The Theater of Nelson Rodrigues PDF Download

Author: Nelson Rodrigues
Publisher:
ISBN:
Category :
Languages : en
Pages : 560

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Author: Nelson Rodrigues
Publisher: Bloomsbury Publishing
ISBN: 178682714X
Category : Literary Criticism
Languages : en
Pages : 548

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Book Description
Nelson Falcão Rodrigues (August 23, 1912 – December 21, 1980) was a Brazilian playwright, journalist and novelist. In 1943, he helped usher in a new era in Brazilian theater with his play Vestido de Noiva (Wedding Dress), considered revolutionary for the complex exploration of its characters' psychology and its use of colloquial dialogue. He went on to write many other seminal plays and today is widely regarded as Brazil's greatest playwright. This volume contains brand-new translations of the plays Wedding Dress; Waltz No. 6; All Nudity Will Punished; Forgive Me for Your Betrayal; Family Portraits; Black Angel and Seven Little Kitties.

Author: Nelson Rodrigues
Publisher: Host Publications, Inc.
ISBN: 9780924047619
Category : Fiction
Languages : en
Pages : 338

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Fiction. Latin American Studies. Translated by Alex Ladd. Still relatively unknown in the United States, Nelson Rodrigues (1912 -1980) is considered by many to be Brazil's greatest playwright. The fifty-eight stories in this collection are gathered from his newspaper column, A Vida Como Ela E (LIFE AS IT IS). Written in the 1950s, these stories have since been republished numerous times in Brazil, where they have been adapted for theater, television and cinema. Available in English for the first time, LIFE AS IT IS provides a beguiling showcase for the mordant wit and biting insights of one of the twentieth century's most singular talents.

Author: Eduardo F. Coutinho
Publisher: Bloomsbury Publishing USA
ISBN: 1501323288
Category : Literary Criticism
Languages : en
Pages : 372

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Book Description
Brazilian Literature as World Literature is not only an introduction to Brazilian literature but also a study of the connections between Brazil's literary production and that of the rest of the world, particularly European and North American literatures. It highlights the tension that has always existed in Brazilian literature between the imitation of European models and forms and a yearning for a tradition of its own, as well as the attempts by modernist writers to propose possible solutions, such as aesthetic cannibalism, to overcome this tension.

Author: David George
Publisher: Routledge
ISBN: 1135576475
Category : Biography & Autobiography
Languages : en
Pages : 198

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First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

Author: Elisa Rizo
Publisher: Lexington Books
ISBN: 1498530214
Category : Literary Criticism
Languages : en
Pages : 131

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Atlantis Otherwise expands the study of the African diaspora by focusing on postcolonial literary expressions from Latin America and Africa. The book studies the presence of classical references in texts written by writers (black and non-black) who are committed to the articulation of the fragmented history of the African experience from the Middle Passage to the present outside of Euro-centric views. Consequently, this book addresses the silencing of the African Diaspora within the official discourses of Latin America and Hispanic Africa, as well as the limitations that linguistic and geographic boundaries have imposed upon scholarship. The contributors address questions related to the categories of race and cultural identity by analyzing a diverse body of Afro-Latin American and Afro-Hispanic receptions of classical literature and its imaginaries. Literary texts in Spanish and Portuguese written in countries such as Brazil, Colombia, and Equatorial Guinea provide the opportunity for a transnational and trans-linguistic examination of the use of classical tropes and themes in twentieth-century drama, fiction, folklore studies, and narrative.

Author: Nelson Rodrigues
Publisher:
ISBN:
Category : Brazil
Languages : en
Pages : 412

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Author: David George
Publisher: University of Texas Press
ISBN: 0292772920
Category : Performing Arts
Languages : en
Pages : 197

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Reading a play and watching it performed onstage are quite different experiences. Likewise, studying a country's theatrical tradition with reference only to playtexts overlooks the vital impact of a play's performance on the audience and on the whole artistic community. In this performance-centered approach to Brazilian theatre since the 1940s, David George explores a total theatrical language—the plays, the companies that produced them, and the performances that set a standard for all future stagings. George structures the discussion around several important companies. He begins with Os Comediantes, whose revolutionary 1943 staging of Nelson Rodrigues' Vestido de Noiva (Bridal Gown) broke with the outmoded comedy-of-manners formula that had dominated the national stage since the nineteenth century. He considers three companies of the 1950s and 1960s—Teatro Brasileiro de Comédia, Teatro de Arena, and Teatro Oficina—along with the 1967 production of O Rei da Vela (The Candle King) by Teatro Oficina. The 1970s represented a wasteland for Brazilian theatre, George finds, in which a repressive military dictatorship muzzled artistic expression. The Grupo Macunaíma brought theatre alive again in the 1980s, with its productions of Macunaíma and Nelson 2 Rodrigues. Common to all theatrical companies, George concludes, was the desire to establish a national aesthetic, free from European and United States models. The creative tension this generated and the successes of modern Brazilian theatre make lively reading for all students of Brazilian and world drama.

Author: Roberto Gonzalez Echevarría
Publisher: Cambridge University Press
ISBN: 9780521410359
Category : Literary Criticism
Languages : en
Pages : 896

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Book Description
The Cambridge History of Latin American Literature is by far the most comprehensive work of its kind ever written. Its three volumes cover the whole sweep of Latin American literature (including Brazilian) from pre-Colombian times to the present, and contain chapters on Latin American writing in the USA. Volume 3 is devoted partly to the history of Brazilian literature, from the earliest writing through the colonial period and the Portuguese-language traditions of the nineteenth and twentieth centuries; and partly also to an extensive bibliographical section in which annotated reading lists relating to the chapters in all three volumes of The Cambridge History of Latin American Literature are presented. These bibliographies are a unique feature of the History, further enhancing its immense value as a reference work.

Author: Aleksandar Dundjerović
Publisher: McFarland
ISBN: 1476630178
Category : Performing Arts
Languages : en
Pages : 214

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Book Description
Brazil has one of the most vibrant theater cultures in the world, home to a wide variety of theatrical expression. This collection of 15 interviews includes some of the country's most prolific creative minds--Ze Celso (Teatro Oficina), Antunes Filho, Gerald Thomas, Nos do Morro, Rudolfo Vasquez (Os Satyros), Antonio Araujo (Teatro Vertigem), Enrique Diaz (Cia do Atores) and Lia Rodrigues, to name a few--discussing their approaches to the collaborative theater process. They describe a collective creative environment in which practitioners are concerned with fundamental questions about social, cultural and artistic contexts in which productions are staged, and the interdisciplinary climate that predominated from the beginning of the 1980s.