Author: Peter Kennedy
Publisher: Hal Leonard Publishing Corporation
ISBN:
Category : Music
Languages : en
Pages : 844
Book Description
A treasure trove for anyone interested in the folklore of the British Isles. Illustrated throughout, this lovely collection contains 360 folk songs from field recordings. Includes melody lines, lyrics, and chord symbols. Melody line format.
Folksongs of Britain and Ireland
Author: Peter Kennedy
Publisher: Hal Leonard Publishing Corporation
ISBN:
Category : Music
Languages : en
Pages : 844
Book Description
A treasure trove for anyone interested in the folklore of the British Isles. Illustrated throughout, this lovely collection contains 360 folk songs from field recordings. Includes melody lines, lyrics, and chord symbols. Melody line format.
Publisher: Hal Leonard Publishing Corporation
ISBN:
Category : Music
Languages : en
Pages : 844
Book Description
A treasure trove for anyone interested in the folklore of the British Isles. Illustrated throughout, this lovely collection contains 360 folk songs from field recordings. Includes melody lines, lyrics, and chord symbols. Melody line format.
The Traditional Music of Britain and Ireland
Author: James Porter
Publisher: New York : Garland
ISBN:
Category : Music
Languages : en
Pages : 450
Book Description
Publisher: New York : Garland
ISBN:
Category : Music
Languages : en
Pages : 450
Book Description
The New Penguin Book of English Folk Songs
Author: Julia Bishop
Publisher: Penguin UK
ISBN: 0141964324
Category : Music
Languages : en
Pages : 666
Book Description
One of the Spectator's Books of the Year 2012 'Farewell and adieu to you fair Spanish ladies Farewell and adieu to you ladies of Spain For we've received orders for to sail for old England But we hope in a short while to see you again' One of the great English popular art forms, the folk song can be painful, satirical, erotic, dramatic, rueful or funny. They have thrived when sung on a whim to a handful of friends in a pub; they have bewitched generations of English composers who have set them for everything from solo violin to full orchestra; they are sung in concerts, festivals, weddings, funerals and with nobody to hear but the singer. This magical new collection brings together all the classic folk songs as well as many lesser-known discoveries, complete with music and annotations on their original sources and meaning. Published in cooperation with the English Folk Dance and Song Society, it is a worthy successor to Ralph Vaughan Williams and A.L.Lloyd's original Penguin Book of English Folk Songs. 'Her keen eye did glitter like the bright stars by night The robe she was wearing was costly and white Her bare neck was shaded with her long raven hair And they called her pretty Susan, the pride of Kildare' In association with EFDSS, the English Folk Dance and Song Society
Publisher: Penguin UK
ISBN: 0141964324
Category : Music
Languages : en
Pages : 666
Book Description
One of the Spectator's Books of the Year 2012 'Farewell and adieu to you fair Spanish ladies Farewell and adieu to you ladies of Spain For we've received orders for to sail for old England But we hope in a short while to see you again' One of the great English popular art forms, the folk song can be painful, satirical, erotic, dramatic, rueful or funny. They have thrived when sung on a whim to a handful of friends in a pub; they have bewitched generations of English composers who have set them for everything from solo violin to full orchestra; they are sung in concerts, festivals, weddings, funerals and with nobody to hear but the singer. This magical new collection brings together all the classic folk songs as well as many lesser-known discoveries, complete with music and annotations on their original sources and meaning. Published in cooperation with the English Folk Dance and Song Society, it is a worthy successor to Ralph Vaughan Williams and A.L.Lloyd's original Penguin Book of English Folk Songs. 'Her keen eye did glitter like the bright stars by night The robe she was wearing was costly and white Her bare neck was shaded with her long raven hair And they called her pretty Susan, the pride of Kildare' In association with EFDSS, the English Folk Dance and Song Society
Traditional Music and Irish Society: Historical Perspectives
Author: Martin Dowling
Publisher: Routledge
ISBN: 1317008405
Category : Music
Languages : en
Pages : 419
Book Description
Written from the perspective of a scholar and performer, Traditional Music and Irish Society investigates the relation of traditional music to Irish modernity. The opening chapter integrates a thorough survey of the early sources of Irish music with recent work on Irish social history in the eighteenth century to explore the question of the antiquity of the tradition and the class locations of its origins. Dowling argues in the second chapter that the formation of what is today called Irish traditional music occurred alongside the economic and political modernization of European society in the late eighteenth and early nineteenth centuries. Dowling goes on to illustrate the public discourse on music during the Irish revival in newspapers and journals from the 1880s to the First World War, also drawing on the works of Pierre Bourdieu and Jacques Lacan to place the field of music within the public sphere of nationalist politics and cultural revival in these decades. The situation of music and song in the Irish literary revival is then reflected and interpreted in the life and work of James Joyce, and Dowling includes treatment of Joyce’s short stories A Mother and The Dead and the 'Sirens' chapter of Ulysses. Dowling conducted field work with Northern Irish musicians during 2004 and 2005, and also reflects directly on his own experience performing and working with musicians and arts organizations in order to conclude with an assessment of the current state of traditional music and cultural negotiation in Northern Ireland in the second decade of the twenty-first century.
Publisher: Routledge
ISBN: 1317008405
Category : Music
Languages : en
Pages : 419
Book Description
Written from the perspective of a scholar and performer, Traditional Music and Irish Society investigates the relation of traditional music to Irish modernity. The opening chapter integrates a thorough survey of the early sources of Irish music with recent work on Irish social history in the eighteenth century to explore the question of the antiquity of the tradition and the class locations of its origins. Dowling argues in the second chapter that the formation of what is today called Irish traditional music occurred alongside the economic and political modernization of European society in the late eighteenth and early nineteenth centuries. Dowling goes on to illustrate the public discourse on music during the Irish revival in newspapers and journals from the 1880s to the First World War, also drawing on the works of Pierre Bourdieu and Jacques Lacan to place the field of music within the public sphere of nationalist politics and cultural revival in these decades. The situation of music and song in the Irish literary revival is then reflected and interpreted in the life and work of James Joyce, and Dowling includes treatment of Joyce’s short stories A Mother and The Dead and the 'Sirens' chapter of Ulysses. Dowling conducted field work with Northern Irish musicians during 2004 and 2005, and also reflects directly on his own experience performing and working with musicians and arts organizations in order to conclude with an assessment of the current state of traditional music and cultural negotiation in Northern Ireland in the second decade of the twenty-first century.
The Making of Irish Traditional Music
Author: Helen O'Shea
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 244
Book Description
The book challenges the notion that Irish Traditional music expresses an essential Irish identity, arguing that it was an ideological construction of cultural nationalists in the nineteenth century, later commodified by the music and tourism industries. As a social process, musical performance is complicated by the varying experiences of musicians and listeners. The question of an Irish identity expressed musically is further explored through the experiences of both 'local' and 'foreign' musicians, including the author. The conclusion that a radicalised ideal of national culture and an assimilative model of cultural contact are compatible has important implications for Irish society today. Irish traditional music is now performed and consumed world-wide. The Making of Irish Traditional Music considers the implications of this for the way we understand music's relationship to individual and collective identities such as ethnicity and nationality. The core of this book is its analysis of the experiences of 'foreigners' playing Irish music, both in Australia and in the heart of Ireland's traditional music empire, County Clare, as 'pilgrims' to summer schools.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 244
Book Description
The book challenges the notion that Irish Traditional music expresses an essential Irish identity, arguing that it was an ideological construction of cultural nationalists in the nineteenth century, later commodified by the music and tourism industries. As a social process, musical performance is complicated by the varying experiences of musicians and listeners. The question of an Irish identity expressed musically is further explored through the experiences of both 'local' and 'foreign' musicians, including the author. The conclusion that a radicalised ideal of national culture and an assimilative model of cultural contact are compatible has important implications for Irish society today. Irish traditional music is now performed and consumed world-wide. The Making of Irish Traditional Music considers the implications of this for the way we understand music's relationship to individual and collective identities such as ethnicity and nationality. The core of this book is its analysis of the experiences of 'foreigners' playing Irish music, both in Australia and in the heart of Ireland's traditional music empire, County Clare, as 'pilgrims' to summer schools.
Focus: Irish Traditional Music
Author: Sean Williams
Publisher: Routledge
ISBN: 1135204144
Category : Music
Languages : en
Pages : 298
Book Description
Focus: Irish Traditional Music is an introduction to the instrumental and vocal traditions of the Republic of Ireland and Northern Ireland, as well as Irish music in the context of the Irish diaspora. Ireland's size relative to Britain or to the mainland of Europe is small, yet its impact on musical traditions beyond its shores has been significant, from the performance of jigs and reels in pub sessions as far-flung as Japan and Cape Town, to the worldwide phenomenon of Riverdance. Focus: Irish Traditional Music interweaves dance, film, language, history, and other interdisciplinary features of Ireland and its diaspora. The accompanying CD presents both traditional and contemporary sounds of Irish music at home and abroad.
Publisher: Routledge
ISBN: 1135204144
Category : Music
Languages : en
Pages : 298
Book Description
Focus: Irish Traditional Music is an introduction to the instrumental and vocal traditions of the Republic of Ireland and Northern Ireland, as well as Irish music in the context of the Irish diaspora. Ireland's size relative to Britain or to the mainland of Europe is small, yet its impact on musical traditions beyond its shores has been significant, from the performance of jigs and reels in pub sessions as far-flung as Japan and Cape Town, to the worldwide phenomenon of Riverdance. Focus: Irish Traditional Music interweaves dance, film, language, history, and other interdisciplinary features of Ireland and its diaspora. The accompanying CD presents both traditional and contemporary sounds of Irish music at home and abroad.
A Pocket History of Irish Traditional Music
Author: Gearóid Ó hAllmhuráin
Publisher: O'Brien Press
ISBN:
Category : Music
Languages : en
Pages : 168
Book Description
From the mythological harp of the Dagda to Riverdance, this concise history of Irish traditional music and dance explores a rich spectrum of historical sources and folklore. It uncovers the contribution of the Normans to Irish dancing, the rote of the music maker in Penal Ireland, and the popularity of dance tunes and set dancing from the end of the eighteenth century to the present. It also follows the music of the Irish diaspora from the music halls of vaudeville to the musical tapestry of Irish America today.
Publisher: O'Brien Press
ISBN:
Category : Music
Languages : en
Pages : 168
Book Description
From the mythological harp of the Dagda to Riverdance, this concise history of Irish traditional music and dance explores a rich spectrum of historical sources and folklore. It uncovers the contribution of the Normans to Irish dancing, the rote of the music maker in Penal Ireland, and the popularity of dance tunes and set dancing from the end of the eighteenth century to the present. It also follows the music of the Irish diaspora from the music halls of vaudeville to the musical tapestry of Irish America today.
100 Irish Tunes for Piano Accordion
Author: David DiGiuseppe
Publisher: Mel Bay Publications
ISBN: 1619115867
Category : Music
Languages : en
Pages : 121
Book Description
From Apples in Winter to The Wise Maid, this collection of Irish jigs, reels, and polkas provides beginning to advanced players with a wealth of traditional Irishmusic for solo keyboard accordion. This collection includes a number of tunes transcribed from recordings of not only the keyboard accordion, but also the Irish button box and concertina. Herein too are many of the author's own arrangements. Some of the stellar players whose work appears here are: Jimmy Keane, Phil Cunningham, Alan Kelly, Joe Burke, Jackie Daly, Tom Doherty, Chris Sherburn, Sharon Shannon, and Tony MacMahon. With a basic guide to fingering and rhythm chord symbols included, this book will allow even the novice accordionist to join in a traditional Irish session. The audio features the author's performance of medleys including 21 of the book's 100 selections. Includes access to online audio
Publisher: Mel Bay Publications
ISBN: 1619115867
Category : Music
Languages : en
Pages : 121
Book Description
From Apples in Winter to The Wise Maid, this collection of Irish jigs, reels, and polkas provides beginning to advanced players with a wealth of traditional Irishmusic for solo keyboard accordion. This collection includes a number of tunes transcribed from recordings of not only the keyboard accordion, but also the Irish button box and concertina. Herein too are many of the author's own arrangements. Some of the stellar players whose work appears here are: Jimmy Keane, Phil Cunningham, Alan Kelly, Joe Burke, Jackie Daly, Tom Doherty, Chris Sherburn, Sharon Shannon, and Tony MacMahon. With a basic guide to fingering and rhythm chord symbols included, this book will allow even the novice accordionist to join in a traditional Irish session. The audio features the author's performance of medleys including 21 of the book's 100 selections. Includes access to online audio
The Traditional Music of Britain and Ireland
Author: James Porter
Publisher: New York : Garland
ISBN:
Category : Music
Languages : en
Pages : 448
Book Description
Publisher: New York : Garland
ISBN:
Category : Music
Languages : en
Pages : 448
Book Description
A Companion to British and Irish Cinema
Author: John Hill
Publisher: John Wiley & Sons
ISBN: 1118477510
Category : Performing Arts
Languages : en
Pages : 605
Book Description
A stimulating overview of the intellectual arguments and critical debates involved in the study of British and Irish cinemas British and Irish film studies have expanded in scope and depth in recent years, prompting a growing number of critical debates on how these cinemas are analysed, contextualized, and understood. A Companion to British and Irish Cinema addresses arguments surrounding film historiography, methods of textual analysis, critical judgments, and the social and economic contexts that are central to the study of these cinemas. Twenty-nine essays from many of the most prominent writers in the field examine how British and Irish cinema have been discussed, the concepts and methods used to interpret and understand British and Irish films, and the defining issues and debates at the heart of British and Irish cinema studies. Offering a broad scope of commentary, the Companion explores historical, cultural and aesthetic questions that encompass over a century of British and Irish film studies—from the early years of the silent era to the present-day. Divided into five sections, the Companion discusses the social and cultural forces shaping British and Irish cinema during different periods, the contexts in which films are produced, distributed and exhibited, the genres and styles that have been adopted by British and Irish films, issues of representation and identity, and debates on concepts of national cinema at a time when ideas of what constitutes both ‘British’ and ‘Irish’ cinema are under question. A Companion to British and Irish Cinema is a valuable and timely resource for undergraduate and postgraduate students of film, media, and cultural studies, and for those seeking contemporary commentary on the cinemas of Britain and Ireland.
Publisher: John Wiley & Sons
ISBN: 1118477510
Category : Performing Arts
Languages : en
Pages : 605
Book Description
A stimulating overview of the intellectual arguments and critical debates involved in the study of British and Irish cinemas British and Irish film studies have expanded in scope and depth in recent years, prompting a growing number of critical debates on how these cinemas are analysed, contextualized, and understood. A Companion to British and Irish Cinema addresses arguments surrounding film historiography, methods of textual analysis, critical judgments, and the social and economic contexts that are central to the study of these cinemas. Twenty-nine essays from many of the most prominent writers in the field examine how British and Irish cinema have been discussed, the concepts and methods used to interpret and understand British and Irish films, and the defining issues and debates at the heart of British and Irish cinema studies. Offering a broad scope of commentary, the Companion explores historical, cultural and aesthetic questions that encompass over a century of British and Irish film studies—from the early years of the silent era to the present-day. Divided into five sections, the Companion discusses the social and cultural forces shaping British and Irish cinema during different periods, the contexts in which films are produced, distributed and exhibited, the genres and styles that have been adopted by British and Irish films, issues of representation and identity, and debates on concepts of national cinema at a time when ideas of what constitutes both ‘British’ and ‘Irish’ cinema are under question. A Companion to British and Irish Cinema is a valuable and timely resource for undergraduate and postgraduate students of film, media, and cultural studies, and for those seeking contemporary commentary on the cinemas of Britain and Ireland.