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Author: P. H. Scholfield Publisher: Cambridge University Press ISBN: 9780521243155 Category : Architecture Languages : en Pages : 0
Book Description
A building cannot be good to look at if it is unplanned, with its parts totally unrelated to one another; but on the other hand if the arrangement is too regular it becomes boring and dull. The object of architectural proportion is to strike the balance between these extremes, creating an interesting visible order by the repetition of similar shapes. In this book, first published in 1958, Mr Scholfield deals with the history of the theory of proportion, and in doing so develops his own positive theory, which reconciles the apparent contradictions of rival systems and serves as a key to historical understanding. Even when he is dealing with complex themes, Mr Scholfield's exposition can be followed by the uninitiated reader. Those already interested in architecture and the visual arts will certainly want the book; and those who are not will find, on reading it, that their interest is stimulated.
Author: P. H. Scholfield Publisher: Cambridge University Press ISBN: 9780521243155 Category : Architecture Languages : en Pages : 0
Book Description
A building cannot be good to look at if it is unplanned, with its parts totally unrelated to one another; but on the other hand if the arrangement is too regular it becomes boring and dull. The object of architectural proportion is to strike the balance between these extremes, creating an interesting visible order by the repetition of similar shapes. In this book, first published in 1958, Mr Scholfield deals with the history of the theory of proportion, and in doing so develops his own positive theory, which reconciles the apparent contradictions of rival systems and serves as a key to historical understanding. Even when he is dealing with complex themes, Mr Scholfield's exposition can be followed by the uninitiated reader. Those already interested in architecture and the visual arts will certainly want the book; and those who are not will find, on reading it, that their interest is stimulated.
Author: Giovanni Paolo Gallucci Publisher: ISBN: 9781783748891 Category : Electronic books Languages : en Pages : 228
Book Description
"In 1591, Giovanni Paolo Gallucci published his Della simmetria dei corpi humani, an Italian translation of Albrecht Dürer's Four Books on Human Proportion. While Dürer's treatise had been translated earlier in the sixteenth-century into French and Latin, it was Gallucci's Italian translation that endured in popularity as the most cited version of the text in later Baroque treatises, covering topics that were seen as central to arts education, connoisseurship, patronage, and the wider appreciation of the studia humanitatis in general. The text centres on the relationships between beauty and proportion, macrocosm and microcosm: relationships that were not only essential to the visual arts in the early modern era, but that cut across a range of disciplines - music, physiognomics and humoral readings, astronomy, astrology and cosmology, theology and philosophy, even mnemonics and poetry. In his version of the text, Gallucci expanded the educational potential of the treatise by adding a Preface, a Life of Dürer, and a Fifth Book providing a philosophical framework within which to interpret Dürer's previous sections. This translation is the first to make these original contributions by Gallucci accessible to an English-speaking audience. Gallucci's contributions illuminate the significance of symmetry and proportion in the contemporary education of the early modern era, informing our understanding of the intellectual history of this period, and the development of art theory and criticism. This is a valuable resource to early modern scholars and students alike, especially those specialising in history of art, philosophy, history of science, and poetry."--Publisher's website.
Author: Steve Bass Publisher: Lindisfarne Books ISBN: 9781584209676 Category : Architecture Languages : en Pages : 370
Book Description
Ancient architects and artists had a way of striking resonant chords in the viewers of their work. This book points to a possible way of returning a sense of unity to the visual arts through a combination of theoretical ideas and practical methods, of narrative description and visual exercises.Proportion, the use of number and geometry as design tools, is seen in the context of the search for the beautiful. From the theoretic, symbolic mathematics of the Pythagoreans, Platonists, and Neo-Platonists, the book proposes an aesthetic theory, a way of approaching beauty, rooted in the idea of psyche and expressed through the ancient sciences of arithmetic, geometry, music, and astronomy. Topics treated include: an explanation of the concept of symbolic or qualitative number; an introduction to Pythagorean and Platonic numerical philosophy; the nature of beauty and its relation to number; the derivation of the ancient musical octave; the Golden Section, its mathematics, geometry, and relation to philosophy, particularly its role as a geometrical logos; and the connection of these ideas to the numerical-geometrical canons of classical architecture. These concepts are illustrated step by step as applied to the elements and archetypal compositions of classical architecture, such as the order and portico, using arithmetic, geometric, and harmonic ratio methods.The proportional idea is illustrated with reconstructions of exemplary buildings based on the methods described, following through the historical periods of Egypt, Greece, Rome, the Middle ages, the Italian Renaissance, and the Enlightenment. Though the book is focused on architecture, the methods presented may be used by artists and designers in any visual field. The book suggests several pathways on which contemporary designers might move toward creating a sane and beautiful world through a merger of art and science.
Author: Rachel Fletcher Publisher: George F Thompson Publishing ISBN: 9781938086021 Category : Architectural design Languages : en Pages : 0
Book Description
The desire for harmony is universal among all cultures. In Infinite Measure, we rediscover a fundamental starting point for designers of all ages: the simple act of drawing with a compass and a rule can sensitize the designer to the rich subtleties of spatial harmony, no matter how one ultimately chooses to express it.
Author: Richard Padovan Publisher: Taylor & Francis ISBN: 1135811113 Category : Architecture Languages : en Pages : 418
Book Description
This handbook provides the student, practising architect or interested layman with a well-illustrated and readable comparative guide to proportion systems in architecture.
Author: Doug Patt Publisher: MIT Press ISBN: 0262516993 Category : Architecture Languages : en Pages : 138
Book Description
The basics of the profession and practice of architecture, presented in illustrated A-Z form. The word "architect" is a noun, but Doug Patt uses it as a verb—coining a term and making a point about using parts of speech and parts of buildings in new ways. Changing the function of a word, or a room, can produce surprise and meaning. In How to Architect, Patt—an architect and the creator of a series of wildly popular online videos about architecture—presents the basics of architecture in A-Z form, starting with "A is for Asymmetry" (as seen in Chartres Cathedral and Frank Gehry), detouring through "N is for Narrative," and ending with "Z is for Zeal" (a quality that successful architects tend to have, even in fiction—see The Fountainhead's architect-hero Howard Roark.) How to Architect is a book to guide you on the road to architecture. If you are just starting on that journey or thinking about becoming an architect, it is a place to begin. If you are already an architect and want to remind yourself of what drew you to the profession, it is a book of affirmation. And if you are just curious about what goes into the design and construction of buildings, this book tells you how architects think. Patt introduces each entry with a hand-drawn letter, and accompanies the text with illustrations that illuminate the concept discussed: a fallen Humpty Dumpty illustrates the perils of fragile egos; photographs of an X-Acto knife and other hand tools remind us of architecture's nondigital origins. How to Architect offers encouragement to aspiring architects but also mounts a defense of architecture as a profession—by calling out a defiant verb: architect!
Author: August Thiersch Publisher: Createspace Independent Publishing Platform ISBN: 9781543211665 Category : Languages : en Pages : 116
Book Description
The two brief works presented here in translation have played an important role in shaping our understanding of the history of theories of proportion in architecture from Classical times through the Renaissance and thereafter.
Author: Ruth Tatlow Publisher: Cambridge University Press ISBN: 1107088607 Category : History Languages : en Pages : 431
Book Description
In the eighteenth century the universal harmony of God's creation and the perfection of the unity (1:1) were philosophically, morally and devotionally significant. Ruth Tatlow employs theoretical evidence and practical demonstrations to explain how and why Bach used numbers in his published compositions.
Author: Nathaniel Cortland Curtis Publisher: Courier Corporation ISBN: 048632074X Category : Architecture Languages : en Pages : 290
Book Description
Well arranged, logical, and aptly illustrated, this classic survey covers every aspect of the design process. It addresses architectural principles as well as their practical application, examining general questions of scale, balance, proportion, and symmetry and presenting detailed treatments of doors, windows, walls, stairways, columns, and other features. Long acknowledged as a valuable resource for students and teachers alike, this volume is unsurpassed in terms of the richness of its material and the consistency of its insights. It was written by Nathaniel Cortlandt Curtis, an influential designer and artist who served as the head of the Tulane School of Architecture. Curtis illustrated his work with nearly 250 line drawings that depict architectural elements from a splendid variety of periods and settings, from ancient Rome's temples and palaces to modern-day hotels and museums of Paris and New York.
Author: P. H. Scholfield
Author: P. H. Scholfield
Author: Giovanni Paolo Gallucci
Author: Steve Bass
Author: Rachel Fletcher
Author: Richard Padovan
Author: Doug Patt
Author: August Thiersch
Author: Ruth Tatlow
Author: Nathaniel Cortland Curtis
Author: Le Corbusier