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Author: Gillyanne Kayes Publisher: Routledge ISBN: 1136759867 Category : Art Languages : en Pages : 213
Book Description
Singing and the Actor takes the reader step by step through a practical training programme relevant to the modern singing actor and dancer. A variety of contemporary voice qualities including Belting and Twang are explained, with excercises for each topic.
Author: Gillyanne Kayes Publisher: Routledge ISBN: 1136759867 Category : Art Languages : en Pages : 213
Book Description
Singing and the Actor takes the reader step by step through a practical training programme relevant to the modern singing actor and dancer. A variety of contemporary voice qualities including Belting and Twang are explained, with excercises for each topic.
Author: Norman Spivey Publisher: Plural Publishing ISBN: 1635500389 Category : Music Languages : en Pages : 166
Book Description
Cross-Training in the Voice Studio: A Balancing Act is an innovative resource for teachers and students of singing in today's evolving professional landscape. Saunders Barton and Spivey offer an inside view of their applied studios and the results of the cross-training process. As vocal performance demands continue to change, singers must adapt in order to stay competitive in the job market. The authors address this challenge and provide a practical technical approach to developing the most flexible and resilient singing voices - the essence of their philosophy of "bel canto can belto," embracing classical and vernacular styles. Key Features In-depth chapter on resonance/registration for voice buildingCross-training in the academic vs. the private studioCross-training with repertoireCoverage of multi-disciplinary training: how acting, speech, movement, and dance support studio effortStudent recordings enhance concepts within the text Cross Training in the Voice Studio: A Balancing Act is a must-read for anyone in the singing profession seeking insight on cross-training.
Author: Thomas Appell Publisher: ISBN: 9780988461901 Category : Languages : en Pages : 145
Book Description
Can You Sing a HIGH C Without Straining? was the first book in publishing history to explain how high notes are produced and why anyone with a healthy voice can extend their range to sing a high C without straining. Singers and teachers of sining worldwide use Can You Sing a HIGH C Without Straining? as a reference standard for learning how to sing high notes comfortably and safely. If you sing, you should read this book. The latest edition of Can You Sing a HIGH C Without Straining? has been significantly updated with detailed explanations about vocal physiology stemming from research Thomas Appell conducted dealing with the muscles that come into play during the production of high notes. With the help of Dr. Jim Burns (Laryngeal surgeon at Massachusets General Voice center, partner of Dr. Steven Zeitels) Thomas provides a wealth of information that can’t be found anywhere else about how high and low notes are produces, which muscles come into play and how they all work together to help you sing a high C without straining. If you have any question about how to sing high notes or what causes your voice to break, this book will provide the answer. You’ll also learn how to produce vibrato, how to breathe correctly for singing, how to create you own original style, and how to prevent laryngitis, colds and the flu.
Author: Andrew Byrne Publisher: Andrew Byrne Studio Inc. ISBN: 1734636912 Category : Music Languages : en Pages : 361
Book Description
If you are a singer, you are an athlete. And the athletic skills that make you a great vocalist come from one source: your brain.The Singing Athlete is the first book of its kind: a view on voice training through the lens of both the physical body and the nervous system. As one of the top teachers of professional Broadway performers, Andrew Byrne has developed a unique synthesis of athletics and neuroscience that will guide you to higher levels of performance. In addition to his work on Broadway, Andrew is devoted to studying the training methods used by Olympic athletes as a Master Practitioner of Z-Health functional applied neuroscience. He has taken thousands of hours of research and boiled it down into an easily digestible form that will help you unlock amazing new vocal skills. When you buy The Singing Athlete, you're not just picking up a book. You're getting a complete training system. With your purchase, you get lifetime access to The Singing Athlete Video Guide, a companion website that includes over 150 training videos. You'll learn the correct form for every drill, explore awesome bonus content, and download PDFs to track your progress. Through the fully illustrated book and the accompanying videos, you will learn to: Breathe correctly for stress reduction and optimal vocal support Exercise your tongue, jaw, and throat in ways that lower threat in your brain Use your ears and eyes to improve vocal range and stamina Heal any scars that might be holding you back Eliminate reflux, tinnitus, sinus problems, and other vocal stumbling blocks Move better, feel better, and sing better FAQs How is The Singing Athlete different from other vocal training systems? When you study voice, your instructor is always practicing neurology--either accidentally or on purpose. A lot of voice systems can tell you about the anatomy of the voice, but The Singing Athlete provides a crucial missing piece--how to train your brain. Once you understand how your nervous system is in charge of your singing, the way you practice will shift forever, and everything your teacher says will make more sense. I'm an instructor of a certain style of vocal training. Can I integrate The Singing Athlete into what I already do? That is one of the greatest strengths of this system; this material can fit in seamlessly with almost any style of training. The Singing Athlete is designed to complement what you already do, providing a new framework to expand and focus your thinking. Lisa Rochelle (NYC Singing Voice Specialist) says it this way: "The Singing Athlete negates no other system, no other technique, and no other pedagogy. It can be used to meet a singer where they are." How will I know if this training is working? The process in The Singing Athlete (known as "Assess and Reassess") will you show you precisely what kind of exercise your voice appreciates. With The Singing Athlete, there is no guesswork and you will be sure you are doing the right drills. I'm not a Broadway singer--I sing other styles (pop/country/R&B/classical, etc.) Can I get good results from this book? The Singing Athlete is independent of vocal style. You can apply these exercises to any vocal style, from heavy metal to grand opera. Whether you want to sing "Quando m'en vo" or "Call Me Maybe", Andrew has got you covered. How does The Singing Athlete Video Guide work? Learning movement is a visual process. To get the most out of the exercises, Andrew has shot a video of each drill. This will allow you to make sure you've got the form right, as well as learn details about how to use and tweak the drills. Once you've purchased the book, you can get lifetime access to the Video Guide at thesingingathlete.com. (Plus, there are some cool songs there, too.)
Author: Chuck Jones Publisher: Back Stage Books ISBN: 0307875229 Category : Performing Arts Languages : en Pages : 159
Book Description
• Focuses on the relationship between voice training and acting • Simple, easy-to-follow exercises to strengthen the voice in just 10 minutes per day • Revised and expanded edition includes new techniques • Replaces ISBN 0-8230-8333-0 Chuck Jones, the leading expert on using the voice to convey character, explains his groundbreaking techniques clearly and concisely in this revised edition of a classic. First, Jones examines acting basics related to the voice: being heard, character choices, and power. Then he introduces daily exercises that release, stretch, and strengthen the voice, in order to increase the actor’s expressive range. For any actor who wants to grow and develop, Make Your Voice Heard offers powerful, practical tools for connecting the voice to emotions—and using the vocal instrument to create new levels of meaning.
Author: Gillyanne Kayes
Author: Gillyanne Kayes
Author: Norman Spivey
Author: John Spencer Curwen
Author: Duncan McKenzie
Author: Thomas Appell
Author: Albert Ham
Author: Andrew Byrne
Author: George Edward Stubbs
Author: Chuck Jones
Author: John Spencer Curwen