Author: Pietro BlasernaPublisher:
ISBN:
Category : Music
Languages : en
Pages : 254
Book Description
The Theory of Sound in Its Relation to Music
Author: Pietro BlasernaPublisher:
ISBN:
Category : Music
Languages : en
Pages : 254
Book Description
The Theory of Sound in its Relation to Music
Author: Pietro BlasernaPublisher: BoD – Books on Demand
ISBN: 3385519640
Category : Fiction
Languages : en
Pages : 202
Book Description
Reprint of the original, first published in 1876.
Fundamentals of Musical Acoustics
Author: Arthur H. BenadePublisher: Courier Corporation
ISBN: 0486150712
Category : Music
Languages : en
Pages : 608
Book Description
Landmark book hailed for exceptionally clear, delightfully readable explication of everything acoustically important to music-making. Includes over 300 illustrations. Examples, experiments, and questions conclude each chapter.
The Theory of Sound
Author: John William Strutt Baron RayleighPublisher:
ISBN:
Category : Sound
Languages : en
Pages : 526
Book Description
Physics and Music
Author: Harvey E. WhitePublisher: Courier Corporation
ISBN: 0486794008
Category : Science
Languages : en
Pages : 452
Book Description
Comprehensive and accessible, this foundational text surveys general principles of sound, musical scales, characteristics of instruments, mechanical and electronic recording devices, and many other topics. More than 300 illustrations plus questions, problems, and projects.
Sound Ideas
Author: Aden EvensPublisher: U of Minnesota Press
ISBN: 1452907307
Category :
Languages : en
Pages : 225
Book Description
A highly original approach to the philosophy of musical experience.
On the Sensations of Tone as a Physiological Basis for the Theory of Music
Author: Hermann von HelmholtzPublisher:
ISBN:
Category : Music
Languages : en
Pages : 608
Book Description
Sonic Warfare
Author: Steve GoodmanPublisher: MIT Press
ISBN: 0262266334
Category : Music
Languages : en
Pages : 291
Book Description
An exploration of the production, transmission, and mutation of affective tonality—when sound helps produce a bad vibe. Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread—to produce a bad vibe. Sonic weapons of this sort include the “psychoacoustic correction” aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or “sound bombs”) over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations. Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture. Goodman concludes with speculations on the not yet heard—the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths.
The Theory of Sound
Author: Pietro BlasernaPublisher:
ISBN: 9783337446543
Category :
Languages : en
Pages : 232
Book Description
Author: