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Author: Jeffrey Kahan Publisher: Routledge ISBN: 1135973652 Category : Literary Criticism Languages : en Pages : 385
Book Description
Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink
Author: Jeffrey Kahan Publisher: Routledge ISBN: 1135973652 Category : Literary Criticism Languages : en Pages : 385
Book Description
Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink
Author: William Shakespeare Publisher: Ignatius Press ISBN: 9781586171377 Category : Literary Criticism Languages : en Pages : 380
Book Description
One of the most popular of Shakespeare's plays, King Lear is also one of the most thought-provoking. The play turns on the practical ramifications of the words of Christ that we should render unto Caesar that which is Caesar's and unto God that which is God's. When confronted with the demand that she should render unto Caesar that which is God's, Cordelia chooses to "love and be silent". As the play unfolds each of the principal characters learns wisdom through suffering. This edition includes new critical essays by some of the leading lights in contemporary literary scholarship.
Author: William Shakespeare Publisher: Hal Leonard Corporation ISBN: 9781557834362 Category : Drama Languages : en Pages : 332
Book Description
(Applause Books). In one of Shakespeare's most famous tragedies, the three daughters of the king of Britain are put to the test of declaring their love for their father, King Lear. The test leads to the expulsion of the favorite daughter, Cordelia; the undermining of the king; and ultimately the unraveling of Lear's sanity. In true Shakespeare fashion, greed, war, lust, and misplaced good intensions intersect to form an inevitable climax of poison and swordplay, making King Lear arguably the greatest tragedy of all time. George Bernard Shaw wrote, "No man will ever write a better tragedy than Lear" (Shaw on Shakespeare, Applause Books). If there ever has been a groundbreaking edition that likewise returns the reader to the original Shakespeare text, it will be the Applause Folio Texts. If there has ever been an accessible version of the Folio, it is this edition, set for the first time in modern fonts. The Folio is the source of all other editions. The Folio text forces us to re-examine the assumptions and prejudices which have encumbered over four hundred years of scholarship and performance. Notes refer the reader to subsequent editorial interventions, and offer the reader a multiplicity of interpretations. Notes also advise the reader on variations between Folios and Quartos. The heavy mascara of four centuries of Shakespearean glossing has by now glossed over the original countenance of Shakespeare's work. Never has there been a Folio available in modern reading fonts. While other complete Folio editions continue to trade simply on the facsimile appearance of the Elizabethan "look," none of them is easily and practically utilized in general Shakespeare studies or performances.
Author: William Shakespeare Publisher: First Avenue Editions ISBN: 1512404233 Category : Drama Languages : en Pages : 172
Book Description
King Lear is growing old, and in an effort to preempt an inheritance war, he decides to divide his kingdom between his three daughters while he is still living—dependent on which one loves him the most. Goneril and Regan tell him flattering lies, but the youngest, Cordelia, refuses to answer. Angered, Lear disowns Cordelia. He splits the kingdom between Goneril and Regan, who begin plotting against him. When it becomes clear that the daughters who claimed to love him the most are planning to betray him and that he has banished the one daughter who truly loved him, Lear goes mad and wanders out onto the heath. This is an unabridged version of one of William Shakespeare's most famous tragedies. Versions of the play were first published in 1608 and 1623.
Author: Edward De Vere Publisher: ISBN: 9781951267407 Category : Languages : en Pages :
Book Description
This edition of the classic text of King Lear is rendered in superbly readable form and properly ascribed to its true author, Edward De Vere. A carefully selected bibliography at the end of the play offers the reader an opportunity to investigate and confirm this fact of authorship for themselves.
Author: William Shakespeare Publisher: Createspace Independent Publishing Platform ISBN: 9781540847010 Category : Languages : en Pages : 130
Book Description
Why buy our paperbacks? Standard Font size of 10 for all books High Quality Paper Fulfilled by Amazon Expedited shipping 30 Days Money Back Guarantee BEWARE of Low-quality sellers Don't buy cheap paperbacks just to save a few dollars. Most of them use low-quality papers & binding. Their pages fall off easily. Some of them even use very small font size of 6 or less to increase their profit margin. It makes their books completely unreadable. How is this book unique? Unabridged (100% Original content) Font adjustments & biography included Illustrated About The Tragedy Of King Lear by William Shakespeare King Lear is a tragedy written by William Shakespeare. It depicts the gradual descent into madness of the title character, after he disposes of his kingdom giving bequests to two of his three daughters based on their flattery of him, bringing tragic consequences for all. Derived from the legend of Leir of Britain, a mythological pre-Roman Celtic king, the play has been widely adapted for the stage and motion pictures, with the title role coveted by many of the world's most accomplished actors. Originally drafted in 1605 or 1606, with its first known performance on St. Stephen's Day in 1606, the first attribution to Shakespeare was a 1608 publication in a quarto of uncertain provenance; it may be an early draft or simply reflect the first performance text. The Tragedy of King Lear, a more theatrical revision, was included in the 1623 First Folio. Modern editors usually conflate the two, though some insist that each version has its own individual integrity that should be preserved.
Author: Jeffrey Kahan
Author: Jeffrey Kahan
Author: William Shakespeare
Author: William Shakespeare
Author: William Shakespeare
Author: William Shakespeare
Author: William Shakespeare
Author: William Shakespeare
Author: Уильям Шекспир
Author: Edward De Vere
Author: William Shakespeare