Author: Julia V. Emberley
Publisher: SUNY Press
ISBN: 1438453612
Category : Social Science
Languages : en
Pages : 354
Book Description
Examines how colonial and postcolonial violence is understood and conceptualized through Indigenous storytelling. Through the study of Indigenous literary and artistic practices from Canada, Australia, New Zealand, and the United States, Julia V. Emberley examines the ways Indigenous storytelling discloses and repairs the traumatic impact of social violence in settler colonial nations. She focuses on Indigenous storytelling in a range of cultural practices, including novels, plays, performances, media reports, Internet museum exhibits, and graphic novels. In response to historical trauma such as that experienced at Indian residential schools, as well as present-day violence against Indigenous bodies and land, Indigenous storytellers make use of Indigenous spirituality and the sacred to inform an ethics of hospitality. They provide uncanny configurations of political and social kinships between people, between the past and the present, and between the animate and inanimate. This book introduces readers to cultural practices and theoretical texts concerned with bringing Indigenous epistemologies to the discussion of trauma and colonial violence.
The Testimonial Uncanny
Author: Julia V. Emberley
Publisher: SUNY Press
ISBN: 1438453612
Category : Social Science
Languages : en
Pages : 354
Book Description
Examines how colonial and postcolonial violence is understood and conceptualized through Indigenous storytelling. Through the study of Indigenous literary and artistic practices from Canada, Australia, New Zealand, and the United States, Julia V. Emberley examines the ways Indigenous storytelling discloses and repairs the traumatic impact of social violence in settler colonial nations. She focuses on Indigenous storytelling in a range of cultural practices, including novels, plays, performances, media reports, Internet museum exhibits, and graphic novels. In response to historical trauma such as that experienced at Indian residential schools, as well as present-day violence against Indigenous bodies and land, Indigenous storytellers make use of Indigenous spirituality and the sacred to inform an ethics of hospitality. They provide uncanny configurations of political and social kinships between people, between the past and the present, and between the animate and inanimate. This book introduces readers to cultural practices and theoretical texts concerned with bringing Indigenous epistemologies to the discussion of trauma and colonial violence.
Publisher: SUNY Press
ISBN: 1438453612
Category : Social Science
Languages : en
Pages : 354
Book Description
Examines how colonial and postcolonial violence is understood and conceptualized through Indigenous storytelling. Through the study of Indigenous literary and artistic practices from Canada, Australia, New Zealand, and the United States, Julia V. Emberley examines the ways Indigenous storytelling discloses and repairs the traumatic impact of social violence in settler colonial nations. She focuses on Indigenous storytelling in a range of cultural practices, including novels, plays, performances, media reports, Internet museum exhibits, and graphic novels. In response to historical trauma such as that experienced at Indian residential schools, as well as present-day violence against Indigenous bodies and land, Indigenous storytellers make use of Indigenous spirituality and the sacred to inform an ethics of hospitality. They provide uncanny configurations of political and social kinships between people, between the past and the present, and between the animate and inanimate. This book introduces readers to cultural practices and theoretical texts concerned with bringing Indigenous epistemologies to the discussion of trauma and colonial violence.
The Testimonial Uncanny
Author: Julia V. Emberley
Publisher: State University of New York Press
ISBN: 1438453639
Category : Social Science
Languages : en
Pages : 354
Book Description
Through the study of Indigenous literary and artistic practices from Canada, Australia, New Zealand, and the United States, Julia V. Emberley examines the ways Indigenous storytelling discloses and repairs the traumatic impact of social violence in settler colonial nations. She focuses on Indigenous storytelling in a range of cultural practices, including novels, plays, performances, media reports, Internet museum exhibits, and graphic novels. In response to historical trauma such as that experienced at Indian residential schools, as well as present-day violence against Indigenous bodies and land, Indigenous storytellers make use of Indigenous spirituality and the sacred to inform an ethics of hospitality. They provide uncanny configurations of political and social kinships between people, between the past and the present, and between the animate and inanimate. This book introduces readers to cultural practices and theoretical texts concerned with bringing Indigenous epistemologies to the discussion of trauma and colonial violence.
Publisher: State University of New York Press
ISBN: 1438453639
Category : Social Science
Languages : en
Pages : 354
Book Description
Through the study of Indigenous literary and artistic practices from Canada, Australia, New Zealand, and the United States, Julia V. Emberley examines the ways Indigenous storytelling discloses and repairs the traumatic impact of social violence in settler colonial nations. She focuses on Indigenous storytelling in a range of cultural practices, including novels, plays, performances, media reports, Internet museum exhibits, and graphic novels. In response to historical trauma such as that experienced at Indian residential schools, as well as present-day violence against Indigenous bodies and land, Indigenous storytellers make use of Indigenous spirituality and the sacred to inform an ethics of hospitality. They provide uncanny configurations of political and social kinships between people, between the past and the present, and between the animate and inanimate. This book introduces readers to cultural practices and theoretical texts concerned with bringing Indigenous epistemologies to the discussion of trauma and colonial violence.
Performing the testimonial
Author: Amanda Stuart Fisher
Publisher: Manchester University Press
ISBN: 1526145731
Category : Performing Arts
Languages : en
Pages : 202
Book Description
Providing one of the first critically sustained engagements with the new forms of verbatim and testimonial theatre that emerged in the late 1990s and early 2000s, this book examines what distinguishes verbatim theatre from the more established documentary theatre traditions developed initially by Peter Weiss, Bertolt Brecht and Erwin Piscator. Examining a wide range of verbatim and testimonial plays from around the world, this book looks beyond the discourses of the real that have tended to dominate scholarship in this area and instead argues that this kind of theatre engages in acts of truth telling. Through its analysis of a range of international plays from UK, Germany, America, Australia and South Africa, the book explores theatre’s dramaturgical interrogation of testimony and how the act of witnessing itself is reconfigured when relocated outside of the psychoanalytic frame and positioned as contributing to a decolonisation of testimony.
Publisher: Manchester University Press
ISBN: 1526145731
Category : Performing Arts
Languages : en
Pages : 202
Book Description
Providing one of the first critically sustained engagements with the new forms of verbatim and testimonial theatre that emerged in the late 1990s and early 2000s, this book examines what distinguishes verbatim theatre from the more established documentary theatre traditions developed initially by Peter Weiss, Bertolt Brecht and Erwin Piscator. Examining a wide range of verbatim and testimonial plays from around the world, this book looks beyond the discourses of the real that have tended to dominate scholarship in this area and instead argues that this kind of theatre engages in acts of truth telling. Through its analysis of a range of international plays from UK, Germany, America, Australia and South Africa, the book explores theatre’s dramaturgical interrogation of testimony and how the act of witnessing itself is reconfigured when relocated outside of the psychoanalytic frame and positioned as contributing to a decolonisation of testimony.
Performing the Testimonial
Author: Amanda Stuart Fisher
Publisher:
ISBN: 9781526174475
Category :
Languages : en
Pages : 0
Book Description
Performing the testimonial offers a new critical engagement with verbatim and testimonial theatre that draws on an analysis of a number of international contemporary verbatim and testimonial plays. Moving beyond discourses of the real, the book argues that testimonial theatre engages in acts of truth telling, performing new modes of witnessing.
Publisher:
ISBN: 9781526174475
Category :
Languages : en
Pages : 0
Book Description
Performing the testimonial offers a new critical engagement with verbatim and testimonial theatre that draws on an analysis of a number of international contemporary verbatim and testimonial plays. Moving beyond discourses of the real, the book argues that testimonial theatre engages in acts of truth telling, performing new modes of witnessing.
Rethinking Testimonial Cinema in Postdictatorship Argentina
Author: Verónica Garibotto
Publisher: Indiana University Press
ISBN: 0253038537
Category : History
Languages : en
Pages : 207
Book Description
For roughly two decades after the collapse of the military regime in 1983, testimonial narrative was viewed and received as a privileged genre in Argentina. Today, however, academics and public intellectuals are experiencing "memory fatigue," a backlash against the concepts of memory and trauma, just as memory and testimonial films have reached the center of Argentinian public discourse. In Rethinking Testimonial Cinema in Postdictatorship Argentina, Verónica Garibotto looks at the causes for this reticence and argues that, rather than discarding memory texts for their repetitive excess, it is necessary to acknowledge them and their exhaustion as discourses of the present. By critically examining how trauma theory and subaltern studies have previously been applied to testimonial cinema, Garibotto rereads Argentinian films produced since 1983 and calls for an alternate interpretive framework at the intersection of semiotics, theories of affect, scholarship on hegemony, and the ideological uses of documentary and fiction. She argues that recurrent concepts—such as trauma, mourning, memory, and subalternity—miss how testimonial films have changed over time, shifting from subaltern narratives to official, hegemonic, and iconic accounts. Her work highlights the urgent need to continue to study these types of narratives, particularly at a time when military dictatorships have become entrenched in Latin America and memory narratives proliferate worldwide. Although Argentina is Garibotto's focus, her theory can be adapted to other contexts in which narratives about recent political conflicts have shifted from alternative versions of history to official, hegemonic accounts—such as in Spanish, Chilean, Uruguayan, Brazilian, South African, and Holocaust testimonies. Garibotto's study of testimonial cinema moves us to pursue a broader ideological analysis of the links between film and historical representation.
Publisher: Indiana University Press
ISBN: 0253038537
Category : History
Languages : en
Pages : 207
Book Description
For roughly two decades after the collapse of the military regime in 1983, testimonial narrative was viewed and received as a privileged genre in Argentina. Today, however, academics and public intellectuals are experiencing "memory fatigue," a backlash against the concepts of memory and trauma, just as memory and testimonial films have reached the center of Argentinian public discourse. In Rethinking Testimonial Cinema in Postdictatorship Argentina, Verónica Garibotto looks at the causes for this reticence and argues that, rather than discarding memory texts for their repetitive excess, it is necessary to acknowledge them and their exhaustion as discourses of the present. By critically examining how trauma theory and subaltern studies have previously been applied to testimonial cinema, Garibotto rereads Argentinian films produced since 1983 and calls for an alternate interpretive framework at the intersection of semiotics, theories of affect, scholarship on hegemony, and the ideological uses of documentary and fiction. She argues that recurrent concepts—such as trauma, mourning, memory, and subalternity—miss how testimonial films have changed over time, shifting from subaltern narratives to official, hegemonic, and iconic accounts. Her work highlights the urgent need to continue to study these types of narratives, particularly at a time when military dictatorships have become entrenched in Latin America and memory narratives proliferate worldwide. Although Argentina is Garibotto's focus, her theory can be adapted to other contexts in which narratives about recent political conflicts have shifted from alternative versions of history to official, hegemonic accounts—such as in Spanish, Chilean, Uruguayan, Brazilian, South African, and Holocaust testimonies. Garibotto's study of testimonial cinema moves us to pursue a broader ideological analysis of the links between film and historical representation.
Ethics of Witness in Global Testimonial Narratives
Author: Kimberly A. Nance
Publisher: Rowman & Littlefield
ISBN: 1498598897
Category : Literary Criticism
Languages : en
Pages : 159
Book Description
Inspired by Susan Sontag’s examination of the impact of “photography of conscience” in Regarding the Pain of Others, Kimberly A. Nance’s Responding to the Pain of Others: Ethics of Witness in Global Testimonial Narratives takes as its point of departure Sontag’s speculation that in combatting human rights abuse, “a narrative seems likely to be more effective than an image.” Building on her own earlier research on Aristotelian rhetorical theory and testimony, along with other interdisciplinary approaches, Nance analyzes the socio-literary narratives of Elvia Alvarado, Medea Benjamin, Peter Dickinson, Benjamin Alire Sáenz, Clea Koff, Delia Jarrett-Macauley, Valentino Achak Deng, Dave Eggers, Uwem Akpan, and Alicia Partnoy. Each of them, she finds, confronts a human rights discourse in which words—and witnesses—have become disconnected from actions. Recognizing that the genre’s own conventions have become an obstacle to its projects, these testimonialists draw on humor, irony, satire, parody, and innovative literary techniques, alongside strategies rooted in real-life organizing, in an effort to reactivate the discourse of human rights. They seek to persuade readers to exchange a solidarity of sentiment, a state Michael Vander Weele calls “an aesthetics in which the engine revs but the clutch is never engaged,” for actual social action.
Publisher: Rowman & Littlefield
ISBN: 1498598897
Category : Literary Criticism
Languages : en
Pages : 159
Book Description
Inspired by Susan Sontag’s examination of the impact of “photography of conscience” in Regarding the Pain of Others, Kimberly A. Nance’s Responding to the Pain of Others: Ethics of Witness in Global Testimonial Narratives takes as its point of departure Sontag’s speculation that in combatting human rights abuse, “a narrative seems likely to be more effective than an image.” Building on her own earlier research on Aristotelian rhetorical theory and testimony, along with other interdisciplinary approaches, Nance analyzes the socio-literary narratives of Elvia Alvarado, Medea Benjamin, Peter Dickinson, Benjamin Alire Sáenz, Clea Koff, Delia Jarrett-Macauley, Valentino Achak Deng, Dave Eggers, Uwem Akpan, and Alicia Partnoy. Each of them, she finds, confronts a human rights discourse in which words—and witnesses—have become disconnected from actions. Recognizing that the genre’s own conventions have become an obstacle to its projects, these testimonialists draw on humor, irony, satire, parody, and innovative literary techniques, alongside strategies rooted in real-life organizing, in an effort to reactivate the discourse of human rights. They seek to persuade readers to exchange a solidarity of sentiment, a state Michael Vander Weele calls “an aesthetics in which the engine revs but the clutch is never engaged,” for actual social action.
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New Issues in Epistemological Disjunctivism
Author: Casey Doyle
Publisher: Routledge
ISBN: 1351603558
Category : Philosophy
Languages : en
Pages : 383
Book Description
This is the first volume dedicated solely to the topic of epistemological disjunctivism. The original essays in this volume, written by leading and up-and-coming scholars on the topic, are divided into three thematic sections. The first set of chapters addresses the historical background of epistemological disjunctivism. It features essays on ancient epistemology, Immanuel Kant, J.L. Austin, Edmund Husserl, and Ludwig Wittgenstein. The second section tackles a number contemporary issues related to epistemological disjunctivism, including its relationship with perceptual disjunctivism, radical skepticism, and reasons for belief. Finally, the third group of essays extends the framework of epistemological disjunctivism to other forms of knowledge, such as testimonial knowledge, knowledge of other minds, and self-knowledge. Epistemological Disjunctivism is a timely collection that engages with an increasingly important topic in philosophy. It will appeal to researches and graduate students working in epistemology, philosophy of mind, and philosophy of perception.
Publisher: Routledge
ISBN: 1351603558
Category : Philosophy
Languages : en
Pages : 383
Book Description
This is the first volume dedicated solely to the topic of epistemological disjunctivism. The original essays in this volume, written by leading and up-and-coming scholars on the topic, are divided into three thematic sections. The first set of chapters addresses the historical background of epistemological disjunctivism. It features essays on ancient epistemology, Immanuel Kant, J.L. Austin, Edmund Husserl, and Ludwig Wittgenstein. The second section tackles a number contemporary issues related to epistemological disjunctivism, including its relationship with perceptual disjunctivism, radical skepticism, and reasons for belief. Finally, the third group of essays extends the framework of epistemological disjunctivism to other forms of knowledge, such as testimonial knowledge, knowledge of other minds, and self-knowledge. Epistemological Disjunctivism is a timely collection that engages with an increasingly important topic in philosophy. It will appeal to researches and graduate students working in epistemology, philosophy of mind, and philosophy of perception.
Testimonial Advertising in the American Marketplace
Author: M. Moskowitz
Publisher: Springer
ISBN: 0230101712
Category : History
Languages : en
Pages : 243
Book Description
This book explores the history and practice of testimonial advertising in the United States from the mid-nineteenth century to the present day, addressing a surprising lack of scholarship on this enduring and pervasive marketing tool. Treating consumers as neither the victims nor the empowered foes of corporate practices, the authors gathered here contribute to new scholarship at the intersection of cultural and business history by examining how testimonials mediate negotiations between producers and consumers and shape modern cultural attitudes about social identity, advice, community, celebrity, and the consumption of brand-name goods and services.
Publisher: Springer
ISBN: 0230101712
Category : History
Languages : en
Pages : 243
Book Description
This book explores the history and practice of testimonial advertising in the United States from the mid-nineteenth century to the present day, addressing a surprising lack of scholarship on this enduring and pervasive marketing tool. Treating consumers as neither the victims nor the empowered foes of corporate practices, the authors gathered here contribute to new scholarship at the intersection of cultural and business history by examining how testimonials mediate negotiations between producers and consumers and shape modern cultural attitudes about social identity, advice, community, celebrity, and the consumption of brand-name goods and services.
Testimonial Montage
Author: Sheila E. Jelen
Publisher: Lexington Books
ISBN: 1666907456
Category : Social Science
Languages : en
Pages : 225
Book Description
Testimonial Montage: A Family of Israeli Holocaust Testimonies from the Cracow Ghetto Resistance explores interconnected testimonies of four Holocaust survivors who were members of the Akiva youth group in Cracow, Poland, who participated in the ghetto resistance. Drawing on literary and photographic discourse, Jelen extracts the contours of personal narrative from the collective voice present in these interconnected testimonies. Attuned to stories of lost youth, sexual exploitation, and the dissolution of community and family, Jelen approaches Holocaust testimonies as one would members of a family with their shared experiences and common background, but also as individuals with their own unique voices. Departing from historical methodologies, Jelen models a different, wholistic approach to Holocaust testimonies, one which seeks to make sense of testimonies in the full breadth of their unfolding, across time, across space, and across genre.
Publisher: Lexington Books
ISBN: 1666907456
Category : Social Science
Languages : en
Pages : 225
Book Description
Testimonial Montage: A Family of Israeli Holocaust Testimonies from the Cracow Ghetto Resistance explores interconnected testimonies of four Holocaust survivors who were members of the Akiva youth group in Cracow, Poland, who participated in the ghetto resistance. Drawing on literary and photographic discourse, Jelen extracts the contours of personal narrative from the collective voice present in these interconnected testimonies. Attuned to stories of lost youth, sexual exploitation, and the dissolution of community and family, Jelen approaches Holocaust testimonies as one would members of a family with their shared experiences and common background, but also as individuals with their own unique voices. Departing from historical methodologies, Jelen models a different, wholistic approach to Holocaust testimonies, one which seeks to make sense of testimonies in the full breadth of their unfolding, across time, across space, and across genre.