Author: Monroe Mann
Publisher: AuthorHouse
ISBN: 1467078719
Category : Performing Arts
Languages : en
Pages : 264
Book Description
“This book may be just the antidote for an actor who has completely lost faith or given up control over his destiny.” – Backstage West, Los Angeles “If this book is any indication of things to come, we are going to be hearing a lot about Monroe Mann.” – Bob Fraser, Emmy-recognized actor, producer, writer, and director, and author of You Must Act “A how-to for aspiring stars based on boot-camp persistence.” – CNN’s Wolf Blitzer “To make it big, you need the Real Deal. Mr. Mann is the Real Deal.” – Jay Conrad Levinson, author of the Guerrilla Marketing series of books This book is unlike any other you will read on the subject of acting. It is not about how to find good headshots, how to perfect a monologue, or how to find an agent, though these subjects are indirectly touched upon. It’s about how to succeed in the arts. It's about why 99% of aspiring professional actors fail to even get their foot in the door, and how the other 1% somehow do get their foot in the door... and actually stay there. Once and for all, this book aims to shatter the absurd notion that acting professionally is a privilege for only a select few, and that without a 'break' given by the industry, there is no hope for success. The blame for your failure (and the credit for your success) can only be put on yourself, and not the business. Forget the nay-sayers; wave goodbye to the critics; laugh at the agents who won't respond to you. The Theatrical Juggernaut is going to inspire you like no other 'how-to' book has ever done before.
The Theatrical Juggernaut (The Psyche of the Star)
Author: Monroe Mann
Publisher: AuthorHouse
ISBN: 1467078719
Category : Performing Arts
Languages : en
Pages : 264
Book Description
“This book may be just the antidote for an actor who has completely lost faith or given up control over his destiny.” – Backstage West, Los Angeles “If this book is any indication of things to come, we are going to be hearing a lot about Monroe Mann.” – Bob Fraser, Emmy-recognized actor, producer, writer, and director, and author of You Must Act “A how-to for aspiring stars based on boot-camp persistence.” – CNN’s Wolf Blitzer “To make it big, you need the Real Deal. Mr. Mann is the Real Deal.” – Jay Conrad Levinson, author of the Guerrilla Marketing series of books This book is unlike any other you will read on the subject of acting. It is not about how to find good headshots, how to perfect a monologue, or how to find an agent, though these subjects are indirectly touched upon. It’s about how to succeed in the arts. It's about why 99% of aspiring professional actors fail to even get their foot in the door, and how the other 1% somehow do get their foot in the door... and actually stay there. Once and for all, this book aims to shatter the absurd notion that acting professionally is a privilege for only a select few, and that without a 'break' given by the industry, there is no hope for success. The blame for your failure (and the credit for your success) can only be put on yourself, and not the business. Forget the nay-sayers; wave goodbye to the critics; laugh at the agents who won't respond to you. The Theatrical Juggernaut is going to inspire you like no other 'how-to' book has ever done before.
Publisher: AuthorHouse
ISBN: 1467078719
Category : Performing Arts
Languages : en
Pages : 264
Book Description
“This book may be just the antidote for an actor who has completely lost faith or given up control over his destiny.” – Backstage West, Los Angeles “If this book is any indication of things to come, we are going to be hearing a lot about Monroe Mann.” – Bob Fraser, Emmy-recognized actor, producer, writer, and director, and author of You Must Act “A how-to for aspiring stars based on boot-camp persistence.” – CNN’s Wolf Blitzer “To make it big, you need the Real Deal. Mr. Mann is the Real Deal.” – Jay Conrad Levinson, author of the Guerrilla Marketing series of books This book is unlike any other you will read on the subject of acting. It is not about how to find good headshots, how to perfect a monologue, or how to find an agent, though these subjects are indirectly touched upon. It’s about how to succeed in the arts. It's about why 99% of aspiring professional actors fail to even get their foot in the door, and how the other 1% somehow do get their foot in the door... and actually stay there. Once and for all, this book aims to shatter the absurd notion that acting professionally is a privilege for only a select few, and that without a 'break' given by the industry, there is no hope for success. The blame for your failure (and the credit for your success) can only be put on yourself, and not the business. Forget the nay-sayers; wave goodbye to the critics; laugh at the agents who won't respond to you. The Theatrical Juggernaut is going to inspire you like no other 'how-to' book has ever done before.
Ridiculous!
Author: David Kaufman
Publisher: Hal Leonard Corporation
ISBN: 9781557836373
Category : Biography & Autobiography
Languages : en
Pages : 548
Book Description
(Applause Books). From his first unscripted appearance on an Off-Broadway stage in the revolutionary 1960s to the frontpage news of his death from AIDS in 1987 at age 44, Charles Ludlam embodied and helped to engender the upheavals of his time. The astonishing life and legacy of this force to be reckoned with are at last revealed in RIDICULOUS! , a literary biography of an American comic genius. After founding the Ridiculous Theatrical Company in 1967, Ludlam sustained an ever-shifting troupe of bohemian players through two decades of perennially daunting circumstances by writing 29 plays plays that he starred in and directed as well. While Ludlam's work has become increasingly popular at regional theatres, on college campuses, and on stages throughout the world, his gender-bending theories and wide-ranging cultural impact have reached far beyond Bette Midler, the original cast members of Saturday Night Live and the countless other artists he influenced during his abbreviated lifetime. Like his early plays, Ludlam's life was rife with the sex, drugs and creative experimentation that characterized the freewheeling '60s and '70s. Based on a decade of research and interviews with more than 150 people who knew or worked with Ludlam including all of the major players in his troupe and seven of his lovers RIDICULOUS! recreates the dramatic life of an inimitable and subversive theatrical master with you-are-there intensity. Winner of the LAMBDA Literary Award for Biography and the Theatre Library Association Award for Outstanding Theatre Book of the Year "David Kaufman makes a persuasive case for Ludlam's being a genius ... As a record of Ludlam's life and the theatrical world in which he was both guru and grandmaster, this book is informed and passionate." Mel Gussow, The New York Times "A fascinating portrait of an authentic stage genius and the New York avant-garde scene in which he toiled with such demented and dedicated diligence." Playbill "The phenom who inspired everyone from Bette Midler and Madeline Kahn to Tony Kushner and Paul Rudnick was no box of chocolates which, as reading experiences go, makes his story all the sweeter." Vanity Fair "This is one helluva piece of work." Marilyn Stasio, Variety.com
Publisher: Hal Leonard Corporation
ISBN: 9781557836373
Category : Biography & Autobiography
Languages : en
Pages : 548
Book Description
(Applause Books). From his first unscripted appearance on an Off-Broadway stage in the revolutionary 1960s to the frontpage news of his death from AIDS in 1987 at age 44, Charles Ludlam embodied and helped to engender the upheavals of his time. The astonishing life and legacy of this force to be reckoned with are at last revealed in RIDICULOUS! , a literary biography of an American comic genius. After founding the Ridiculous Theatrical Company in 1967, Ludlam sustained an ever-shifting troupe of bohemian players through two decades of perennially daunting circumstances by writing 29 plays plays that he starred in and directed as well. While Ludlam's work has become increasingly popular at regional theatres, on college campuses, and on stages throughout the world, his gender-bending theories and wide-ranging cultural impact have reached far beyond Bette Midler, the original cast members of Saturday Night Live and the countless other artists he influenced during his abbreviated lifetime. Like his early plays, Ludlam's life was rife with the sex, drugs and creative experimentation that characterized the freewheeling '60s and '70s. Based on a decade of research and interviews with more than 150 people who knew or worked with Ludlam including all of the major players in his troupe and seven of his lovers RIDICULOUS! recreates the dramatic life of an inimitable and subversive theatrical master with you-are-there intensity. Winner of the LAMBDA Literary Award for Biography and the Theatre Library Association Award for Outstanding Theatre Book of the Year "David Kaufman makes a persuasive case for Ludlam's being a genius ... As a record of Ludlam's life and the theatrical world in which he was both guru and grandmaster, this book is informed and passionate." Mel Gussow, The New York Times "A fascinating portrait of an authentic stage genius and the New York avant-garde scene in which he toiled with such demented and dedicated diligence." Playbill "The phenom who inspired everyone from Bette Midler and Madeline Kahn to Tony Kushner and Paul Rudnick was no box of chocolates which, as reading experiences go, makes his story all the sweeter." Vanity Fair "This is one helluva piece of work." Marilyn Stasio, Variety.com
The Theatre of Simon Stephens
Author: Jacqueline Bolton
Publisher: Bloomsbury Publishing
ISBN: 1474238661
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
Simon Stephens is one of Europe's pre-eminent living playwrights. Since the beginning of his career in 1998, Stephens's award-winning plays have been translated into over twenty languages, been produced on four continents, and continue to feature prominently in the repertoires of European theatre. His original works have garnered numerous awards, with his stage adaptation of Mark Haddon's novel The Curious Incident of the Dog in the Night-Time winning seven Olivier Awards and enjoying acclaim on Broadway. In the first book to provide a critical account of Stephens's work, Jacqueline Bolton draws upon the playwright's unpublished personal archives, as well as original interviews with directors and actors, to advance detailed analyses of his original plays and their productions, examine contemporary approaches to playwriting, and deliver insights into broader debates regarding text, performance and authorship. Caridad Svich addresses Stephens's theatrical output between 2014 and 2019, and essays from Mireia Aragay and James Hudson provide additional perspectives on international productions and the playwright's adaptive practices. Andrew Haydon's edited interviews with six of Stephens's key collaborators – Marianne Elliott, Sarah Frankcom, Sean Holmes, Ramin Gray, Katie Mitchell and Carrie Cracknell – further illuminate the work from a director's viewpoint. The Theatre of Simon Stephens situates the playwright's oeuvre within his embrace of aesthetics and working relations encountered in European theatre cultures, focusing in particular upon shifting attitudes towards the function of the playwright, the relationship between playwrights and directors, and the role of the audience in live performance. The Companion serves as a lively and engaging study of one of the most restlessly creative and important dramatists of our generation.
Publisher: Bloomsbury Publishing
ISBN: 1474238661
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
Simon Stephens is one of Europe's pre-eminent living playwrights. Since the beginning of his career in 1998, Stephens's award-winning plays have been translated into over twenty languages, been produced on four continents, and continue to feature prominently in the repertoires of European theatre. His original works have garnered numerous awards, with his stage adaptation of Mark Haddon's novel The Curious Incident of the Dog in the Night-Time winning seven Olivier Awards and enjoying acclaim on Broadway. In the first book to provide a critical account of Stephens's work, Jacqueline Bolton draws upon the playwright's unpublished personal archives, as well as original interviews with directors and actors, to advance detailed analyses of his original plays and their productions, examine contemporary approaches to playwriting, and deliver insights into broader debates regarding text, performance and authorship. Caridad Svich addresses Stephens's theatrical output between 2014 and 2019, and essays from Mireia Aragay and James Hudson provide additional perspectives on international productions and the playwright's adaptive practices. Andrew Haydon's edited interviews with six of Stephens's key collaborators – Marianne Elliott, Sarah Frankcom, Sean Holmes, Ramin Gray, Katie Mitchell and Carrie Cracknell – further illuminate the work from a director's viewpoint. The Theatre of Simon Stephens situates the playwright's oeuvre within his embrace of aesthetics and working relations encountered in European theatre cultures, focusing in particular upon shifting attitudes towards the function of the playwright, the relationship between playwrights and directors, and the role of the audience in live performance. The Companion serves as a lively and engaging study of one of the most restlessly creative and important dramatists of our generation.
The Oxford Handbook of the Georgian Theatre 1737-1832
Author: Julia Swindells
Publisher: OUP Oxford
ISBN: 0191655201
Category : Literary Criticism
Languages : en
Pages : 2541
Book Description
The Oxford Handbook of the Georgian Theatre 1737-1832 provides an essential guide to theatre in Britain between the passing of the Stage Licensing Act in 1737 and the Reform Act of 1832 -- a period of drama long neglected but now receiving significant scholarly attention. Written by specialists from a range of disciplines, its forty essays both introduce students and scholars to the key texts and contexts of the Georgian theatre and also push the boundaries of the field, asking questions that will animate the study of drama in the eighteenth and early nineteenth centuries for years to come. The Handbook gives equal attention to the range of dramatic forms -- not just tragedy and comedy, but the likes of melodrama and pantomime -- as they developed and overlapped across the period, and to the occasions, communities, and materialities of theatre production. It includes sections on historiography, the censorship and regulation of drama, theatre and the Romantic canon, women and the stage, and the performance of race and empire. In doing so, the Handbook shows the centrality of theatre to Georgian culture and politics, and paints a picture of a stage defined by generic fluidity and experimentation; by networks of performance that spread far beyond London; by professional women who played pivotal roles in every aspect of production; and by its complex mediation of contemporary attitudes of class, race, and gender.
Publisher: OUP Oxford
ISBN: 0191655201
Category : Literary Criticism
Languages : en
Pages : 2541
Book Description
The Oxford Handbook of the Georgian Theatre 1737-1832 provides an essential guide to theatre in Britain between the passing of the Stage Licensing Act in 1737 and the Reform Act of 1832 -- a period of drama long neglected but now receiving significant scholarly attention. Written by specialists from a range of disciplines, its forty essays both introduce students and scholars to the key texts and contexts of the Georgian theatre and also push the boundaries of the field, asking questions that will animate the study of drama in the eighteenth and early nineteenth centuries for years to come. The Handbook gives equal attention to the range of dramatic forms -- not just tragedy and comedy, but the likes of melodrama and pantomime -- as they developed and overlapped across the period, and to the occasions, communities, and materialities of theatre production. It includes sections on historiography, the censorship and regulation of drama, theatre and the Romantic canon, women and the stage, and the performance of race and empire. In doing so, the Handbook shows the centrality of theatre to Georgian culture and politics, and paints a picture of a stage defined by generic fluidity and experimentation; by networks of performance that spread far beyond London; by professional women who played pivotal roles in every aspect of production; and by its complex mediation of contemporary attitudes of class, race, and gender.
Battle Cries for the Underdog
Author: Monroe Mann
Publisher: AuthorHouse
ISBN: 1467802719
Category : Business & Economics
Languages : en
Pages : 164
Book Description
THE FIRST SELF-HELP BOOK TO COME OUT OF MODERN COMBAT. For fighting the war against living an ordinary life: An inspirational guide for those in the pursuit of destiny. No matter how lofty the goal, or how unlikely the victory, success can and should be yours. Inspired by the author’s combat deployment to Iraq, written while in Iraq, and sent off to his publisher prior to his departure back to the States, this collection of 100 ‘Battle Cries’ and ‘Fightin’ Words’ will help you keep your dreams alive ‘n kicking no matter what the obstacles.
Publisher: AuthorHouse
ISBN: 1467802719
Category : Business & Economics
Languages : en
Pages : 164
Book Description
THE FIRST SELF-HELP BOOK TO COME OUT OF MODERN COMBAT. For fighting the war against living an ordinary life: An inspirational guide for those in the pursuit of destiny. No matter how lofty the goal, or how unlikely the victory, success can and should be yours. Inspired by the author’s combat deployment to Iraq, written while in Iraq, and sent off to his publisher prior to his departure back to the States, this collection of 100 ‘Battle Cries’ and ‘Fightin’ Words’ will help you keep your dreams alive ‘n kicking no matter what the obstacles.
Teaching Performance Practices in Remote and Hybrid Spaces
Author: Jeanmarie Higgins
Publisher: Taylor & Francis
ISBN: 1000599299
Category : Education
Languages : en
Pages : 235
Book Description
This collection of insightful essays gives teachers’ perspectives on the role of space and presence in teaching performance. It explores how the demand for remote teaching can be met while at the same time successfully educating and working compassionately in this most ‘live’ of disciplines. Teaching Performance Practices in Remote and Hybrid Spaces reframes prevailing ideas about pedagogy in dance, theatre, and somatics and applies them to teaching in face-to-face, hybrid, and remote situations. Case studies from instructors and professors provide essential, practical suggestions for remotely teaching a vast range of studio courses, including tap dance, theatre design, movement, script analysis, and acting, rendering this book an invaluable resource. The challenges that teachers are facing in the early twenty-first century are addressed throughout, helping readers to navigate these unprecedented circumstances whilst delivering lessons, guiding workshops, rehearsing, or even staging performances. This book is invaluable for dance and theatre teachers or leaders who work in the performing arts and related disciplines. It is also ideal for any professionals who need research-based solutions for teaching performance online.
Publisher: Taylor & Francis
ISBN: 1000599299
Category : Education
Languages : en
Pages : 235
Book Description
This collection of insightful essays gives teachers’ perspectives on the role of space and presence in teaching performance. It explores how the demand for remote teaching can be met while at the same time successfully educating and working compassionately in this most ‘live’ of disciplines. Teaching Performance Practices in Remote and Hybrid Spaces reframes prevailing ideas about pedagogy in dance, theatre, and somatics and applies them to teaching in face-to-face, hybrid, and remote situations. Case studies from instructors and professors provide essential, practical suggestions for remotely teaching a vast range of studio courses, including tap dance, theatre design, movement, script analysis, and acting, rendering this book an invaluable resource. The challenges that teachers are facing in the early twenty-first century are addressed throughout, helping readers to navigate these unprecedented circumstances whilst delivering lessons, guiding workshops, rehearsing, or even staging performances. This book is invaluable for dance and theatre teachers or leaders who work in the performing arts and related disciplines. It is also ideal for any professionals who need research-based solutions for teaching performance online.
The Theatre
Travel and Drama in Early Modern England
Author: Claire Jowitt
Publisher: Cambridge University Press
ISBN: 1108471188
Category : Drama
Languages : en
Pages : 289
Book Description
Offers new ways to conceptualize the relationship between early modern travel and drama, and re-assesses how travel drama is defined.
Publisher: Cambridge University Press
ISBN: 1108471188
Category : Drama
Languages : en
Pages : 289
Book Description
Offers new ways to conceptualize the relationship between early modern travel and drama, and re-assesses how travel drama is defined.
Author: Kolie E. Crutcher, III
Publisher: AuthorHouse
ISBN: 1434329348
Category :
Languages : en
Pages : 192
Book Description
Probably the greatest tragedy of the human race is the failure of the overwhelming majority of people to realize their dreams. Your dreams are realized as a result of creating power in your life. But, because most people have no clue about how to create power in their lives, their dreams remain unrealized. With that being said, quite naturally the question becomes, "How do I create power in my life?" The answer to this question is found within the pages of this book. Think about the following: You cannot turn on the light in your home without electric power. In the same fashion, you cannot turn on the dreams in your life without personal power. Electric Living: The Powerful Life! demonstrates the process of creating that personal power necessary to turn on the dreams in your life by relating it to the electric power necessary to turn on a common light bulb in your home. That is my promise to you, the reader. This is NOT just another motivational book! And here is why: as you will learn, motivation is only part of the formula for creating power. If all you want is motivation, there are countless other books that you can purchase. Yes, Electric Living: The Powerful Life! will motivate you, but it does not stop there. This book goes the extra mile and gives you a formula for creating power - the personal power necessary to realize the dreams in your life!
Publisher: AuthorHouse
ISBN: 1434329348
Category :
Languages : en
Pages : 192
Book Description
Probably the greatest tragedy of the human race is the failure of the overwhelming majority of people to realize their dreams. Your dreams are realized as a result of creating power in your life. But, because most people have no clue about how to create power in their lives, their dreams remain unrealized. With that being said, quite naturally the question becomes, "How do I create power in my life?" The answer to this question is found within the pages of this book. Think about the following: You cannot turn on the light in your home without electric power. In the same fashion, you cannot turn on the dreams in your life without personal power. Electric Living: The Powerful Life! demonstrates the process of creating that personal power necessary to turn on the dreams in your life by relating it to the electric power necessary to turn on a common light bulb in your home. That is my promise to you, the reader. This is NOT just another motivational book! And here is why: as you will learn, motivation is only part of the formula for creating power. If all you want is motivation, there are countless other books that you can purchase. Yes, Electric Living: The Powerful Life! will motivate you, but it does not stop there. This book goes the extra mile and gives you a formula for creating power - the personal power necessary to realize the dreams in your life!
The Oxford Handbook of the Global Stage Musical
Author: Robert Gordon
Publisher: Oxford University Press
ISBN: 0190909730
Category : Music
Languages : en
Pages : 1001
Book Description
The stage musical constitutes a major industry not only in the US and the UK, but in many regions of the world. Over the last four decades many countries have developed their own musical theatre industries, not only by importing hit shows from Broadway and London but also by establishing or reviving local traditions of musical theatre. In response to the rapid growth of musical theatre as a global phenomenon, The Oxford Handbook of the Global Stage Musical presents new scholarly approaches to issues arising from these new international markets. The volume examines the stage musical from theoretical and empirical perspectives including concepts of globalization and consumer culture, performance and musicological analysis, historical and cultural studies, media studies, notions of interculturalism and hybridity, gender studies, and international politics. The thirty-three essays investigate major aspects of the global musical, such as the dominance of Western colonialism in its early production and dissemination, racism and sexism--both in representation and in the industry itself--as well as current conflicts between global and local interests in postmodern cultures. Featuring contributors from seventeen countries, the essays offer informed insider perspectives that reflect the diversity of the subject and offer in-depth examinations of specific cultural and economic systems. Together, they conduct penetrating comparative analysis of musical theatre in different contexts as well as a survey of the transcultural spread of musicals.
Publisher: Oxford University Press
ISBN: 0190909730
Category : Music
Languages : en
Pages : 1001
Book Description
The stage musical constitutes a major industry not only in the US and the UK, but in many regions of the world. Over the last four decades many countries have developed their own musical theatre industries, not only by importing hit shows from Broadway and London but also by establishing or reviving local traditions of musical theatre. In response to the rapid growth of musical theatre as a global phenomenon, The Oxford Handbook of the Global Stage Musical presents new scholarly approaches to issues arising from these new international markets. The volume examines the stage musical from theoretical and empirical perspectives including concepts of globalization and consumer culture, performance and musicological analysis, historical and cultural studies, media studies, notions of interculturalism and hybridity, gender studies, and international politics. The thirty-three essays investigate major aspects of the global musical, such as the dominance of Western colonialism in its early production and dissemination, racism and sexism--both in representation and in the industry itself--as well as current conflicts between global and local interests in postmodern cultures. Featuring contributors from seventeen countries, the essays offer informed insider perspectives that reflect the diversity of the subject and offer in-depth examinations of specific cultural and economic systems. Together, they conduct penetrating comparative analysis of musical theatre in different contexts as well as a survey of the transcultural spread of musicals.