The Terracottas of the Tarantine Greeks

The Terracottas of the Tarantine Greeks PDF Author: Bonnie M. Kingsley
Publisher: Getty Publications
ISBN: 0892360178
Category : Art
Languages : en
Pages : 50

Book Description
Working in shops near shrines and temples in the ancient city of Tarentum, the coroplasts, or figurine modelers, produced enormous numbers of figurines for use by worshipers as votive or funeral offerings. Presented here is the small collection of molds and figurines from southern Italy now in the possession of the Getty Museum, with an expert discussion focusing on the original form and function of the figures.

The Terracottas of the Tarantine Greeks

The Terracottas of the Tarantine Greeks PDF Author: Bonnie M. Kingsley
Publisher:
ISBN:
Category : Figurines
Languages : en
Pages : 60

Book Description


Hellenistic Relief Molds from the Athenian Agora

Hellenistic Relief Molds from the Athenian Agora PDF Author: Clairève Grandjouan
Publisher: ASCSA
ISBN: 9780876615232
Category : Art
Languages : en
Pages : 136

Book Description
Over 100 clay molds found between 1931 and 1977 in the fills within the three great Hellenistic stoas that once lined the Agora (the Middle Stoa, the Stoa of Attalos, and the South Stoa) are published in this book. While the repertory of images that could have been cast using them, comprising 25 subjects, is relatively conventional, the large size (up to 30 x 60 cm) makes their function a puzzle. The author concludes that they must have been for the casting of cheap funerary substitutes at a time when a decree of Demetrios of Phaleron prohibited the building of costly burial monuments in Athens. After the author's death in 1982, this volume was edited by Eileen Markson and Susan I. Rotroff.

Ancient Terracottas from South Italy and Sicily in the J. Paul Getty Museum

Ancient Terracottas from South Italy and Sicily in the J. Paul Getty Museum PDF Author: Maria Lucia Ferruzza
Publisher: Getty Publications
ISBN: 1606064851
Category : Art
Languages : en
Pages : 444

Book Description
In the ancient world, terracotta sculpture was ubiquitous. Readily available and economical—unlike stone suitable for carving—clay allowed artisans to craft figures of remarkable variety and expressiveness. Terracottas from South Italy and Sicily attest to the prolific coroplastic workshops that supplied sacred and decorative images for sanctuaries, settlements, and cemeteries. Sixty terracottas are investigated here by noted scholar Maria Lucia Ferruzza, comprising a selection of significant types from the Getty’s larger collection—life-size sculptures, statuettes, heads and busts, altars, and decorative appliqués. In addition to the comprehensive catalogue entries, the publication includes a guide to the full collection of over one thousand other figurines and molds from the region by Getty curator of antiquities Claire L. Lyons. Reflecting the Getty's commitment to open content, Ancient Terracottas from South Italy and Sicily in the J. Paul Getty Museum is available online at www.getty.edu/publications/terracottas and may be downloaded for free.

Catalogue of the Terracottas in the Department of Greek and Roman Antiquities, British Museum

Catalogue of the Terracottas in the Department of Greek and Roman Antiquities, British Museum PDF Author: British Museum. Department of Greek and Roman Antiquities
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 452

Book Description


Tarantine Terracotta Moulds and Reliefs in the J. Paul Getty Museum

Tarantine Terracotta Moulds and Reliefs in the J. Paul Getty Museum PDF Author: Bonnie Marie-Kathryn Kingsley
Publisher:
ISBN:
Category :
Languages : en
Pages : 672

Book Description


Ceramic, Art and Civilisation

Ceramic, Art and Civilisation PDF Author: Paul Greenhalgh
Publisher: Bloomsbury Publishing
ISBN: 1474239722
Category : Art
Languages : en
Pages : 512

Book Description
In his major new history, Paul Greenhalgh tells the story of ceramics as a story of human civilisation, from the Ancient Greeks to the present day. As a core craft technology, pottery has underpinned domesticity, business, religion, recreation, architecture, and art for millennia. Indeed, the history of ceramics parallels the development of human society. This fascinating and very human history traces the story of ceramic art and industry from the Ancient Greeks to the Romans and the medieval world; Islamic ceramic cultures and their influence on the Italian Renaissance; Chinese and European porcelain production; modernity and Art Nouveau; the rise of the studio potter, Art Deco, International Style and Mid-Century Modern, and finally, the contemporary explosion of ceramic making and the postmodern potter. Interwoven in this journey through time and place is the story of the pots themselves, the culture of the ceramics, and their character and meaning. Ceramics have had a presence in virtually every country and historical period, and have worked as a commodity servicing every social class. They are omnipresent: a ubiquitous art. Ceramic culture is a clear, unique, definable thing, and has an internal logic that holds it together through millennia. Hence ceramics is the most peculiar and extraordinary of all the arts. At once cheap, expensive, elite, plebeian, high-tech, low-tech, exotic, eccentric, comic, tragic, spiritual, and secular, it has revealed itself to be as fluid as the mud it is made from. Ceramics are the very stuff of how civilized life was, and is, led. This then is the story of human society's most surprising core causes and effects.

Egyptianizing Figurines from Delos

Egyptianizing Figurines from Delos PDF Author: Caitlín Barrett
Publisher: BRILL
ISBN: 9004222669
Category : History
Languages : en
Pages : 832

Book Description
This book investigates Hellenistic popular religion through an interdisciplinary study of terracotta figurines of Egyptian deities, mostly from domestic contexts, from the trading port of Delos. A comparison of the figurines’ iconography to parallels in Egyptian religious texts, temple reliefs, and ritual objects suggests that many figurines depict deities or rituals associated with Egyptian festivals. An analysis of the objects’ clay fabrics and manufacturing techniques indicates that most were made on Delos. Additionally, archival research on unpublished notes from early excavations reveals new data on many figurines’ archaeological contexts, illuminating their roles in both domestic and temple cults. The results offer a new perspective on Hellenistic reinterpretations of Egyptian religion, as well as the relationship between “popular” and “official” cults.

Haverford College Collection of Classical Antiquities

Haverford College Collection of Classical Antiquities PDF Author: Haverford College
Publisher: UPenn Museum of Archaeology
ISBN: 0924171693
Category : Art
Languages : en
Pages : 76

Book Description
In 1989 Ernest Allen bequeathed a fine collection of 25 classical vases and terracottas to Haverford College. The range of objects includes a Mycenean stirrup jar, a selection of black- and red-figure vases, a white-ground lekythos, several fine archaic terracottas, and two Duver plaques with colorful striding griffins. Dr. Ashmead presents an overview of each object and its significance along with a scholarly approach to complete detailed descriptions and comparanda. Each piece is illustrated by black-and-white photographs.

The J. Paul Getty Museum Journal

The J. Paul Getty Museum Journal PDF Author: The J. Paul Getty Muiseum
Publisher: Getty Publications
ISBN: 0892360062
Category : Art
Languages : en
Pages : 90

Book Description
The J. Paul Getty Museum Journal 4 is a compendium of articles and notes pertaining to the Museum’s permanent collections of decorative arts. This volume includes an introduction and two articles by Gillian Wilson, Curator of Decorative Arts. Volume 4 also features articles by Jiří Frel, the Museum’s Curator of Antiquities; Edith Standen, Curatorial Consultant, Department of Western European Art, the Metropolitan Museum of Art in New York; Geraldine Hussman, California State University at Northridge; Jean-Luc Bordeaux, Professor of Art History and Director of the Fine Arts Gallery, California State University at Northridge; and Faya Causey, University of California, Santa Barbara.