Author: John LIGHTFOOT (D.D.)Publisher:
ISBN:
Category :
Languages : en
Pages : 304
Book Description
The Temple; Especially as it Stood in the Dayes of Our Saviour. Described by J. Lightfoote
Author: John LIGHTFOOT (D.D.)Publisher:
ISBN:
Category :
Languages : en
Pages : 304
Book Description
The Temple: Especially as it Stood in the Dayes of Our Saviour. Described by John Lightfoote
Author: John LightfootA cyclopædia of biblical literature, ed. by J. Kitto
Author: William Lindsay AlexanderPublisher:
ISBN:
Category :
Languages : en
Pages : 936
Book Description
The Temple: Especially as it Stood in the Dayes of Our Saviour
Author: John I LightfooteCyclopaedia Bibliographica: a Library Manual of Theological and General Literature, and Guide to Books for Authors, Preachers, Students, and Literary Men. Subjects. Holy Scriptures
Author: James Darling (Bookseller in London, 1797-1862.)Publisher:
ISBN:
Category :
Languages : en
Pages : 980
Book Description
A Catalogue of Books on Freemasonry and Kindred Subjects. (Fourth Edition.) F.P.
Author: William GOWANSDICTIONARY OF NATIONAL BIOGRAPHY
Author: Dictionary of National Biography
Author: Leslie StephenPublisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 470
Book Description
The Dictionary of National Biography, Founded in 1882 by George Smith
Author: Dealing with the Visual
Author: Caroline van EckPublisher: Routledge
ISBN: 1351160222
Category : Art
Languages : en
Pages : 297
Book Description
One of the issues underlying current debates between practitioners of art history, visual culture and aesthetics is whether the visual is a unique, irreducible category, or whether it can be assimilated with the textual or verbal without any significant loss. Can paintings, buildings or installations be 'read' in the way texts are read or deciphered, or do works of visual art ask for their own kind of appreciation? This is not only a question of choosing the right method in dealing with visual works of art, but also an issue that touches on the roots of the disciplines involved: can a case be made for the visual as an irreducible category of art, and if so, how is it best studied and appreciated? In this anthology, this question is approached from the angles of three disciplines: aesthetics, visual culture and art history. Unlike many existing overviews of visual culture studies, it includes both painting and architecture, and investigates historical ways of defining and appreciating the visual in their own, contemporary terms. Dealing with the Visual will be of great use to advanced students because it offers an overview of current debates, and to graduate students and professionals in the field because the essays offer in-depth investigations of the methodological issues involved and various historical ways of defining visuality. The topics included range from early modern ways of viewing pictures and sixteenth-century views of Palladio's villas in their landscape settings to contemporary debate about whether there is life yet in painting.