; from the Sufi mysticism of Szymanowski's Song of the Night to the failed fantasy of the American dream in Copland's The Tender Land, Desire in Chromatic Harmony cuts a path through the dense forests of chromatic complexity, revealing the psychological make-up of post-Wagnerian psychodynamic music.
Author: Arthur Groos Publisher: Cambridge University Press ISBN: 0521431387 Category : Literary Criticism Languages : en Pages : 229
Book Description
Seven leading international writers discuss the genesis, libretto and music, and performance and reception history of Wagner's Tristan.
Author: Bettina Von Kampen Publisher: Enfield & Wizenty ISBN: 9781894283854 Category : Fiction Languages : en Pages : 0
Book Description
Near the end of World War II in Bayreuth, Germany, a composer meets a musically gifted SS officer. The officer has been posted to Bayreuth to perform with other SS members in the chorus of Wagner's Die Meistersinger. The soldier has committed atrocities at Dachau, but his artistic nature is moved by the composer's unfinished opera, which he then steals. The story shifts to contemporary Canada, where the soldier's sister, Johanna, lives near her son Robert, also a gifted musician. The novel turns on Johanna's encounter with a Holocaust survivor and the re--emergence of the opera manuscript that had been in her brother's possession. In a moving climax, Johanna comes to terms both with her complicity in covering up her brother's past, and with the redemptive power of music.
Author: Bryan Magee Publisher: Penguin UK ISBN: 0141929375 Category : Philosophy Languages : en Pages : 432
Book Description
Wagner was one of the few major composers who studied philosophy seriously. Bryan Magee places the composer's artistic development in the context of the philosophy of his age, and gives us the first detailed and comprehensive study of the close links between Wagner and the philosophers - from the pre-Marxist socialists to Feuerbach and Schopenhauer. Magee explores the relationship between words and music, between the conscious and the unconscious mind, between art and philosophy. It tackles soberly and judiciously the Wagner whose paranoia, egocentricity and anti-semitism are repugnant, as well as the Wagner of artistic genius. The resulting text illuminates Wagner and the music-dramas in altogether new ways.
Author: Bryan Magee Publisher: Oxford University Press, USA ISBN: 9780192840127 Category : Biography & Autobiography Languages : en Pages : 116
Book Description
Many music lovers find Wagner's operas inexpressibly beautiful and richly satisfying, while others find them revolting, dangerous, self-indulgent, and immoral. The man who W.H. Auden once called "perhaps the greatest genius that ever lived" has inspired both greater adulation and greater loathing than any other composer. Bryan Magee presents a penetrating analysis of Wagner's work, concentrating on how his sensational and deeply erotic music uniquely expresses the repressed and highly charged contents of the psyche. He examines not only Wagner's music and detailed stage directions but also the prose works in which he formulated his ideas, as well as shedding new light on his anti-semitism and the way in which the Nazis twisted his theories to suit their own purposes. Outlining the astonishing range and depth of Wagner's influence on our culture, Magee reveals how profoundly he continues to shock and inspire musicians, poets, novelists, painters, philosophers, and politicians today.
Author: Mark R. Ellis Publisher: Ashgate Publishing, Ltd. ISBN: 9780754663850 Category : Music Languages : en Pages : 272
Book Description
For centuries, the augmented sixth sonority has fascinated composers and intrigued music analysts. Here, Dr Mark Ellis presents a series of musical examples illustrating the 'evolution' of the augmented sixth and the changing contexts in which it can be found. Surprisingly, the chord emerged from one of the last remnants of modal counterpoint to survive into the tonal era: the Phrygian Cadence. This book will appeal to music analysts by providing a chronological framework for further stylistic and harmonic analysis. To ensure its accessibility in graduate classes, the author provides a straightforward introduction to the augmented sixth and its theoretical background. The book concludes with a discussion of the role of the chord in the decay of the tonal system, and its 'afterlife' in the post-tonal era.
Author: Alex Ross Publisher: Farrar, Straus and Giroux ISBN: 1429944544 Category : Music Languages : en Pages : 784
Book Description
Alex Ross, renowned New Yorker music critic and author of the international bestseller and Pulitzer Prize finalist The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence. For better or worse, Wagner is the most widely influential figure in the history of music. Around 1900, the phenomenon known as Wagnerism saturated European and American culture. Such colossal creations as The Ring of the Nibelung, Tristan und Isolde, and Parsifal were models of formal daring, mythmaking, erotic freedom, and mystical speculation. A mighty procession of artists, including Virginia Woolf, Thomas Mann, Paul Cézanne, Isadora Duncan, and Luis Buñuel, felt his impact. Anarchists, occultists, feminists, and gay-rights pioneers saw him as a kindred spirit. Then Adolf Hitler incorporated Wagner into the soundtrack of Nazi Germany, and the composer came to be defined by his ferocious antisemitism. For many, his name is now almost synonymous with artistic evil. In Wagnerism, Alex Ross restores the magnificent confusion of what it means to be a Wagnerian. A pandemonium of geniuses, madmen, charlatans, and prophets do battle over Wagner’s many-sided legacy. As readers of his brilliant articles for The New Yorker have come to expect, Ross ranges thrillingly across artistic disciplines, from the architecture of Louis Sullivan to the novels of Philip K. Dick, from the Zionist writings of Theodor Herzl to the civil-rights essays of W.E.B. Du Bois, from O Pioneers! to Apocalypse Now. In many ways, Wagnerism tells a tragic tale. An artist who might have rivaled Shakespeare in universal reach is undone by an ideology of hate. Still, his shadow lingers over twenty-first century culture, his mythic motifs coursing through superhero films and fantasy fiction. Neither apologia nor condemnation, Wagnerism is a work of passionate discovery, urging us toward a more honest idea of how art acts in the world.
Author: Bryan Magee
Author: Bryan Magee
Author: Glenn Skwerer
Author: Kenneth M. Smith
Author: Arthur Groos
Author: Bettina Von Kampen
Author: Bryan Magee
Author: Bryan Magee
Author: Mark R. Ellis
Author: Richard Wagner
Author: Alex Ross