Author: Léon Vallas
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 214
Book Description
The Theories of Claude Debussy, Musicien Français
The Theories of Claude Debussy, Musicien Français
Author: Léon Vallas
Publisher: London : Oxford
ISBN:
Category : Musical criticism
Languages : en
Pages : 214
Book Description
Publisher: London : Oxford
ISBN:
Category : Musical criticism
Languages : en
Pages : 214
Book Description
The Theories of Claude Debussy
The theories of Claude Debussy, musicien français. Transated from the French by Maire O'Brien
Theories of claude debussy
Author: Leon Vallas
Publisher:
ISBN:
Category : Debussy, Claude
Languages : en
Pages : 189
Book Description
Publisher:
ISBN:
Category : Debussy, Claude
Languages : en
Pages : 189
Book Description
Claude Debussy and the Poets
Author: Arthur Wenk
Publisher: Univ of California Press
ISBN: 9780520028272
Category : Music
Languages : en
Pages : 358
Book Description
Paul Dukas wrote about Debussy that the strongest influence he experienced was that of the poets, not that of the musicians. This book undertakes to demonstrate that thesis by studying Debussy's settings of songs by Banville, Verlaine, Baudelaire, Mallarmé, Louÿs, and Debussy himself. A particular insight may be gained in the comparison of six poems by Verlaine set to music by both Fauré and Debussy. The book includes a poetic/musical analysis of Debussy's Prelude to the Afternoon of a Faun, based on the poem by Mallarmé.
Publisher: Univ of California Press
ISBN: 9780520028272
Category : Music
Languages : en
Pages : 358
Book Description
Paul Dukas wrote about Debussy that the strongest influence he experienced was that of the poets, not that of the musicians. This book undertakes to demonstrate that thesis by studying Debussy's settings of songs by Banville, Verlaine, Baudelaire, Mallarmé, Louÿs, and Debussy himself. A particular insight may be gained in the comparison of six poems by Verlaine set to music by both Fauré and Debussy. The book includes a poetic/musical analysis of Debussy's Prelude to the Afternoon of a Faun, based on the poem by Mallarmé.
The Cambridge Companion to Debussy
Author: Simon Trezise
Publisher: Cambridge University Press
ISBN: 1139826050
Category : Music
Languages : en
Pages : 356
Book Description
Often considered the father of twentieth-century music, Debussy was a visionary whose influence is still felt. This book offers a wide-ranging series of essays on Debussy the man, the musician and composer. It contains insights into his character, his relationship to his Parisian environment and his musical works across all genres, with challenging views on the roles of nature and eroticism in his life and music. His music is considered through the characteristic themes of sonority, rhythm, tonality and form, with closing chapters considering the performance and reception of his music in the first years of the new century and our view of Debussy today as a major force in Western culture. This comprehensive view of Debussy is written by a team of specialists for students and informed music lovers.
Publisher: Cambridge University Press
ISBN: 1139826050
Category : Music
Languages : en
Pages : 356
Book Description
Often considered the father of twentieth-century music, Debussy was a visionary whose influence is still felt. This book offers a wide-ranging series of essays on Debussy the man, the musician and composer. It contains insights into his character, his relationship to his Parisian environment and his musical works across all genres, with challenging views on the roles of nature and eroticism in his life and music. His music is considered through the characteristic themes of sonority, rhythm, tonality and form, with closing chapters considering the performance and reception of his music in the first years of the new century and our view of Debussy today as a major force in Western culture. This comprehensive view of Debussy is written by a team of specialists for students and informed music lovers.
Debussy's Ibéria
Author: Matthew Brown
Publisher: Oxford University Press, USA
ISBN: 9780198161998
Category : Language Arts & Disciplines
Languages : en
Pages : 208
Book Description
This text offers a study of Debussy's Iberia.
Publisher: Oxford University Press, USA
ISBN: 9780198161998
Category : Language Arts & Disciplines
Languages : en
Pages : 208
Book Description
This text offers a study of Debussy's Iberia.
Messiaen's Musical Techniques: The Composer's View and Beyond
Author: Gareth Healey
Publisher: Routledge
ISBN: 1317097114
Category : Music
Languages : en
Pages : 223
Book Description
Despite Messiaen's position as one of the greatest technical innovators of the twentieth century, his musical language has not been comprehensively defined and investigated. The composer's 1944 theoretical study, The Technique of My Musical Language, expounds only its initial stages, and while his posthumously published Traité de rythme, de couleur, et d'ornithologie contains detailed explanations of selected techniques, in most cases the reader is left to define these more precisely by observing them in the context of Messiaen's analyses of his own works. Technical processes are nevertheless in many cases the primary components of a work or movement. For instance, personnages dominate 'Joie du sang des étoiles' from the Turangalîla-symphonie, and in certain cases, such as 'L'échange' from the Vingt regards sur l'Enfant-Jésus, the process (asymmetric augmentation) is the only structuring element present. Given this reliance on idiosyncratic techniques, clear comprehension of the music is impossible without a detailed knowledge of Messiaen's methods. Gareth Healey charts their development and interconnections, considers their relationship with formal structures, and applies them in refined and extended form to works for which Messiaen himself left no published analysis.
Publisher: Routledge
ISBN: 1317097114
Category : Music
Languages : en
Pages : 223
Book Description
Despite Messiaen's position as one of the greatest technical innovators of the twentieth century, his musical language has not been comprehensively defined and investigated. The composer's 1944 theoretical study, The Technique of My Musical Language, expounds only its initial stages, and while his posthumously published Traité de rythme, de couleur, et d'ornithologie contains detailed explanations of selected techniques, in most cases the reader is left to define these more precisely by observing them in the context of Messiaen's analyses of his own works. Technical processes are nevertheless in many cases the primary components of a work or movement. For instance, personnages dominate 'Joie du sang des étoiles' from the Turangalîla-symphonie, and in certain cases, such as 'L'échange' from the Vingt regards sur l'Enfant-Jésus, the process (asymmetric augmentation) is the only structuring element present. Given this reliance on idiosyncratic techniques, clear comprehension of the music is impossible without a detailed knowledge of Messiaen's methods. Gareth Healey charts their development and interconnections, considers their relationship with formal structures, and applies them in refined and extended form to works for which Messiaen himself left no published analysis.
A Companion to Boethius in the Middle Ages
Author: Noel Harold Kaylor
Publisher: BRILL
ISBN: 900418354X
Category : Religion
Languages : en
Pages : 685
Book Description
The articles in this volume focus upon Boethius's extant works: his De arithmetica and a fragmentary De musica, his translations and commentaries on logic, his five theological texts, and, of course, his Consolation of Philosophy. They examine the effects that Boethian thought has exercised upon the learning of later generations of scholars.
Publisher: BRILL
ISBN: 900418354X
Category : Religion
Languages : en
Pages : 685
Book Description
The articles in this volume focus upon Boethius's extant works: his De arithmetica and a fragmentary De musica, his translations and commentaries on logic, his five theological texts, and, of course, his Consolation of Philosophy. They examine the effects that Boethian thought has exercised upon the learning of later generations of scholars.