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Author: E. E. Cummings Publisher: W. W. Norton & Company ISBN: 0871403498 Category : Drama Languages : en Pages : 223
Book Description
The complete collection of E. E. Cummings’s writing for the stage, from the most inventive poet of the twentieth century. The Theatre of E. E. Cummings collects in their entirety Cummings’s long out-of-print theatrical works: the plays HIM (1927), Anthropos (1930), and Santa Claus (1946), and the ballet treatment Tom (1935). In HIM, a creatively blocked artist and his lover, Me, struggle to bridge the impasse in their relationship and in his art. In Anthropos, a Platonic parable, three “infrahumans” brainstorm slogans while a man sketches on a cave wall; and in Santa Claus, Death and Saint Nick exchange identities. Harriet Beecher Stowe’s Uncle Tom’s Cabin is reimagined as dance, transforming the novel into a symbolic attack against Evil itself. Cummings’s prodigious creativity is on display in each of these works, which are ultimately about the place of the artist outside of society. “DON’T TRY TO UNDERSTAND IT, LET IT TRY TO UNDERSTAND YOU,” Cummings famously wrote about his intentions for the stage. Thoughtful and witty, Cummings’s dramas are an integral part of his canon.
Author: E. E. Cummings Publisher: W. W. Norton & Company ISBN: 0871403498 Category : Drama Languages : en Pages : 223
Book Description
The complete collection of E. E. Cummings’s writing for the stage, from the most inventive poet of the twentieth century. The Theatre of E. E. Cummings collects in their entirety Cummings’s long out-of-print theatrical works: the plays HIM (1927), Anthropos (1930), and Santa Claus (1946), and the ballet treatment Tom (1935). In HIM, a creatively blocked artist and his lover, Me, struggle to bridge the impasse in their relationship and in his art. In Anthropos, a Platonic parable, three “infrahumans” brainstorm slogans while a man sketches on a cave wall; and in Santa Claus, Death and Saint Nick exchange identities. Harriet Beecher Stowe’s Uncle Tom’s Cabin is reimagined as dance, transforming the novel into a symbolic attack against Evil itself. Cummings’s prodigious creativity is on display in each of these works, which are ultimately about the place of the artist outside of society. “DON’T TRY TO UNDERSTAND IT, LET IT TRY TO UNDERSTAND YOU,” Cummings famously wrote about his intentions for the stage. Thoughtful and witty, Cummings’s dramas are an integral part of his canon.
Author: Ezra Pound Publisher: New Directions Publishing ISBN: 9780811201551 Category : Literary Criticism Languages : en Pages : 388
Book Description
Nearly a hundred poets are represented, a number of them in Pound's translations, with emphasis on the Greek, Latin, Chinese, Troubadour, Renaissance, and Elizabethan poets.
Author: Edward Estlin Cummings Publisher: Liveright Publishing Corporation ISBN: 9780871401571 Category : Poetry Languages : en Pages : 310
Book Description
Collects the poet's most avant-garde poetry and prose, including deviant traditional verse, erotic poetry, visual poetry, texts set to music, condensed prose, and elliptical narratives
Author: Edward Estlin Cummings Publisher: Harvard University Press ISBN: 9780674440104 Category : Biography & Autobiography Languages : en Pages : 132
Book Description
In this lecture series, American poet and writer E.E. Cummings discusses his life and work on a personal level. He concludes each lecture with a poetry reading lasting about fifteen minutes. He reads mostly works of other poets.
Author: Jennifer Alison Rosenblitt Publisher: Oxford University Press ISBN: 0198767153 Category : History Languages : en Pages : 393
Book Description
This volume is a major, groundbreaking study of the modernist E. E. Cummings' engagement with the classics. It explores the significance of Cummings' Harvard training as a classicist to his development as a poet and to his published work and also contains an edition of new, previously unpublished material by Cummings himself.
Author: Susan Cheever Publisher: Vintage ISBN: 0307908674 Category : Biography & Autobiography Languages : en Pages : 298
Book Description
From the author of American Bloomsbury, Louisa May Alcott, and Home Before Dark, a major reassessment of the life and work of the novelist, painter, and playwright considered to be one of America’s preeminent twentieth-century poets. At the time of his death in 1962, at age sixty-eight, he was, after Robert Frost, the most widely read poet in the United States. E. E. Cummings was and remains controversial. He has been called “a master” (Malcolm Cowley); “hideous” (Edmund Wilson). James Dickey called him a “daringly original poet with more vitality and more sheer uncompromising talent than any other living American writer.” In Susan Cheever’s rich, illuminating biography we see Cummings’s idyllic childhood years in Cambridge, Massachusetts; his Calvinist father—distinguished Harvard professor and sternly religious minister of the Cambridge Congregational Church; his mother—loving, attentive, a source of encouragement, the aristocrat of the family, from Unitarian writers, judges, and adventurers. We see Cummings—slight, agile, playful, a product of a nineteenth-century New England childhood, bred to be flinty and determined; his love of nature; his sense of fun, laughter, mimicry; his desire from the get-go to stand conventional wisdom on its head, which he himself would often do, literally, to amuse. At Harvard, he roomed with John Dos Passos; befriended Lincoln Kirstein; read Latin, Greek, and French; earned two degrees; discovered alcohol, fast cars, and burlesque at the Old Howard Theater; and raged against the school’s conservative, exclusionary upper-class rule by A. Lawrence Lowell. In Cheever’s book we see that beneath Cummings’s blissful, golden childhood the strains of sadness and rage were already at play. He grew into a dark young man and set out on a lifelong course of rebellion against conventional authority and the critical establishment, devouring the poetry of Ezra Pound, whose radical verses pushed Cummings away from the politeness of the traditional nature poem toward a more adventurous, sexually conscious form. We see that Cummings’s self-imposed exile from Cambridge—a town he’d come to hate for its intellectualism, Puritan uptightness, racism, and self-righteous xenophobia—seemed necessary for him as a man and a poet. Headstrong and cavalier, he volunteered as an ambulance driver in World War I, working alongside Hemingway, Joyce, and Ford Madox Ford . . . his ongoing stand against the imprisonment of his soul taking a literal turn when he was held in a makeshift prison for “undesirables and spies,” an experience that became the basis for his novel, The Enormous Room. We follow Cummings as he permanently flees to Greenwich Village to be among other modernist poets of the day—Marianne Moore, Hart Crane, Dylan Thomas—and we see the development of both the poet and his work against the backdrop of modernism and through the influences of his contemporaries: Stein, Amy Lowell, Joyce, and Pound. Cheever’s fascinating book gives us the evolution of an artist whose writing was at the forefront of what was new and daring and bold in an America in transition. (With 28 pages of black-and-white images.)
Author: T. S. Eliot Publisher: HarperCollins ISBN: 0358380154 Category : Poetry Languages : en Pages : 67
Book Description
The inspiration for the iconic musical Cats, T. S. Eliot's classic and delightful collection of poetry about cats. These lovable cat poems were written by T. S. Eliot for his godchildren and continue to delight children and adults alike. This collection is a curious and artful homage to felines young and old, merry and fierce, small and unmistakably round. This is the ultimate gift for cat and poetry lovers.
Author: E. E. Cummings Publisher: W. W. Norton & Company ISBN: 0871403889 Category : Poetry Languages : en Pages : 338
Book Description
An eye-opening selection of Cumming's more avant-garde poetry and prose. As a poet, Cummings was a pioneer not only in linguistic and typographic inventions, but also in sound and concrete poetry. But his prose is no less experimental; he wrote memoirs, essays, and fiction that are constantly provocative and often radically experimental. To read the avant-garde Cummings is to read a writer who consistently broke with established norms, "never to rest and never to have: only to grow." To not read the avant-garde Cummings is to not read Cummings. Adjusting type size may change line breaks. Landscape mode may help to preserve line breaks.
Author: Edward Estlin Cummings Publisher: POMEGRANATE ART BOOKS ISBN: 9780764971488 Category : Languages : en Pages : 0
Book Description
What do four little girls discover when they spend an afternoon by the sea? Maggie, a shell; Milly, a star; Molly, a "horrible thing"; and May, a smooth round stone. This seemingly simple story by American poet Edward Estlin Cummings (1894-1962), showcasing his signature quirky style, is delightful as well as profound. Readers will enjoy the day at the beach for its innate pleasures, but on contemplation may realize that objects encountered by the girls reflect parts of themselves.Marcia Perry's bright, engaging illustrations enhance the poem with her playful and introspective portraits of the characters; her beach setting sings with the ocean tide and the seagulls' squawks.
Author: E. E. Cummings
Author: E. E. Cummings
Author: Ezra Pound
Author: Edward Estlin Cummings
Author: E. E. CUMMINGS
Author: Edward Estlin Cummings
Author: Jennifer Alison Rosenblitt
Author: Susan Cheever
Author: T. S. Eliot
Author: E. E. Cummings
Author: Edward Estlin Cummings