The Technological Imagination PDF Download

Author: Anne Balsamo
Publisher: Duke University Press
ISBN: 0822344459
Category : Computers
Languages : en
Pages : 309

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The cultural theorist and media designer Anne Balsamo calls for transforming learning practices to inspire culturally attuned technological imaginations.

Author:
Publisher: BRILL
ISBN: 9042027487
Category : Art
Languages : en
Pages : 398

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Book Description
This volume, Futurism and the Technological Imagination, results from a conference of the International Society for the Study of European Ideas in Helsinki. It contains a number of re-written conference contributions as well as several specially commissioned essays that address various aspects of the Futurists’ relationship to technology both on an ideological level and with regard to their artistic languages. In the early twentieth century, many art movements vied with each other to overhaul the aesthetic and ideological foundations of arts and literature and to make them suitable vehicles of expression in the new Era of the Machine. Some of the most remarkable examples came from the Futurist movement, founded in 1909 by Filippo Tommaso Marinetti. By addressing the full spectrum of Futurist attitudes to science and the machine world, this collection of 14 essays offers a multifaceted account of the complex and often contradictory features of the Futurist technological imagination. The volume will appeal to anybody interested in the history of modern culture, art and literature.

Author: Teresa De Lauretis
Publisher: Coda Press, Incorporated
ISBN:
Category : Social Science
Languages : en
Pages : 316

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Author: F. Scott Scribner
Publisher: Penn State Press
ISBN: 0271034750
Category : Philosophy
Languages : en
Pages : 196

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Book Description
Hundreds of buildings, thousands of people, countless stories&—there&’s always more to learn about Penn State, no matter how much time you&’ve spent there. This Is Penn State: An Insider&’s Guide to the University Park Campus will enlighten anyone with an interest in the University, from visiting parents to lifelong State College residents. This Is Penn State documents the rich history beneath the surface of the Penn State experience, offering facts and figures, essays and anecdotes, obscure trivia, notable quotations, and a wealth of other information about Penn State&’s past, present, and future. Forty of the University&’s most prominent buildings and areas are highlighted, accompanied by more than 120 illustrations, ranging from historical photographs to architectural sketches of buildings not yet completed. Essays by veteran Penn Staters Leon Stout, Craig Zabel, and Gabriel Welsch cover Penn State&’s history, architecture, and changing physical landscape. And when you want to get outside and see the campus firsthand, This Is Penn State is your guidebook to University Park. The four detailed maps take you on a west-to-east walking tour of Penn State&’s buildings, allowing you to understand the development of each area of campus. Over the last 150 years, Penn State has been devoted to scholarship, research, and community service. In honor of the University&’s sesquicentennial and in celebration of the Press&’s fiftieth anniversary, the Penn State Press is proud to offer This Is Penn State as its gift to everyone who feels a connection with &“dear old State.&”

Author: JOHN BECK; RYAN BISHOP.
Publisher:
ISBN: 9781478090052
Category : Arts
Languages : en
Pages :

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"TECHNOCRATS OF THE IMAGINATION traces the rise of collaborative art and technology labs in the U.S. from WWII to the present. Ryan Bishop and John Beck reveal the intertwined histories of the avant-garde art movement and the military-industrial complex, showing how radical pedagogical practices traveled from Germany's Bauhaus movement to the U.S. art world and interacted with government-funded military research and development in university laboratories. During the 1960s both media labs and studio labs leaned heavily on methods of interdisciplinary collaboration and the power of American modernity to model new modes of social organization. The book's chapters take up MIT's Center for Art, Science, and Technology, Bell Labs's E.A.T. (Experiments in Art and Technology) Salon, and Los Angeles Museum of Art's Art + Technology Program. Their interconnected history illuminates how much of contemporary media culture and aesthetics depends on the historical relationship between military, corporate, and university actors. In light of revived interest in Black Mountain College and other 1960s art and technology labs, this book draws important connections between the contemporary art world and the militarized lab model of research that has dominated the sciences since the 1950s. The authors situate the rise of collaborative art and technology projects in the 1960s within John Dewey's ideology of scientific democracy, showing how leading thinkers from the Bauhaus movement in Germany immigrated to the U.S. and brought with them a Deweyan model for collaborative and interdisciplinary art and technology research. Over the course of the decade, the U.S. government increased funding to scientific research at university and private laboratories. Beck and Bishop investigate how various art and technology projects incorporated the collaborative and innovative interdisciplinarity of the avant-garde art movement with the corporate funding structure driven by the U.S. government's military and technoscientific interests. Finally, the authors consider the legacy of 1960s art and technology projects. During the 1970s and 80s, defense R&D funding was less motivated by a Cold War corporate state, and was instead restructured according to an entrepreneurial and neoliberal model. At the same time, funding in the art world also became increasingly financialized and globalized. Today's art and technology work happens collaboratively not because of an intellectual commitment to interdisciplinarity, but because of the precarity of the contemporary labor market. This book will interest students and scholars in art history and theory, media studies, history of technology, American studies, cultural studies, and critical university studies"--

Author: Günter Berghaus
Publisher: Rodopi
ISBN: 9042027479
Category : Art
Languages : en
Pages : 401

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Book Description
This volume, Futurism and the Technological Imagination, results from a conference of the International Society for the Study of European Ideas in Helsinki. It contains a number of re-written conference contributions as well as several specially commissioned essays that address various aspects of the Futurists' relationship to technology both on an ideological level and with regard to their artistic languages. In the early twentieth century, many art movements vied with each other to overhaul the aesthetic and ideological foundations of arts and literature and to make them suitable vehicles of expression in the new Era of the Machine. Some of the most remarkable examples came from the Futurist movement, founded in 1909 by Filippo Tommaso Marinetti. By addressing the full spectrum of Futurist attitudes to science and the machine world, this collection of 14 essays offers a multifaceted account of the complex and often contradictory features of the Futurist technological imagination. The volume will appeal to anybody interested in the history of modern culture, art and literature.

Author: Phil Turner
Publisher: Springer Nature
ISBN: 3030373487
Category : Computers
Languages : en
Pages : 148

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Book Description
Imagination is highly valued and sought-after, yet elusive and ill-defined. Definitions range from narrowly cognitive accounts to those which endow imagination with world-making powers. Imagination underpins our ability to speculate about the future and to re-experience the past. The everyday functioning of society relies on being able to imagine the perspectives of others; and our sense of who we are depends on the stories our imaginations create. Our soaring imaginations have taken us to the moon and allowed Einstein to race a light beam. Unsurprisingly, imagination underlies every aspect of human-computer interaction, from the earliest conceptual sketches, through the realistic possibilities portrayed variously in well-known tools as scenarios and storyboards, through to the wilder shores of design fictions. Yet, curiously, imagination is very rarely addressed directly in the design and HCI literature (and is wholly missing from virtual reality). This book addresses this gap in our accounts of how we imagine, conceptualise, design and use digital technologies. Drawing on many years of practical and academic experience in human computer-interaction, together with a wide range of material from psychology, design, cognitive science and HCI, seasoned with a little philosophy and anthropology, Imagination + Technology first considers imagination itself and the principal farthings of a new account. Later chapters discuss the role of imagination in the design, aesthetics, use and experience of digital technologies before the concluding chapter focusses on the provocative nature of imagination. The book will be stimulating reading for anyone working in the field of interactive technology and related areas, whether academics, students or practitioners.

Author: Eugenio Arbizzani
Publisher: Springer Nature
ISBN: 3031295153
Category : Architecture
Languages : en
Pages : 1027

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Book Description
This open access book addresses the pressing need for sustainability in urban development and the use of technology, with cities to serve as the main stage for strategies that seek to meet the targets and the cross-sector priorities indicated in the EU’s Next Generation program, all in pursuit of a solid recovery on the part of the European economy, along lines of ecological transition, digitalization, competitiveness, training, and inclusion to overcome social, territorial, and gender differences. The international study encounter is meant to promote visions shared by architectural technology and other disciplines, which, though they may appear to differ, are closely interconnected, with the aim of achieving an open, interdisciplinary integration capable of proposing concrete projects regarding topics held to be of strategic importance to the future of the built environment. These are identified to draw up evolving scenarios of architecture and cities suited to reflection, at various levels, on innovative models of process and product.

Author: F. Scott Scribner
Publisher:
ISBN: 9780271055121
Category : Imagination
Languages : en
Pages : 205

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Book Description
"An interpretation of the philosophy of J.G. Fichte. Examines the impact of nineteenth-century psychological techniques and technologies on the formation of his theory of the imagination"--Provided by publisher.

Author: Francesca Bisutti de Riz
Publisher:
ISBN:
Category : Imagination
Languages : en
Pages :

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